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Thursday, September 10, 2020

Avengers: Endgame Had An Awesome Easter Egg For Another Marvel Character

Avengers: Endgame Had An Awesome Easter Egg For Another Marvel Character
Captain Britain flying into action in front of Big Ben

Warning: SPOILERS for Avengers: Endgame are in play. If you’re worried about spoiling the fun, bookmark this piece and come back once you’ve experienced the magic for yourself.


While a movie like Avengers: Endgame is designed to wrap up a lot of history in a neat and tidy package, the expectation is also set for that same film to drop some hints towards the future. And if some eagle-eyed, or rather eagle-eared, moviegoers are right, a pretty big clue towards another hero’s debut may have been woven into the film’s narrative. And that hero just might be Captain Britain himself, Brian Braddock.


As the story goes, during the 1970 section of the big time heist in Avengers: Endgame, Steve Rogers hides in what he finds out is Peggy Carter’s office as the S.H.I.E.L.D. director at Camp Lehigh. While seeing the love of his life in her prime, we overhear something about how an operative named Braddock hasn’t checked in.




This small reference doesn’t come up again in Avengers: Endgame, but some fans think that this particular name drop means that Captain Britain might be on his way to the Marvel Cinematic Universe. Looking into the history of the character’s existence in reality, as well as the timeline of this particular scene, just might tell us what this could mean for the MCU.


Debuting in 1976, Captain Britain’s origin story involved Brian Braddock’s isolated, but well-off, beginnings, which eventually saw him gaining superpowers after being visited by Merlin himself. Captain Britain would later go on to work for the U.K.’s version of S.H.I.E.L.D., names S.T.R.I.K.E. This connection is interesting, considering it furthers the connection between Captain Britain and the existing Marvel Cinematic Universe.


Should this reference picked out by ComicBookMovie.com be true, and Captain Britain is being seeded into the MCU, then the S.T.R.I.K.E. team, introduced with Brock Rumlow and his associates in Captain America: The Winter Soldier, could be that very same team. So not only could Captain Britain become another entry in Marvel’s cinematic canon, whether it be in Phase 4 or beyond, there’s a chance we could see another period piece fleshing out the backstory of this very universe.




Considering we’ve seen several rounds of speculation and backtracking around the fact that Simon Pegg once said he’d want to play Captain Britain, it wouldn’t be a bad idea to possibly start sniffing around a scenario that would see Pegg brought on to bring this legendary hero to life.


Maybe this could even be the project that would act as the ultimate mea culpa to director Edgar Wright. With full creative control possibly being granted to the man who was once set to direct Ant-Man, before circumstances spun out of control, we might see a new age of filmmakers being brought into Marvel Studios history.


For now though, all we have is a fun reference that could pan out into a future round of fun. With everything else that’s already in the works for the future of the Marvel Cinematic Universe, it’s not like the company is hurting for options. But at the same time, if the hypothetical scenario we described is the best chance for this reference to pay off, then we’re going to cross our fingers and let the wishing begin!




Avengers: Endgame is currently in theaters now, ready for you to experience for the first or fifth time.

Wednesday, September 9, 2020

Disney And Netflix’s Partnership Isn't Permanently Over

Disney And Netflix’s Partnership Isn't Permanently Over
Black Panther in Avengers: Infinity War

Disney's movies are some of the most popular films currently found on Netflix, but with Disney's own Disney+ streaming service set to bow in November, we know that those movies are on their way out...or are they?


It turns out that Disney and Netflix's agreement with each other might not be as simple as it first seemed. Disney's deal saw all of the studios's big theatrical releases, from Zootopia to Black Panther make the jump to Netflix, and while the earliest films from that deal have fallen off the service, and those the remain will be dropping off as well. Bloomberg is reporting that the deal between Netflix and Disney includes the stipulation that movies released between January 2016 and December 2018 will actually return to Netflix in 2026, and when they do they'll disappear from Disney+.


Similar stipulations reportedly impact several media distributors that are otherwise pulling their content back from Netflix.




While that means this won't happen for about seven years, it means that things aren't nearly as simple as they appeared between the two companies. We've certainly been given the impression that once Disney's 2018 blockbusters fall off the service, Disney would be in the clear to do with them what they wished. There's certainly been no indication that any of the content on Disney+ would ever need to be removed once it was added.


Of course, since it will be several years until we get to this issue, it's quite possible this will never come to pass. Disney and Netflix could always work out some sort of deal, that would probably involve Disney paying Netflix a lot of money, that would allow the Mouse House to get out of any holdover contract stipulations. The likelihood of that would all depend on how important losing three years of material on Disney+ might be to the service, and it will be years before we know the answer to that.


By then, Disney's collection of library and original content may be so strong that even losing major hits like Black Panther or Star Wars: The Last Jedi are no big deal.




It's also unclear for exactly how long these movies will be exclusive for Netflix. If the window each movie has on the streaming service is similar to the first time each of these films debuted on Netflix, it could be several years before everything is back on Disney+. The deal will also split up major franchises like the Marvel Cinematic Universe and Star Wars, so different chapters of each will be available in different places.


Nobody is quite sure what Disney+ means for Netflix's future success or for the growing streaming market as a whole, but it does seem like Netflix isn't going to be entirely without some major blockbusters in the future, and Netflix may be able to battle Disney+ with some of the studio's own movies.

Fantastic Beasts 3: Warner Bros. Reportedly Worried About Johnny Depp Backlash

Fantastic Beasts 3: Warner Bros. Reportedly Worried About Johnny Depp Backlash
Johnny Depp Fantastic Beasts: The Crimes of Grindelwald Warner Bros.

Warner Bros. is currently preparing for Fantastic Beasts 3, the third of five planned movies in Harry Potter author J.K. Rowling's series. Johnny Depp has a lead role as dark wizard Gellert Grindelwald. But now executives are reportedly worried about backlash as the legal battle between Depp and ex-wife Amber Heard rages on.


You may recall Johnny Depp's $50 million defamation suit against Amber Heard, alleging her abuse allegations against him were part of an elaborate hoax to advance her career; he also claimed her op-ed cost him his job with the Pirates of the Caribbean franchise.


Amber Heard just responded to Johnny Depp's lawsuit by detailing some graphic allegations against him, via The Post, claiming he became "the Monster" when drunk or medicated, and kicked and choked her, and then often wouldn't remember his violent behavior. She shared text messages said to be from him and his assistant acknowledging and apologizing for Depp's alleged behavior.




Johnny Depp’s lawyer, Adam Waldman, claimed again that Amber Heard's allegations were a hoax, and said they were currently interviewing other women who had come forward claiming they were victims of violence and other abuse by Heard.


But the continued play of abuse allegations in headlines has reportedly concerned some Warner Bros. execs, at least according to sources who spoke to The Post.



Executives at Warner Bros. are wondering how to deal with the backlash of the Depp matter on the Harry Potter franchise. High-level female execs at the studio are extremely worried about working with Depp and the message it sends to the public, especially after the recent sordid departure of CEO Kevin Tsujihara. [...] This is yet another blow to the morale of female employees at the studio. If Warner Bros. continues to stick by Depp, it would reveal a lot about the values the company holds.





CEO Kevin Tsujihara recently exited Warner Bros. after a sexual misconduct casting couch scandal.


J.K. Rowling backed Johnny Depp when concerns were previously voiced about including him in the Fantastic Beasts franchise. She wrote on her website in December 2017 that Harry Potter fans had "legitimate concerns" but "[b]ased on our understanding of the circumstances, the filmmakers and I are not only comfortable sticking with our original casting, but genuinely happy to have Johnny playing a major character in the movies."


Now, this source claims not everyone is happy that J.K. Rowling made such a public statement:





Many at Warner Bros. wish that Rowling hadn’t come out so strongly behind Depp, because having made her opinion so public boxes them into a corner.



Warner Bros. reps didn't respond to The Post's requests for comment, so all we have to go on is the word of these unnamed sources -- who do seem to be in Amber Heard's corner -- plus Johnny Depp's attorney -- who is clearly in Depp's corner.


Whatever the truth of this short-lived but apparently never-ending marriage, it's still not over yet. Johnny Depp's lawyer has issued subpoenas to Amber Heard, "her hoax assisting friends, Elon Musk and other witnesses" to explain the evidence they plan to show on their end.




Fantastic Beasts 3 was meant to start filming this summer, but production was delayed to fall 2019 to give the film more prep time. According to Dan Fogler (Jacob) the third movie is going to be "gigantic" and "bigger than the first two combined," including travel to Brazil.


The last we heard about Fantastic Beasts 3 was last month from the now ousted Kevin Tsujihara, who acknowledged that the second film -- Fantastic Beasts: The Crimes of Grindelwald -- didn’t perform as well as Fantastic Beasts and Where to Find Them, "but I think we know what we need to do to get the third film hopefully even better than the first one. And J.K. Rowling is really working hard now on that third script, and we’re going to get it right."


Here's everything we know about Fantastic Beasts 3 up to this point. J.K. Rowling is the screenwriter of the entire series, and she said she has a plan for five movies, leading up to the big duel between Albus Dumbledore (Jude Law) and Gellert Grindelwald (Johnny Depp).



Watch Eddie Vedder Sing ‘Maybe It’s Time’ From A Star Is Born

Watch Eddie Vedder Sing ‘Maybe It’s Time’ From A Star Is Born

A Star is Born was a massive theatrical hit but the part of the movie that is clearly going to have the longest legs is going to be the music. Lady Gaga's "Shallow" won an Oscar as well as several other awards, but that's not the only hit song that has come from the movie. Recently, Pearl Jam front man Eddie Vedder performed the song "Maybe It's Time" as a solo acoustic number and it's pretty close to perfect. Check it out.


While "Shallow" is the song that gets all the attention, I think there are a couple of pieces in A Star is Born that are actually better songs and "Maybe It's Time," written by Jason Isbell, is one of them. Eddie Vedder's performance at the Innings Music Festival in Tempe, Arizona is simple but the song lends itself to that sort of interpretation. While Bradley Cooper's character in A Star is Born is certainly capable of loud raucous songs, this isn't one of them.


It's fitting that Eddie Vedder would perform "Maybe It's Time." Vedder and Bradley Cooper are personal friends and Cooper has said that he spent a lot of time with the singer in order to learn what he needed to know in order to play the part of Jackson Maine. While Cooper says that Vedder mainly helped him with little details about the inner workings of the music industry, it's hard to claim that Vedder didn't have some influence on the character himself, however unintentional that may have been.





The song is essentially the theme song for the character of Jackson Maine. He's looking back on his life and career and trying to figure what his way forward is. While Vedder has never seemingly had a problem figuring out how to navigate his future, he's been making music professionally for over 30 years and probably has a lot of thoughts about where his career has taken him in that time.


When A Star is Born first came out many expected it to be the film to beat come awards season. While the movie didn't do badly for itself, it wasn't the powerhouse many expected it to be. Lady Gaga was frequently defeated in the Best Actress category by Glenn Close. The movie was frequently nominated for Best Picture but it wasn't able to pull out the wins.


One can expect that Lady Gaga will make a song like "Shallow" and others from A Star is Born part of her regular repertoire. It will be interesting to see if other singers follow Eddie Vedder's lead and help other songs from the film live on by performing them. It will be interesting to see if the ultimate legacy of the movie comes from the music.




The Russo Brothers Confirm Loki’s Fate In Avengers: Endgame

The Russo Brothers Confirm Loki’s Fate In Avengers: Endgame
Loki with the Tesseract

Massive spoilers ahead for Avengers: Endgame


It's been nearly three weeks since Avengers: Endgame arrived in theaters, and there are still a ton of questions floating above the fandom. The Russo Brothers did the impossible with their massive blockbuster, meeting every expectation that fans had, and providing countless plot twists. One of which involved the God of Mischief himself, Loki.


Tom Hiddleston's Loki was killed by Thanos in the opening sequence in Avengers: Infinity War, seemingly ending the character's story forever. But Hiddleston is attached to a Loki series for Disney+, and the macguffin for that possibility was provided during Endgame's time heist. The sequence saw 2012 Loki escape with the Space Stone, an outcome that should have a massive impact on that universe. Now The Russo Brothers have confirmed this created a new timeline, with Joe Russo recently saying:





Loki, when he teleports away with the Time Stone, would create his own timeline. It gets very complicated, but it would be impossible for [Cap] to rectify the timeline unless he found Loki. The minute that Loki does something as dramatic as take the Space Stone, he creates a branched reality.



Cue the Loki Disney + series. Loki's fate was one of the unclear aspects of Endgame's conclusion, although now that the Russo Brothers have lifted the spoiler ban, they can be more chatty an expansive about the film's contents.


Avengers: Endgame's time heist was super ambitious, and brought the surviving heroes back to various points across the MCU's long history. The biggest group traveled to the Battle of New York from The Avengers, and split up to acquire three Infinity Stones. Everything was going according to plan, until Hulk smashed into an incognito Tony Stark, sending the Space Stone flying.




Related: Marvel Updated Loki's Official Bio And Now We Have To Rethink Everything


True to character, Loki seized this opportunity, and vanished. It's unclear where he might have traveled to, and Tim Hiddleston's character wasn't mentioned at any point during the film's third act. But now The Russo Brothers have confirmed that he's got a new timeline in the works. In the same conversation with Business Insider, Anthony Russo echoed his brother's statement, saying:



We’re dealing with this idea of multiverses and branched realities. So there are many realities.





The multiverse is a complicated concept to bring into the MCU, but the massive franchise has earned it at this point. And it's going to factor heavily into Spider-Man: Far From Home, which is the final installment in Phase Three. The newest trailer revealed that Jake Gyllenhaal's Mysterio was from another dimension, with the snap causing a tear in the multiverse. So it'll be fascinating to see how this type of storytelling moves the property forward, and if those tears become a recurring event in Phase Four.


It's currently unclear when Loki's Disney+ series will become available, as the future of the MCU is largely a mystery. But you can watch the God of Mischief's latest appearance on the big screen with Avengers: Endgame-- in theaters now. Be sure to check out our 2019 release list to plan your next trip to the movies.

Tuesday, September 8, 2020

Explaining John Wick, The Continental, And The Rules The Assassins Follow

Explaining John Wick, The Continental, And The Rules The Assassins Follow
John Wick points gun John Wick Chapter 3

Last weekend, action fans flooded movie theaters to check out John Wick: Chapter 3 – Parabellum, the latest adventure of Keanu Reeve's increasingly iconic, deadpan, dog-loving assassin. The John Wick films are known for incredibly slick choreography and memorable action sequences, but one thing that never gets much attention is the surprisingly complex mythology. John Wick may go around tallying up head shots left and right, but even he has a strict set of rules that he needs to follow.


Obviously the main draw for a John Wick movie is action over the story, but the films place such emphasis on the hitman's world that it's tough to ignore. There's a unique mythology at play here, as John Wick's word is populated by secret clubs, assassin hotels and a whole network of goods and services purely for people of the underworld.


Each film expands the lore, but it doesn't give any real explanation. It lets the audience try to figure it out before moving right into the next action scene.




It can be kind of confusing, but that's where we come in! John Wick likes to throw a lot of seemingly random rules at you, but when you piece them all together, it starts to make some sense. Here are some of the most important aspects of John Wick's underworld and how it works.


The Baba Yaga


It makes sense to start right at the beginning with the man himself. John Wick's backstory is never really brought up in detail, though Parabellum tries to shed some light on the subject.


While the movie doesn't spend a lot of time explaining, it's implied that John Wick was raised by Angelica Houston's The Director, the leader of the Ruska Roma. In addition to teaching ballet, she apparently trains orphans to become assassins, and John Wick (whose real name is Jardani Jovonovich) eventually became her most successful student.




Basically, John was one of the greatest assassins who ever lived. He was so deadly that he earned the nickname Baba Yaga, which means The Boogeyman. John Wick spends an unknown amount of years racking up the kill count, building his reputation, and meeting a ton people.


The movies make it seem like basically every assassin knows who John Wick is. However, one day he falls in love with a woman named Helen and decides to get out of the life, something that is implied to be very hard to do and no one has ever done.


Apparently, you can't just leave the underworld, so John had to undergo an "impossible task" to earn his freedom. We don't know what he did, but it involved killing a lot of people. He succeeded and left his old life behind to start a new one with Helen. It didn't last long however, and that's where the first John Wick begins.




Assassins Have Unbreakable Vows


In John Wick: Chapter 2, we learn that John didn't complete his impossible task on his own. He needed help from an Italian crime lord named Santino D'Antonio. In order to secure this help, John offered his marker, which is the underworld's version of an unbreakable vow from Harry Potter.


The marker is essentially an amulet with a bloody fingerprint inside. If someone gives their amulet away for a favor, it means that they are making a blood oath to do any task the person asks of them in the future. If someone like John Wick gives away his marker, then that means you basically have the world's greatest assassin in your pocket for one favor.


If you give away your marker, then the debt must be honored. You have to do whatever it is that the person asks. The assassin world takes this very seriously, and it's one of the only two unbreakable rules. John Wick tried to break it and his house was burned to the ground as a result.




The Continental


One of the major locations of the John Wick films is the Continental, and it's more than just a fancy New York City hotel. The building caters exclusively to assassins and all its amenities are geared toward their specific purposes. For example, instead of recommending a nice restaurant, the concierge will point you to the secret backdoor of your target's safe house.


The Continental is a branch of worldwide hotels, and each one is run by a manager. Ian McShane's Winston runs the New York location, Halle Berry's Sophia is in charge of the Casablanca Continental and Julius looks after the Rome Continental. It's implied that each Continental offers the same services and follows the same guidelines, but the day-to-day stuff depends on the manager.


The most important thing about the Continental is that absolutely no business can be conducted on hotel grounds. In other words, no assassin is allowed to kill another assassin inside the hotel. It's the No. 1 rule of the underworld, and if broken, it's punishable by death or being labeled as "excommunicado."




That means that the assassin loses all access and privileges to the Continental's underworld resources. That's a major setback for any professional hitman, but it becomes a real headache if they have an open contract on their head. John Wick dealt with that exact scenario after he killed Santino in the Continental, as the High Table doubled the contract that was already out on him.


The Goods And Services


The life of a professional killer is dangerous and there are a number of resources scattered around the world to help assassins. For instance, a seemingly ordinary doctor's office can be a late night emergency room for a quick patch up if a mission goes wrong. Or you can visit a historian and get old blueprints or maps to find secret pathways to a seemingly impenetrable fortress. Even taxi drivers are in on it.


Assassins can also find the best guns and ammunition to fit their specific needs. There are also tailors who will custom make bullet proof suits to help protect the killers who still want to look damn good. All of these services are pretty much hidden right in the open, but a well-connected assassin knows the best spots.




All of these services don't come free. The underworld has its own special form of currency in the form of gold coins. If an assassin kills their mark, they get rewarded with coins, which can then be spent at the Continental or any other underworld establishment. A skilled assassin like John Wick will tally up enough coins to save for emergencies and keep secret stashes in convenient places.


The High Table


All these rules had to come from somewhere, and in the underworld, the High Table is the highest authority. Not much is known about the group, but they are a council of crime lords who oversee all the wheeling and dealings. They set the rules and if anyone breaks them, then they decide the punishment through an agent called The Adjudicator.


Basically everyone in the underworld works for the High Table in some form or they are at least expected to serve when called. For example, the Continentals all answer to the Table.




The only person that we know of who is ahead of the High Table is the Elder, who lives out in the middle of dessert and does... something. His job is pretty unclear, but he's the only one who can reverse a decision made by the Table. Only a few people know who he is or how to find him.


We don't know the identity of anyone currently on the High Table, how many members there are or what their origins are. However, they seem to be fairly disliked by the people who have to answer to them, and John Wick is especially not a fan by this point. The High Table essentially marked him for death, and he's been a frequent source of trouble.


It's not every day that an action franchise comes along that tries to build its own unique world. The star of John Wick is unquestionably the action, but part of the reason that these movies are so popular is that it's a cool world. Nothing is every really explained and literally everyone seems to know who John Wick is, but that does help to make the world feel lived in.




At the end of the day, you don't want your action movie to spend five minutes explaining the bureaucracy of the hitman's job when you could be watching a sword fight on motorcycles. However, it's still fun to piece it all together once the gunfire dies down.


The John Wick franchise will continue with the release of Chapter 4 on May 21, 2021.

Why George R.R. Martin Liked Avengers: Endgame So Much

Why George R.R. Martin Liked Avengers: Endgame So Much
Cap assembling The Avengers

After a long year of waiting, Avengers: Endgame arrived in theaters a few weeks ago, delivering an extremely ambitious blockbuster that was built on the previous 21 MCU releases. Endgame did the impossible, exceeding expectations and providing all the emotional payoffs fans were hoping for. The movie has been met with wild box office numbers and critical acclaim, and now even Game of Thrones writer George R.R. Martin has weighed in.


The combination of Endgame's release and Game of Thrones' Battle of Winterfell episode kept the fandom on edge for a full week, but George R.R. Martin hasn't spoken much about the show's final season. He did, however, recently revealed that he loved Avengers: Endgame-- and for one specific reason: it wasn't just a mindless action flick. As Martin tells it,



There’s plenty of action here, but this is not just A Big Dumb Action movie, of which there are far too many these days. Stan Lee would have been proud. Could he ever have dreamed that all those characters he and Jack Kirby and Steve Ditko and the rest of the Marvel team created in the early '60s would one day come to dominate global culture? There’s an amazing story for you.





George R.R. Martin knows about balancing action and story, as his A Song of Ice and Fire novels contain both. What's more, Game of Thrones has found a way to properly include both aspects of the fantasy series on the small screen.


George R.R. Martin's Endgame comments come from a recent post on his blog, which he regularly updates to keep in touch with Game of Thrones fans. But rather than discussing the contents of the show's final season on HBO, Martin instead shared his impression of Avengers: Endgame. And it was a glowing review, one that echoed the feelings of the moviegoing public.


Related: The 25 Most Emotional Moments In Avengers: Endgame




Avengers: Endgame had a ton of action scenes, spread out among both the second and third acts of the film. But those sequences weren't gratuitous or mindless, they helped move the overall narrative forward. It's this fact that seems to have impressed George R.R. Martin most, as The Russo Brothers crafted a story that was very much character-driven. Especially for the OG members of the team.


Endgame was so emotionally charged because it was deeply connected to the previous movies, and allowed its super powered characters to be vulnerable and utterly flawed. The survivors were left truly shaken by the affects of Thanos' snap, and their grief lasted years. And with actors like Chris Evans and Robert Downey Jr. reaching the end of their contracts, major Avengers were given their endings in the MCU.


As for Game of Thrones, it should be interesting to see what George R.R. Martin is feeling about the divisive final season. The HBO series must wrap up a story that began with Martin released his first novel back in 1996. And the show's narrative choices might not be the same that Martin had in mind for Westeros.




Avengers: Endgame is in theaters now. Be sure to check out our 2019 release list to plan your next trip to the movies.

 

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