Detective Pikachu Reviews Are Up, See What Critics Are Saying

Detective Pikachu Reviews Are Up, See What Critics Are Saying

After over two decades of video games, trading cards and animated TV shows and movies, Pokemon is finally making the jump to the live action realm with Pokemon: Detective Pikachu. The movie is arriving in theaters this weekend, but as is usually the case, numerous critics were able to see the movie early. Following the initial social media reactions, Pokemon: Detective Pikachu reviews are now pouring in, and the reception towards the first live action Pokemon movie is fairly mixed.

Starting, CinemaBlend’s own Dirk Libbey had a more mixed view towards Pokemon: Detective Pikachu, giving it 3 stars out of 5 stars in his review and saying that while you don’t need to be a Pokemon expert to enjoy the movie, it doesn’t hurt. Dirk complimented the look of Pokemon: Detective Pikachu, but noted that it’s filled with over-exposition about details concerning each major Pokemon, and the story leaves a lot to be desired, though it’s clear that Ryan Reynolds had a lot of fun voicing the titular Pikachu.

… While exposition is ham-handed and motivations are far from clear, there's a charm in Detective Pikachu that is undeniable. Seeing these creatures come to life is going to be a blast for fans, and while some of the references to the franchise might be lost on non-fans, Ryan Reynolds' charisma combined with seeing one lovingly crafted Pokemon creature after another will likely carry you through.

AV Club’s Jesse Hassenger was also more critical towards Pokemon: Detective Pikachu, giving it a C-. In Jesse’s opinion, the movie fails to effectively mix the classic Pokemon mythology with noir tropes, which is especially unfortunate for Kathryn Newton’s Lucy Stevens. Ultimately, Pokemon: Detective Pikachu “settles into the generic rhythms of a second-tier ’80s cop movie—in other words, noir for dummies,” though the Pokemon at least look good in their “half-realistic, half-cartoony CG.”

The movie tries to sound like a comedy (especially when Reynolds is talking), look like a noir, and act like a big summer blockbuster. It ends up a whole lot of cute, branded nothing—watchable junk for young adults of tomorrow to look back on with inordinate fondness.

On the more positive end of the spectrum, Dan Casey from Nerdist gave Pokemon: Detective Pikachu 4 out of 5 stars, calling it a “super effective” story that helps break the video game movie curse. Boasting “eticulous visual effects wizardry, a delightfully dry sense of humor, and an abiding love of pulp and noir,” Pokemon: Detective Pikachu gives audiences a world where these Pocket Monsters feel like “living, breathing creatures.”

While Detective Pikachu doesn’t reinvent the wheel in terms of storytelling, it has managed the seemingly impossible of creating a deeply satisfying and fully realized world based on something with so much fan expectation and preconceived notions attached to it.

Back to mixed territory, Empire’s Olly Richards stamped Pokemon: Detective Pikachu with 3 out of 5 stars. In Olly’s eyes, the movie’s plotting is “pretty shoddy,” in that it doesn’t clearly establish the rules of Pokemon and full of characters monologuing about what’s happening and what will happen. The saving grace is Ryan Reynolds’ performance as Pikachu, as his lines are “sharp, silly and knowing.”

It’s impossible to overstate how much this film owes to Ryan Reynolds. Even if you don’t understand Pikachu’s world, everyone can understand a great joke superbly delivered.

Chris Nashawaty from Entertainment Weekly gave Pokemon: Detective Pikachu a C+, calling it “narratively incoherent to the point of being almost avant-garde.” If you’re already a Pokemon fan, you’ll appreciate the movie much more than someone going in with barely any familiarity with the franchise.

As the wisecracking voice of Pikachu, Ryan Reynolds deserves some sort of special citation for doing the best he can without Deadpool’s f-bombs (or a decent script) to lean on. But the main problem is that the film’s gumball-mayhem plot is so frenetic that it’s impossible to determine if it makes a lick of sense. Maybe that was the point.

The Hollywood Reporter’s Michael Rechtshaffen was among the critics who took a more positive stance on Pokemon: Detective Pikachu, saying that writer/director Rob Letterman’s “energetic direction,” Ryan Reynolds’ “world-weary” Pikachu and Justice Smith’s “necessarily reactive performance” are just enough to make this an enjoyable cinematic offering.

Those anticipating another Golden Raspberry-worthy contender like last year’s The Happytime Murders, another spoof of classic pulp fiction, can park their preconceived notions at the door. It turns out Pokemon Detective Pikachu isn’t half bad.

Finally, IGN’s Joshua Yehl awarded Pokemon: Detective Pikachu an 8 out of 10 score, complementing how well animated the Pokemon are and how they feel like a “natural part of the world.” The storytelling “isn’t entirely up to par,” but this is somewhat balanced out by a “layered sense of humor” that’s willing to poke fun at itself and paves the way for some deep-cut references.

Detective Pikachu mixes humor, heart, and gloriously-rendered Pokémon to deliver a simple yet entertaining time.

These are just a sampling of the Pokemon: Detective Pikachu reviews available now, so feel free to read what other people thought of the movie elsewhere on the internet. However, working off these examples, Pokemon: Detective Pikachu falls right in the middle when it comes to critical reception. There’s definitely enough for longtime Pokemon fans to enjoy, and some newbies might also be entertained, but there are definitely various issues that prevent this movie from being exceptional.

Looking to the commercial side of things, Pokemon: Detective Pikachu was predicted last month to open between $75-$90 million, so it won’t be much longer until we learn whether it meets, exceeds or falls short of those expectations. Assuming it is a critical success, Warner Bros already has a Detective Pikachu sequel in the works, and there’s the potential for this film series to evolve into a cinematic universe.

You can judge Pokemon: Detective Pikachu for yourself starting this weekend, but if you’re more curious about what movies will be arriving later in 2019, you can look through our handy release schedule for that information. Be sure to stay tuned to CinemaBlend for any updates concerning the future of Pokemon on the silver screen.

Looks Like The Fox And Disney Merger Will Cause A Ton Of Layoffs

Looks Like The Fox And Disney Merger Will Cause A Ton Of Layoffs

Even if you've never personally been part of a business merger of any kind (and I have), it's not hard to predict many of the things that will happen as a result. When two companies that used to do largely the same thing come together, you end up with one company that has a lot more employees doing the same job than it may necessarily need. That means layoffs. When two companies the size of Disney and 20th Century Fox come together, that's a lot of employees, and that means a lot of potential layoffs. Specifically, 7,500 people are expected to end up unemployed as a result of the merger.

Needless to say, 7,500 people is a lot of people who likely will be viewed as redundant after the dust settles. The Disney/Fox merger is expected to be finalized on paper as early as next week. We likely won't see a bunch of people out of work on day one. A lot of the work of combining these two massive companies together likely hasn't even started yet, waiting for the merger to become official.

Certainly, not everybody coming on board is going to lose their job. Fox, and its various subsidiary divisions, is going to remain as a separate distribution label under the Disney umbrella, similar to Marvel Studios or Lucasfilm. Those parts of the company will still need people to run them and handle various jobs inside.

While it's easy to assume that layoffs will hurt a lot of the people in smaller positions, and it certainly will, nobody is entirely immune from layoffs. The new company doesn't necessarily need any more vice presidents or other top level executives than it already has, so some layoffs will take place at every level. Though, certainly things will hurt the lower level employees more.

Most of these layoffs will likely come from the Fox side of things. Disney is the company retaining control over the new company, it's easier for Disney to simply keep all its people in place and simply add in the necessary Fox people, but there's no way to know for sure.

It shows just how big the new Walt Disney Company will be that it is adding an entirely new film division, some smaller film subsidiaries, like Fox Searchlight, as well as new cable channels, and more, and will still need to layoff something close to 7,500 people. THR says that the massive merger between AT&T and Time Warner won't result in nearly as many lost jobs. While there are some undeniably cool things that a Disney/Fox merger may create on the content side of things, it can't be overstated that this merger is changing the media landscape forever.

Wheels will begin turning next week once the merger is official and the new Walt Disney Company begins to move forward and figure out what it is going to be. Hopefully, the people who find themselves without a home in the new company won't be without a job for too long.

Shazam! Director Reveals Behind The Scenes Look At His Cameo

Shazam! Director Reveals Behind The Scenes Look At His Cameo

Warning: The following contains SPOILERS for Shazam!

Big movies will often have fun cameos from their directors and DC’s Shazam! is no different. Director David F. Sandberg did show up in his delightful first foray into superhero moviemaking, but you could be forgiven for not spotting him. While many of Shazam!’s cameos are front and center for the audience to see, David F. Sandberg’s is very well hidden. The director recently revealed his cameo though and the process that went in to making it happen. Check it out:

The way David F. Sandberg presents this behind the scenes is funny, because when you first see him with his head covered in some kind of mold, you start wracking your brain trying to remember the movie and figure out what this cameo could possibly be. Or at least I did. The director was clearly getting fitted for some sort of molded costume and as you scroll through his Instagram pictures, you discover what that costume was.

David F. Sandberg cameoed as one of the Crocodile Men towards the end of the film, and it was clearly quite the involved process to make this cameo happen. Once the molds were made, we see that David F. Sandberg got to wear and test out a remote controlled crocodile head helmet that he could move with and snap its jaws. The prosthetic croc head even had the ability to electronically control the movement of the eyes and the eyelids.

The whole thing honestly looks ridiculous and kind of fun, if not a little stuffy. This also makes it plainly obvious why you could watch Shazam! a thousand times and not spot David F. Sandberg’s cameo without his reveal here. Quite a bit of work went in to making this practical effect and cameo happen, which is admirable considering that it could have just been done with CGI (without the cameo) for what was ultimately a very quick shot.

The cameo occurs towards the end of the movie, when Shazam and his foster siblings are trying to escape from the Rock of Eternity and Doctor Sivana and they come to a cavern filled with many doors to the Seven Realms. They begin opening doors to find a way out and one of those doors had the strange sight of three crocodile men in suits playing cards in it.

As David F. Sandberg shows in his Instagram, this isn’t an invention for the film but an Easter egg that has a basis in the comics. The Crocodile Men of the planet Punkus are villains of Shazam and members of the Monster Society of Evil.

This is quite a cool cameo that doubles as an Easter egg, and also shows how much fun David F. Sandberg wanted to have in this. He could have just shown up in the crowd during the bus scene or at the Christmas carnival at the end of the film but he went all out to do something different. There’s nothing wrong with more traditional cameos but its fitting that the horror director wanted to get a monster costume for his cameo.

David F. Sandberg’s heavily concealed appearance was far from the only cameo in Shazam! The film also featured a host of cameos from actors like Adam Brody as members of the adult Shazam Family, the appearance of which was a well-guarded secret prior to the film’s release. There was also something of a half-cameo by Superman at the end of the film, although it was not Henry Cavill.

Shazam! is now playing. Check out our 2019 Release Schedule to keep track of all this year’s biggest movies and stay tuned to CinemaBlend for all your movie news.

Hellboy’s Milla Jovovich Says Her ‘Raddest Films’ Are Always Panned By Critics

Hellboy’s Milla Jovovich Says Her ‘Raddest Films’ Are Always Panned By Critics

The box office numbers are in and the Hellboy r-rated remake didn’t win the box office. In fact, it didn’t even get second on its opening weekend. Instead, it landed in third place, so far only pulling in a little over $12 million at the box office on a reported $50 million budget.

It doesn’t look great for the superhero reboot, but Hellboy definitely has one person championing it: actress Milla Jovovich, who plays Nimue in the film.

In fact, the actress actually seems to be actively trying to stay pumped about Hellboy’s first weekend box office total. That’s because all of her “raddest films” really haven’t ignited at the box office. Or, as she put it,

It’s always stressful on opening weekend and Hellboy is no different. You work super hard to make something fun and entertaining and have to absorb the negative reviews by movie critics, but hey! THAT’S SHOWBIZ BABY. All I’m gonna say before going to bed is this: All my raddest films have been slammed by critics. It’s fucking hilarious.

As the actress notes, when you’re well known for movies that never really made a dent in the theatrical box office total, you get pretty inured to the showbiz cycle. In Milla Jovovich’s case, box office really hasn’t had much to do with the successes in her career.

She’s made a name for herself in projects like The Fifth Element and Resident Evil – both movies that made like $17 million on their respective opening weekends but went on to become cult favorites.

She continued to talk about these cult movies on Instagram, noting,

Dazed and Confused? Seriously? Classic movie. The Fifth Element! You would have thought that was the worst movie ever made if you read the reviews in like ‘98. Zoolander? Slammed. Joan of Arc? Disaster. Resident Evil? Let’s not even go there. Anyway, every one of those films is now a cult classic. EVERY. SINGLE. ONE. And this will be too. Mark my words.

The good news for Hellboy is that even though critics do not seem to be loving the movie, the audience score for the flick is a little more on board. Hellboy does seem to have some fans out there and perhaps those fans will translate into fonder remembrances down the line.

Honestly, it was always a little confusing why Lionsgate wanted to release Hellboy in April. It seemed primed to be more of a late summer/ early fall title. Plus, April is jam-packed with superhero content. Sandwiching the R-rated movie between the PG-13 Shazam! and the PG-13 Avengers: Endgame may have seemed like counterprogramming, but to me it seemed like packing too much in. We wrote a comprehensive piece about this a couple of months ago here at CinemaBlend, although my coworker argued the movie should come out over the summer and not next fall. Either way, here we are.

Although I typically see myriad movies every month, most people don’t see three movies a year, much less three in one month and even fewer go see three superhero movies in a month! Movie also lose traction the longer they are in theaters, so it’s difficult to see where this one will earn its budget back unless it does become a cult favorite, as Milla Jovovich has suggested here.

Only time will tell if Hellboy lands closer to something like The Shadow in the superhero spectrum or ends up being a film that goes gently into the good night. We’ll keep you updated either way.

New Avengers: Endgame Video Pays Tribute To Every Single Marvel Movie

New Avengers: Endgame Video Pays Tribute To Every Single Marvel Movie

It's almost hard to believe, but we're mere days away from the arrival of Avengers: Endgame. It's been a long year since Infinity War arrived in theaters, and left the public shocked as Josh Brolin's Thanos took victory. In the meantime, we met Captain Marvel and The Wasp, although all eyes are on what the Russo Brothers' upcoming blockbuster will contain, and how it'll wrap up Phase Three.

Avengers: Endgame has been teased to be the cumulation of the past 21 movies, with the Marvel Cinematic Universe as we know coming to an end in the process. Endgame's contents are almost a complete mystery, with the marketing material methodically releasing footage ahead of its release. The newest trailer paid tribute to each of the preceding blockbusters, and it's enough to make some fans misty eyed. Check it out.

I'm not crying, you're crying. Avengers: Endgame has been a long time coming for Marvel fans, as cinephiles have put up a ton of money and actively followed the shared universe for a decade.

The above Avengers: Endgame trailer fails to provide any exciting new footage, but that doesn't make it any less powerful. Footage from the past decade of filmmaking are seamlessly woven together, as the Marvel Cinematic Universe's countless characters make appearances. The video's narration is provided by a variety of characters throughout the MCU, and is edited together to make up one coherent monologue. The studio pioneered serialized storytelling, and this Endgame trailer is certainly no exception.

It should be interesting to see how much Avengers: Endgame goes into the shared universe's long history. This trailer seems to indicate an emphasis on the past, but it may just be a way to advertise the movie without giving away new footage. Still, the OG Avengers all managed to survive Thanos' finger snap of death, so Endgame does appear to be going back to its roots in some ways.

Avengers: Endgame has also been long theorized to include time travel, which should allow The Russo Brothers to really delve into Marvel's tenure in theaters. While it's unclear exactly how that could be done (the Quantum Realm? The Time Stone?), early reports indicated the heroes would be returning to The Battle of New York from the first Avengers movie. We'll just have to see if those rumors come to fruition.

The surviving heroes have a ton of dirty laundry to unpack, as they grapple with half of Earth's life suddenly fading to dust. Captain America and Iron Man have yet to repair their relationship, while Hawkeye seems thoroughly changed from Thanos' snap. Nebula and Rocket are also in deep mourning, and Thor must live with knowing he didn't aim for the head. All of the MCU has lead to this, and Endgame should be an emotional and epic final ride with the titular team of heroes.

All will be revealed when Avengers: Endgame arrives in theaters on April 26th. In the meantime, fill out our Endgame death pool, and be sure to check out our 2019 release list to plan your next trip to the movies.

No, Avengers: Endgame Doesn't Need An Intermission

No, Avengers: Endgame Doesn't Need An Intermission

How hotly awaited is Avengers: Endgame? Well, it's the only film I can remember in recent memory where the unveiling of the running time has been a cultural event. That revelation happened this morning, as it was noted that the end of the arc now known as The Infinity Saga is going to run three hours and two minutes. But even in the hyping of that eventual revelation, there was a somewhat common thread that kept cropping up in commentary about the film's impending release: the demand for an intermission to run somewhere during the film. I think that's a bad idea.

While intermissions have been used for epic event movies in the past, and even most recently in The Hateful Eight's roadshow edition, it's a practice that isn't used too often. Quite frankly, the outcry for an intermission in Avengers: Endgame's theatrical exhibition is rather weird, and I don't think it's a requirement for enjoyment of the film. In fact, I firmly believe that to put a useless intermission in Avengers: Endgame is to ruin the experience of how the film will play out.

Let's jump back quickly to a film that will probably be cited quite often during this piece, which is Quentin Tarantino's The Hateful Eight. Running at a brisk two hours and 48 minutes in its standard version, there was a 70mm “Roadshow” version that QT put out with a slightly longer running time of three hours and two minutes. Yes, that's exactly the same running time as Avengers: Endgame; however, there's a big difference between these two cases of exactly the same length – and it's all in the storytelling.

While The Hateful Eight runs the same length as the Marvel Cinematic Universe's big tentpole title, that film's use of an intermission was baked in from day one. The film was written in a style that sort of mimics a stage play, and even in how the overture and intermission are presented, it feels like a crucial part of the experience. You leave the story at the right moment, only to pick up at a time that feels like a natural place to pick back up after a short interval.

It's highly doubtful that the Russo Brothers, and their Avengers: Endgame writers Christopher Markus and Stephen McFeely, have written an intermission into the tale that will be told on the big screen this April. So including one randomly, without any particular story reason, just doesn't feel like a good idea. What it does feel like is an extended commercial break that would step on the pacing, and make the entire film feel disjointed. If an intermission was absolutely crucial to the enjoyment of Avengers: Endgame, it would have been better to hear about it sooner than a month before the film's release date.

Originally, intermissions were meant to give the theatrical projection equipment a break, either because the film was a truly epic in its length or because it was in the early days of 3D where twin film projectors were being used. While seeing something like Lawrence of Arabia, It's A Mad, Mad, Mad, Mad World, or The Sound of Music in your local movie theater required a break in the extended action, it also helped that those films were of the proper length and structure in order to use an intermission to their advantage.

Then, as the intermission began to be removed from theatrical releases, films learned to get along without having to use them. The Godfather trilogy, and even The Lord of The Rings trilogy never ran with an intermission in their over three-hour running times; and those were films dense enough that they could possibly have used such a break. Yet, audiences were able to enjoy them without such an interruption, because they evolved with the disappearance of the practice.

Plus, the greatest argument against an intermission in Avengers: Endgame is rooted right in the very aspect where the demand for one started: its running time. Consider this: Avengers: Infinity War ran for 2 hours and 29 minutes when it hit theaters last May. As we learned today, Avengers: Endgame is clocking in at 3 hours and 2 minutes of emotional sobbing/ass-kicking action. Comparing the runtimes between the two films, that's only a 33 minutes increase in showtime that folks will need to be in their seats for. Right now, I don't feel that's nearly enough to warrant an intermission in this scenario.

Now if you were to run Avengers: Infinity War and Avengers: Endgame back-to-back in a seamless, almost six-hour mega epic, that's a situation that most definitely would call for a break in the middle. In fact, you could probably run that event for the first week, and people would volunteer in a heartbeat to witness it. But Endgame as a solo film is an occasion that just doesn't require a short five-minute suspension of plot and action in order for the audience to either take a break or decompress from what they've seen. Again, unless the inclusion of an intermission is organically written into Avengers: Endgame's story, I don't believe throwing one in for the sake of having one isn't going to do the audience any favors.

We are currently in a culture that binge-watches shows and movies for hours on end without getting up, even while being in the comfort of our own homes and able to pause on demand. Also, moviegoers have gotten used to grand spectacles that run without intermissions, and at lengths longer or similar to what Avengers: Endgame will be approaching. So, the sudden demand for one into this latest Marvel Cinematic Universe product is rather surprising, and at least in my eyes, a frivolous demand.

But, of course, should the public raise enough of a demand for such a device's inclusion, it may possibly find its way into the film somehow. In which case, I politely suggest that the intermission be placed before any hypothetically gigantic 40-minute sequence where every Avenger runs Thanos into their own individual car of the collective pain train. If there's any moment that requires preparing one's body, soul, and snack supply for the show stopping action this film is promising, then that would undoubtedly be it.

Avengers:Endgame will do whatever it takes to close out The Infinity Saga on April 26th.

Shazam's Editor Reveals The Scene That Was The Toughest To Get Right

Shazam's Editor Reveals The Scene That Was The Toughest To Get Right

Warning: SPOILERS for Shazam! are ahead!

As one expects from a superhero movie, Shazam! was packed with a lot of action-packed moments, all of which came with their own unique challenges to pull off. As a result, just because a scene or sequence was envisioned in a particular way on script or while shooting doesn’t mean it came together looking exactly like that when finally assembled.

One of those sequences was the final battle between the eponymous protagonist and the Seven Deadly Sins-powered Doctor Sivana, which led to Billy sharing his power with his adoptive siblings so they too could become adult superheroes. I learned this when I recently spoke with the editor of Shazam!, Michel Aller, as this was her response when I asked what scenes changed the most from how they were initially shot to how they were edited together:

The end battle, really, was the biggest one that evolved. It had so many moving pieces that we had to work with and figure out, showing these new characters, the adult family, and giving them enough screen time, and still having the screen time between Sivana and Shazam. That end sequence, I wouldn’t say it’s just one scene, but the whole end battle was the one evolved the most.

There’s definitely a lot going on in that final Shazam! battle. It would be one thing if it had just been a straightforward fight between Shazam and Sivana, but not only did Mary, Freddy, Eugene, Darla and Pedro joining the fray widen the scope, but there was also the fact that the Seven Deadly Sins were able to separate from Sivana and go their own ways. So there were numerous things to keep track of within that carnival battleground.

As a result, not only was the final Shazam! battle the sequence that evolved the most during the editing phase, it was also the hardest one to cut together. In Michel Aller’s words:

It was probably the hardest, because you want to balance all these characters, telling everyone what’s going on, where they’re at, and keeping them interested and keeping the story moving forward. It was definitely the end battle. You have a lot of moving pieces to work with.

Even with all those moving pieces to track, ultimately the battle culminated with the showdown between Shazam and Sivana, adversaries that have been fighting on the printed page and in other media for eight decades. Remembering that main antagonist loses his powers if all of the Sins are out of his body, the superpowered Billy Batson managed to goad Envy out of Sivana, leaving the chrome-domed baddy helpless. Upon taking the Eye of Sin from Sivana, Billy imprisoned all of the Sins back within it, and the Shazam family redeposited the artifact back at the Rock of Eternity.

While this sequence had to go into the Shazam! final cut no matter what, there were 20-24 minutes of scenes that were taken out. However, Michel Aller expects you’ll be able to watch most of these when Shazam! comes out on Blu-ray and DVD later this year, with some of these excised scenes possibly including one where Mary confronts Billy as he’s sneaking out of the Vasquez house and the original version of Sivana’s murder spree. For now, catch Shazam! in theaters while you can, as the next DCEU movie isn’t coming out until next February (although Joker is holding down the overall DC fort in October).

Be sure to read CinemaBlend’s review of Shazam! and stay tuned for updates on how Shazam! 2 is coming along. Those of you interested in learning what other DC movies are in development can find that information in our handy guide, or you can look through our 2019 release schedule to plan when you’ll be going to the movie theater later this year.