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Saturday, July 4, 2020

Does The Child's Play Reboot Need To Show Us More Chucky? Let's Talk This Out

Does The Child's Play Reboot Need To Show Us More Chucky? Let's Talk This Out
Child's Play (2019) Chucky clearly standing, holding a knife

The most recent trailer for Child’s Play has landed, and it continues to look rather promising. With the story of a single mother buying a cutting-edge toy for her son to befriend taking front and center, the reboot to the 1988 horror classic looks like it’s got a nice sci-fi upgrade for a new generation.


However, even with the announcement of legendary actor Mark Hamill voicing the character of Chucky, the marketing seems to be playing it coy with showing us the doll in its full form. That decision brings up an important debate, one that we’ll be discussing over the course of what you’re reading here. That discussion boils down to the following question: Does the Child’s Play reboot need to show us more of Chucky in its marketing? Let’s talk this out, starting with the case for more Chuck for the buck.


The Case For More Chucky


Reviving a character as iconic and well known as Child’s Play’s Chucky takes more marketing prowess than it would to sell a new intellectual property. With a new property, you can shape the terms of how the audience sees that new product.




However, when you’re trying to make the case for the 21st century variant of Chucky, you need some more oomph in your cannon. It’s important to show more of Chucky to the audience that’s been loyal to the brand, especially considering the controversy surrounding the film and the feelings about the new project from some.


Being a Child’s Play remake outside of series/character creator Don Mancini’s TV series, which still retains original continuity, as well as Brad Dourif’s involvement, this may be a harder sell than many reboots in modern times. There’s still a lot of fans who need to be sold on this film to open their wallets.


Showing more of Chucky’s full face and voice in the marketing for Child’s Play just might win over more fans of the original version, as it looks like the film is going in a new direction with the character, rather than just remaking the infamous killing sprees of Charles Lee Ray.




It’s even more critical to approach newer audiences expecting a fresh definition of what the Child’s Play series is all about with a clear picture of what the modern Chucky is capable of. So for the sake of winning audiences old and new, by distancing itself from the original film, the new and improved Chucky should come out to play in whatever marketing materials crop up next.


The Case For Less Chucky


The freshness of Child’s Play 2019 is a good starting point for the call for more of Chucky’s material to be shown in the trailers. However, that’s also the perfect launching pad for the argument against being too showy with everyone’s new Buddi.


Surprise is exactly what Child’s Play has going for it in this new incarnation, and we did get the slightest tease of Mark Hamill’s fresh performance in that recent trailer. Some could say we’ve gotten enough to tide us over, and history just might prove that faction right.




In the trailer for the original Child’s Play, a similar approach was taken in selling this concept as brand new. The Good Guy doll was shown as a doll, with any glimpses into its evil activities being brief and mostly concealed. We never really got to see Chucky at his full potential, because even as a brand new property, surprise was the key to making audiences go nuts upon the big reveal.


The same could be said for Child’s Play 2019, because we have seen the full doll as a play thing, again with glimpses of the evil that this Buddi can do. So maybe the way to win fans, classic and new, is to give them the same treatment that was had when Chucky was a brand new doll, fresh off the factory floor.


Curiosity and surprise are definitely valuable commodities when selling a movie these days. Getting the audience hyped with a smidge of voice over and just enough violence is probably a better idea, in the sense that it combats the biggest problem moviegoers have with more recent trailers that tend to give the whole movie away. Less Chucky likely equates to more shock value.




The Final Ruling


Taking into consideration the fact that both arguments are pretty sound, I still feel like there is a clear winner in this debate, which is the trailers for the new Child’s Play reboot need to show more Chucky in the future.


While curiosity and surprise are still needed in the world of film marketing, it’s not spoiling Child’s Play if you show off the killer doll everyone’s expecting. We’ve seen the doll, we’ve heard its voice, and the historical canon of this villain is no secret. So hiding it isn’t helping that much, in my opinion.


Between a new crowd that still knows of Chucky’s character, and a faithful fanbase to that original series that needs some enticing to come to this newly set table, more clear killer doll action can only help better sell this product. This is particularly true in the case of a reboot, as remaking an older, very popular series for a modern context almost always triggers people to think that it’s a cash in.




If Child’s Play 2019 is going to stand a chance, it needs to break away from Child’s Play 1988 and do its own thing. I think that requires showing off the difference between the old Chucky and the new one. Why should anyone expect people to show up when they can’t see the star of the show?


While this debate takes both sides of the coin into account, it is all from one singular viewpoint discussing both sides. If a film like Child’s Play has any chance of succeeding, it needs to adhere to the opinions of you, the audience.


So after you’ve mulled over both sides of this issue yourself, feel free to share your thoughts in both the poll provided at the end of this piece, as well as in the comments section below. But before you go off to deliberate, why not watch the Child's Play trailer one last time?




As for Child’s Play, it hits theaters on June 21st, just in time to give your summer a scare. But if horror isn’t your thing, and you just like reading arguments about movie marketing, you can find a movie more suited to your tastes in our 2019 release schedule.

Green Book Just Passed An Impressive Box Office Milestone

Green Book Just Passed An Impressive Box Office Milestone
Viggo Mortensen and Mahershala Ali in Green Book

The Best Picture winner at this year’s Academy Awards Ceremony Green Book came out all the way back in the middle of November, but it is still playing in theaters nearly four months later. Not only that, but Green Book is enjoying a resurgence at the box office, riding a wave from its Oscar wins. Now, Green Book has another accolade to add to its list of accomplishments, passing the $200 million milestone.


The dramedy from director Peter Farrelly has crossed $200 million at the worldwide box office, and through Wednesday sits at $204.2 million according to The Hollywood Reporter. That breaks down to $77.3 million domestic and a sizable international haul of $126.9 million. That’s a heck of an accomplishment for a film that debuted in wide release in ninth place in North America and never cracked the top 3 at the box office domestically.


Green Book’s rise in success is due to two factors: a great debut in China as well as strong holds in other overseas markets and renewed interest in North America. The film opened in China on March 1 beating expectations to the tune of $17.1 and going on to $25 million by Wednesday. It now stands as the most successful Best Picture winner in China behind only Titanic.





How much is the title of Best Picture worth to a movie’s bottom line? It turns out it can be quite a lot actually, at least as far as Green Book is concerned. Over this past weekend, the first weekend since February’s Oscar ceremony and Green Book’s 16th in release, the film earned $4.7 million in North America, a number that was good enough for the 5 spot at the box office.


The Oscar bump is real and that weekend haul was over a 100% increase from the previous week. That was in part due to the renewed interest in the film, which saw it expand its theater count by 1,388 according to Box Office Mojo to 2,641.


For comparison, last year’s Best Picture winner The Shape of Water, only earned $2.3 million the weekend after the Oscars. To find a film that performed better than Green Book in the post-Oscars frame you’d have to go back to 2011 when The King’s Speech made $6.2 million following the Academy Awards.





It is an impressive run for a movie that only cost $23 million to make, and was dogged by controversy its entire awards season run. It does make you wonder if the backlash to Green Book’s Best Picture win actually did it a favor at the box office. Best Picture winners naturally receive a bump as audiences want to see the movie that earned the golden statue, but the backlash may have also made some others curious and feel like they had to see what all the fuss was about.


Whatever the case, Green Book has proven to be a worldwide hit that has had serious legs at the box office and caught its second wind after its big Best Picture win.


Green Book is now playing. Check out our 2019 Release Schedule to see the movies that will be vying for their own statues at next year’s awards.




Looks Like Avengers: Endgame Could Have A Massive Opening Weekend

Looks Like Avengers: Endgame Could Have A Massive Opening Weekend
Captain America in Avengers: Endgame

It goes without saying that Avengers: Endgame is going to be a huge movie. Story-wise, it’s the final chapter of both Phase 3 and this iteration of the Marvel Cinematic Universe that began with Iron Man, and commercially, given how Avengers: Infinity War performed last year, it’s been expected that Endgame do just as well, if not better. Sure enough, current estimates place Endgame as making upwards of $200 million opening weekend.


If Avengers: Endgame debuts in the $200 million-$250 million domestic range that Variety reports, it would join Avengers: Infinity War as one of only six films to ever surpass $200 million in ticket sales during its first weekend. Currently Captain Marvel holds the record of best North American debut in 2019 with $153 million, but it’s practically guaranteed that Endgame will rocket past that amount. After all, people came out in droves (figuratively speaking) to buy tickets online, breaking records for both Fandango and Atom Tickets.


One thing that might affect Avengers: Endgame’s overall box office performance is runtime. The movie will be just over three hours long, making it the longest MCU entry yet. This long runtime means that theaters can’t hold as many screenings as they could if it was the standard two-two and a half hour runtime, meaning less butts will be put in seats. But that’s a minor nuisance at best. Marvel has proven itself several times over as a powerhouse franchise, meaning that it’s a given that a lot of people will be seeing this epic story on the big screen. Plus, as we’ve seen in the past with movies like Return of the King, long runtime doesn’t always hinder the box office haul, as the final entry of the Lord of the Rings trilogy walked away with over $1.1 billion at the end of its theatrical run.




That said, Avengers: Endgame still has a long road ahead if it wants to take the record for largest opening of all time domestically. That’s currently held by Avengers: Infinity War, which crushed initial predictions and gathered a monstrous $257 million during its first days in theaters, knocking Star Wars: The Force Awakens and its $247 million to second place. Perhaps Endgame will also soar past its initial box office estimates and make $260 million or more opening weekend stateside, which would be astounding. As far as the global launch goes, Endgame is expected to surpass Infinity War’s take, helped by the fact that it’s opening in China the same day. Put simply, we can reasonably assume that Endgame will become the eighth MCU movie to cross the $1 billion mark.


With the universe reeling from The Decimation, which saw Thanos wiping out half of all life, Avengers: Endgame will see the surviving MCU heroes gathering together and try to undo The Mad Titan’s genocide, which will require them to get their hands on the Infinity Stones. Beyond that, Marvel is still keeping a lot of plot details close to the chest, though there’s been no shortage of theories that time travel will factor into the tale. However this movie unfolds, Marvel doesn’t have to worry about gathering audiences to check it out.


Avengers: Endgame hits theaters on April 26, so stay tuned to CinemaBlend for continuing coverage. For now, you can find out what the future of the MCU looks like in our Marvel movies guide, or you can learn what other movies are coming out this year in our 2019 release schedule.



Friday, July 3, 2020

How Much Captain Marvel Made On Opening Night

How Much Captain Marvel Made On Opening Night
Captain Marvel about to take flight

This weekend, Marvel’s first female-led superhero movie and the penultimate chapter in the MCU’s Phase 3 arrives in the form of Captain Marvel, starring Brie Larson. Captain Marvel is a lesser-known character that has only been referenced, not seen, on the big screen until now, so how did she fare in her cinematic debut? Well, the weekend is just beginning, but Captain Marvel has already showed what she’s made of earning $20.7 million opening night.


Captain Marvel felt the need for speed, getting off to a fast start in its debut weekend with an impressive $20.7 million in preview screenings Thursday night, according to THR. That’s an incredible performance and one that trails only Black Panther’s $25.2 million in previews for solo superhero movies starring a new character. It’s also the fifth-biggest MCU preview haul behind only the aforementioned Black Panther and the team-up movies Avengers: Age of Ultron, Captain America: Civil War and Avengers: Infinity War.


Carol Danvers has also snagged the second-largest March preview screening gross behind only DC’s Batman v Superman: Dawn of Justice, which earned $27.7 million in 2016. Speaking of DC, although that company beat Marvel to the box office with a female-led superhero film, the power of the Marvel brand (and perhaps the Infinity War tease) propelled Captain Marvel well past Wonder Woman’s $11 million in preview screenings.





Captain Marvel has just begun to take flight though and she is headed towards a massive opening weekend both domestically and around the globe. According to The Hollywood Reporter, Captain Marvel is projected to pull in over $60 million on Friday on the way towards a Marvel-ous opening weekend of $155 million to $160 million.


Even $150 million would still give Captain Marvel the second-best opening of all time for a comic book movie starring a new character, behind only Black Panther’s $200 million, and that character was already established thanks to his role in Captain America: Civil War.


A $155-$160 million opening weekend would be remarkable and especially impressive considering that the long-range tracking in January had Captain Marvel landing at around $140 million, and at the time that seemed somewhat ludicrous. Then the early tracking closer to release predicted a much more down to earth $100 million. So not only is Captain Marvel likely to beat that, it’s also looking like it will beat the number that seemed so outlandish and may do so by a wide margin.





Internationally things are looking good too. Captain Marvel opened in all major markets sans Japan this week, including a release in China at the post-Chinese New Year box office. Thus far Captain Marvel has made $44 million internationally, not including China. In the Middle Kingdom, the film had the second-biggest opening day of any MCU film there, making $34 million.


The Anna Boden and Ryan Fleck-directed film is doing better business than any MCU movie fronted by a new character in many markets and in Brazil, Captain Marvel had the biggest opening day ever behind only Avengers: Infinity War.


All told, Captain Marvel is looking like it will blast like a rocket past $300 million worldwide this weekend. It’s quite a feat for a lesser-known and cinematically unproven character. How it ever overcame the effective power of internet trolls and boycotts, we may never know.





On the reception front, Captain Marvel has received overall positive reviews, although not everyone loves it (even some women!). Still, it looks like it will be another huge win for the MCU heading in to Avengers: Endgame.


Captain Marvel is now playing. Check out what we thought of the film and make sure you know what ticket to buy before heading out to the theater. Take a look at our release schedule to see everything else headed your way this year. and for all your movie news, stay tuned to CinemaBlend.

Kevin Smith Was 'A Blubbering Mess' After Captain Marvel's Mallrats Scene

Kevin Smith Was 'A Blubbering Mess' After Captain Marvel's Mallrats Scene

Spoiler Warning: If you don't want to get spoiled on a very specific part of Captain Marvel, come back after you've seen the film!


It's a Marvel tradition to include a cameo from comics legend Stan Lee. As the first MCU film to feature a Stan Lee cameo after his passing, Captain Marvel's was bound to feel special and that turned out to be especially true for Kevin Smith. The cameo features Lee reading the script for Mallrats, Smith's film in which Lee makes an appearance. The cameo hit Smith like a ton of bricks, and he took to social media to share what a "blubbering mess" he was.


For a little extra context, Mallrats is Kevin Smith's second film. It premiered in 1995 and featured two slackers who spend all their time in a New Jersey mall and try to win back their girlfriends, who are fed up with their juvenile attitudes. One of the slackers (played by Jason Lee) is obsessed with comics and superhero genitalia. In probably the most memorable moment in the film, Stan Lee appeared as himself to give Lee's character some much needed wisdom on relationships.





In Captain Marvel, Stan Lee can be found reading the script for Mallrats on a train, rehearsing his lines under his breath. It's a super fun moment that works perfectly in the '90s set movie. The moment was bound to make some fans teary-eyed considering Lee passed away last year, but Kevin Smith might have had the most significant reaction.


The filmmaker took to Twitter to share his reaction to seeing his work referenced in a Marvel movie and by Stan Lee no less. Kevin Smith said that he was a "blubbering mess" with a photograph to prove it. The filmmaker also wrote that "after a lifetime spent referencing the movies, the movies just referenced me!" It's a pretty great way to have your work referenced and it no doubt means a lot to Smith.


Kevin Smith also asked, since he's now officially part of the MCU, did he survive Thanos' famous snap? Well, he's got a 50-50 shot at least!





Of course, this wasn't the only way that Marvel Studios paid homage to the co-creator of its iconic superheroes. The opening Marvel Studios logo replaced the Avengers with Stan Lee and all of his cameo appearances. It was the perfect way to respect Lee. The Marvel legend had filmed a few of his cameos before he passed, so we have at least one more to look forward to in Avengers: Endgame in a few short months.


You can catch Stan Lee and his wonderful cameo in Captain Marvel, which is out in theaters right now. For everything else in theaters, check out our 2019 movie release guide.

Could We See A Toy Story 5?

Could We See A Toy Story 5?
Bo Peep and Woody in Toy Story 5

Many a fan will tell you that Toy Story 3 had a perfect ending. It wrapped up a trilogy in a perfect way, bringing the story of the characters to a wonderful close. However, while we all assumed that Toy Story 3 was the end of the franchise, the story is now moving forward once again with Toy Story 4. If Toy Story isn't a simple three act trilogy, does that mean that we could see even more movies after Toy Story 4?


I asked the director and producers of Toy Story 4, that exact question when I had an opportunity to speak with them last month. Unsurprisingly, nobody was quite ready to call Toy Story 4, the definite ending of the series, though they did all agree that if it turns out that way, they think fans will be happy with where the story ends. According to producer Jonas Rivera, who was an intern at Pixar back during the original Toy Story...



Honestly, if this were the end, it would be a satisfying ending.





Of course, what's most interesting about this statement is that people were pretty much satisfied with the ending of Toy Story 3, so much so that many seem to have real concern about the idea of making the fourth film in the franchise in the first place.


Of course, without knowing how Toy Story 4 ends, it's hard to really know what the team is referring to. I certainly have my suspicions where the story is going based on some of the footage I was able to see at Pixar Animation Studios, but I'm far from certain.


What I can say based on the footage I saw, without getting into spoilers, is that I very much do understand why Toy Story 4 was made. It's easy to be cynical about it, but the people in charge clearly found a story worth telling that would only really work within the world of Toy Story.




Of course, while Toy Story 4 could very well be the final chapter of Woody's story, producer Mark Nielsen, who has worked on the franchise as far back as the second film, knows this isn't the first time everybody thought the Toy Story franchise was over, according to him...



To be fair, let’s talk out of the other side of our mouths for a minute, we felt that [it was the end] at [Toy Story] 2.



It seems that with every Toy Story movie, even the very first, there was a feeling by many at Pixar that no sequel was necessary, but then the idea for one came along and that eventually eventually saw support grow. With the conclusion of Toy Story 3 and the end of Andy's story, it's clear that feeling was even stronger, and yet, Pixar seems that much more convinced that Toy Story 4 is a valuable addition to the franchise.




Tim Allen has previously stated that he's in favor of a fifth movie. Maybe, if the complete story of Woody and Buzz isn't over in one trilogy, maybe it needs two.


What's certainly clear is that, while Pixar is certainly looking for a satisfying ending, there's no need to make one that's definitive. The possibility that there's more story to tell will always be there, and if somebody can come up with one, Toy Story 5 is certainly something that could happen.


Of course, for that to happen, audiences will need to first embrace Toy Story 4. They'll have their chance when the new film arrives June 21.



Chris Evans Doesn’t Think Thanos Is An ‘Evil Guy’

Chris Evans Doesn’t Think Thanos Is An ‘Evil Guy’
Cap fighting Thanos

Avengers: Endgame has officially been in theaters for one week, and moviegoers are still recovering from the blockbuster's wild events. The Russo Brothers pulled no punches with the final installment in the Infinity Saga, giving fitting endings to a variety of characters. The blockbuster also took bold narrative choices with Thanos, who was the undeniable protagonist of the last film.


The Marvel Cinematic Universe has been criticized for the handling of its villains before, but Josh Brolin brought a nuanced performance to the Mad Titan, which helped to elevate the overall quality of Avengers: Infinity War. But according to Captain America actor Chris Evans, he's not a villain at all, but a misguided and extreme figure. As Evans puts it:



It’s easy, when the villain is so clearly bad, to hate him. Marvel Studios have done this strange thing with Thanos where they gave him a logical point of view, in my opinion. He’s a sort of masked misanthrope or something cloaked in a binary logic about the greater good. He’s not just this evil guy. He thinks he’s doing a good thing, which makes him sympathetic to some degree. Brolin really grounds him in this kind of human way so you don’t see a monster or a villain. You see a person who thinks they’re doing something good.





Listen to Cap, everyone. While he didn't share a ton of scenes with Thanos throughout the last two Avengers movies, he sees how significant the performance and writing were toward his characterization. Josh Brolin brought humanity and heart to Thanos, while the audience watched him lose everything to accomplish his goals.


Chris Evans' comments come from Avengers: Endgame - The Official Movie Special (via ComicBook), and show how much thought the actor has put into his tenure in the Marvel Cinematic Universe. Aside from the transformative performance as Steve Rogers, the actor is also privy to the work of his co-stars, and the work crafted by The Russo Brothers and writers Christopher Markus and Stephen McFeely.


Related: The 25 Most Emotional Moments In Avengers: Endgame




Thanos was ultimately a character who had quite the tremendous arc, despite not appearing in nearly as many movies as a villain like Loki. While his goal was mass murder, he didn't do it out of malice. Instead, he believed he was saving the galaxy from overpopulation and mass famine. And he succeeded, but at great cost. He had to kill Gamora to acquire the Soul Stone, and all of The Black Order died at the hands of The Avengers.


Josh Brolin's character went more unexpected places in Avengers: Endgame, although the survivors were the true focus of the sequel. And despite losing so much, his resolve never faltered. Because without his signature terrifying world view, who is Thanos?


Avengers: Endgame is in theaters now, so you can see if Chris Evans' comments were correct. In the meantime, check out our 2019 release list to plan your next trip to the movies.



 

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