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Sunday, June 21, 2020

Watch Aladdin’s Will Smith Belt Out ‘Prince Ali’ In New Clip

Watch Aladdin’s Will Smith Belt Out ‘Prince Ali’ In New Clip
Will Smith as Genie in live-action Aladdin during Prince Ali song

Ahead of Disney’s next live-action remake stomping into theaters next weekend, a clip featuring Will Smith’s Genie as gives a disguised Aladdin a grand entrance in the memorable big number from the 1992 animated musical has been released. Make way for Prince Ali and take a look:


Ring bells! Bang the drums! Are you gonna love this guy? The new clip gives fans a look into the new “Prince Ali” sequence, though it doesn’t feature the entire song, it starts midway through the epic number and leaves the grand finale to the imagination.


The new clip from IGN does offer up a bit of Will Smith’s own take on Genie, previously and belovedly played by Robin Williams. Smith’s spin unsurprisingly denotes a more hip-hop flavor to the Disney classic, though the actor is actually singing rather than rapping for much of the sequence.




The main difference is instead of comedic quips on the side such as “don’t they look lovely June” or magically turning into other forms such as tiger or child as the animated movie does. Instead, it focuses more on the song, dance and CGI animals. The massive scene featuring 1000 dancers and extras has the eyes of the city of Agrabah taking notice, namely Naomi Scott’s Jasmine and Nasim Pedrad’s new character, Jasmine’s handmaiden. The latter looks a lot more impressed by the entrance then the princess Aladdin has his sights on.


But why does Will Smith say the line “when it comes to exotic-type mammals” while riding an Ostrich… birds aren’t mammals? Anyways, fans took to Twitter to voice some strong feelings about the clip. Take a look at @Ameligatha’s comments:


These comparisons were bound to happen. Some fans will never be pleased with anything other than the original, yet her comments display an interest in the movie moving away to rapping to differentiate it from the source material. According the Will Smith, he will be rapping in the flick, we just have yet to see it in the film yet. On the flip side, @stacydtwit defended the clip below:




So far, the new Aladdin has sought to offer a mix of nostalgia for the original Disney flick and bring a whole new world to moviegoers as well. The addition of Will Smith in of itself will bring a different kind of Aladdin and apparently he did a bit of improv on the film with Mena Massoud.


First reactions for the new Aladdin have been fairly positive, as early viewers have called Smith’s Genie a lot of fun and not worth the concern brought on since his blue look was first revealed.You can check out Aladdin in theaters on May 24. Are you excited for the film after a look at this “Prince Ali” clip? Let us know in the comments below!

Why Movie Franchise Fatigue Isn’t Really Happening, According To One Theater CEO

Why Movie Franchise Fatigue Isn’t Really Happening, According To One Theater CEO
avengers: endgame official poster 2019

If you’ve been to the movies in recent years, it’s hard to miss the fact that the film industry -- particularly domestically but also internationally -- has heavily relied on franchise content, returning to stories, universes and characters that breed familiarity and (often) fond feelings. However, at the same time, there is a faction of people who are vocal about not wanting interconnected franchises, and there are common gripes about the proliferation of remakes and reboots as well.


If you ask Jane Hastings, however, movie franchise fatigue isn’t really a thing. At least, not yet.


Speaking during an event at CinemaCon 2019, Jane Hastings, CEO & Managing Director, Event Hospitality & Entertainment Ltd. spoke out about the biggest movies of 2018, noting that all of them were in some ways continuations of popular franchises.




She said at CinemaCon that box office year over year has shown that franchise fatigue isn’t really a thing and that the audience still has an appetite for the larger budget franchise movies, noting,



Regardless, if a franchise is new, if it’s good, if it’s quality, it will work… So, we’re in good shape. Why? Because people always want to be entertained.



Citing 2018’s box office as evidence, Jane Hastings also mentioned the top five movies in the past year were all returns to worlds and characters that have found love with audiences in prior years and movies.





The five biggest movies last year were as follows:


Avengers: Infinity War


Black Panther


Jurassic World: Fallen Kingdom


Incredibles 2


Aquaman (With a late release date, this box office also led into 2019)



It’s not just franchise movies that are absolutely dominating the box office, but bigger movies in general. Last year, a whopping 83% of movie box office totals came from “the majors,” or what Janes Hasting cites as the biggest budget movies with the most oomph in terms of budget and advertising from the major studios.


This means that fewer titles are actually contributing to more of the box office intake than happened in the past within the theater and movie industries. It's a trend that should continue into 2019 as there are a slew of franchise movies set to launch this year from the major studios. This includes but is definitely not limited to Avengers: Endgame, Godzilla: King of The Monsters, Frozen 2, Hobbs and Shaw, Jumanji 3 and plenty more.




Looking at two of the biggest movies of last year, Black Panther and Aquaman, both are origin stories, yet they do fall within the larger Marvel and DC comics universes. They are part of a bigger picture, and despite only having one solo appearance, the character of T’Challa, for example, has already made three big screen appearances so far. The trajectory is similar for Jason Momoa’s Aquaman character. Both origin flicks also have a lot of additional stuff in common, including making over a billion dollars internationally and easily earning greenlights for Black Panther 2 and Aquaman 2.


So, people are still clearly seeing these franchise movies, and Jane Hastings cites an increase in connecting with fans and creating good products as to why franchise fatigue isn’t really a thing.


It's not like every franchise movie that comes out is great. The same is true of original movies, which run the gamut from good to bad. There may come a point when we've hit franchise fatigue, too. Sort of like how some long-running TV shows go on a little too long and a percentage of the audiences loses interest after a while. Clearly we aren't there with Marvel or DC content yet, but we have seen recent Transformer movies do less well than their predecessors. When that happened, Paramount pivoted and gave us Bumblebee, a spinoff that renewed interest in the franchise.




It's also true that every franchise has to start somewhere, and there are still a lot of studios pushing out interesting and new content at all budget levels. We will get plenty of original movies this year, ranging from Once Upon A Time In Hollywood to Artemis Fowl. Then again, with the latter, there is presumably the hope of a franchise given the large number of books to draw from; Disney will just have to wait and see how the box office pans out.


So, if you were hoping for more original movies – at least of the big budget variety in the future – the box office itself is telling a different story. Which leads me to the question: Do you agree? Has box office intake taken over quality or have franchises managed to create engaging stories with familiar characters and universes?

Saturday, June 20, 2020

James Gunn Thanks Fans After Being Reinstated For Guardians Of The Galaxy Vol. 3

James Gunn Thanks Fans After Being Reinstated For Guardians Of The Galaxy Vol. 3
Baby Groot in Guardians 2

It's a very exciting time in the Marvel Cinematic Universe. Phase Three has been on a roll, as every single installment in the massive franchise has been a critical and box office success. With Captain Marvel officially in theaters, anticipation for Avengers: Endgame is at an all-time high, as the massive blockbuster will arrive in a month. But today brought some unexpected (but still exciting) news: Disney has reinstated James Gunn as the director of Guardians of the Galaxy Vol. 3.


James Gunn was fired by Disney in July, when offensive tweets from a decade resurfaced. While Gunn apologized for jokes that were in poor taste, he was removed from the Guardians franchise, and production for the Vol. 3 was put on indefinite hold. But now the Guardians of the Galaxy visionary will return to complete his trilogy as planned, and recently posted a note of thanks on Twitter. It read:



I am tremendously grateful to every person out there who has supported me over the past few months. I am always learning and will continue to work at being the best human being I can be. I deeply appreciate Disney’s decision and I am excited to continue making films that investigate the ties of love that bind us all. I have been, and continue to be incredibly humbled by your love and support. From the bottom of my heart, thank you. Love you all.






It seems James Gunn is truly grateful to be back behind the camera for the upcoming Guardians threequel. As such, he's taking the time to thank the fans, as well as the House of Mouse for welcoming him back to the fan favorite franchise. In short: we are Groot.


James Gunn's recent tweet of thanks is a truly full circle moment, since it was his social media account that caused massive controversy, and eventually led to his firing. But it seems that his apology and fan outcry did some good, given his reinstation as the director of Guardians of the Galaxy Vol. 3.


It was unclear if the threequel was ever going to be produced, as the task of finding someone to replace James Gunn seemed impossible. Gunn's point of view is very much apart of the bloodline of the franchise, as his taste of music, dance moves, and sense of humor were all incorporated into the first two movies. While some fans suggested who might take the job, many believed that there was only one person capable of finishing the trilogy: James Gunn himself.





The Guardians of the Galaxy cast hasn't commented on James Gunn returning to the franchise, but it seems only a matter of time. While they all penned a letter supporting Gunn in the wake of his departure, Dave Bautista was arguably his biggest defender. In fact, Bautista maintained he wouldn't appear as Drax unless (at the very least) Gunn's original draft for the Vol. 3 was used.


It's unclear when Guardians of the Galaxy Vol. 3 will arrive in theaters, as its indicated that James Gunn will write and direct The Suicide Squad for DC before hopping back over to Marvel. In the meantime, check out our 2019 release list to plan your next trip to the movies.

Guy Ritchie Gave His Aladdin Choreographer A Very Funny Cameo In The New Movie

Guy Ritchie Gave His Aladdin Choreographer A Very Funny Cameo In The New Movie
Guy Ritchie and Mena Massoud on the set of Aladdin

In the making of a musical, a choreographer is an immensely important, but sometimes invisible presence. It’s an incredibly hard job that occasionally requires making sure a hundred or more people are working in coordination, but part of the choreographer’s job is to make sure it all looks effortless and natural.


This is partially true for the new live-action Aladdin, as while you’re watching the movie you’re focusing on the magic of the dance sequences instead of thinking about the work required to make them happen – but something you might not know is that the film does give back in a special way to the man who helped make the musical numbers possible, as I recently learned from director Guy Ritchie:


As noted in the video above, one of my favorite bits in the new movie involves a prince that Genie (Will Smith) conjures in the desert during a conversation with Aladdin (Mena Massoud), and I was surprised to learn during a recent interview with Guy Ritchie that the person playing said prince is none other than Jamal Sims – the film’s choreographer. You never see a close-up of the character, as he is kept in the far distance for his entire scene, but that makes it no less an awesome gift to one of the filmmakers responsible for injecting the live-action Aladdin with a great deal of its flair.




It was a cameo that Guy Ritchie was very excited to talk about during the Los Angeles press day for his new movie this past weekend, as he expressed a great deal of appreciation for Jamal Sims’ contribution to the film. Discussing the small role, the filmmaker told me,



So I'm quite glad you asked that question, because he is Jamal Sims. Jamal Sims is our choreographer, who I have nothing but positive things to say about. For example, if people ask me what was my favorite scene in the film is, because I have the memory of a goldfish I usually go for the last scene in the film, which is the dance sequence, right? Which was Jamal's. And I gave him all that challenge a week before. And I thought, 'I'm sure he's going to fail,' though he failed on nothing else. It was very hard to pull off a dance sequence in a short period of time, and he really delivered on that.



The scene plays out shortly after Aladdin and Genie manage to escape the Cave Of Wonders and are discussing what it is that the latter can do for the former wish-wise. Realizing that he needs to be royalty in order to marry the lovely Princess Jasmine (Naomi Scott), Aladdin makes the request, “Make me a prince” – but Genie points out that this phrasing is just a tad vague. Illustrating his point, the magical being conjures an actual prince who is left standing about 500 feet behind them having absolutely no clue what’s going on – wondering where his palace is, and just wanting to go home. This is the part played by Jamal Sims, and he gets some of the biggest laughs in the film.




Having the choreographer play this part was a special way for Guy Ritchie to say “thank you” for the work that Sims did in the making of the movie, which apparently also included the coordination of an end credits dance sequence that came together at the very last minute. The director added that he even gave the prince more lines than what we actually see in the finished cut of Aladdin, and that it was all quite funny:



Jamal was a key character throughout the entire production. 'I just want to go home, man.' So that was Jamal. We wanted to use Jamal because he was so integral to the movie. 'Anyone see my palace? Where's my palace?' He actually had more dialogue. I think if you saw the whole thing of Jamal Sims and the lost prince, it's quite entertaining.



We can’t say for certain right now, but that would certainly make for some great bonus content on Aladdin’s home video release later this year.




Starring Mena Massoud. Will Smith, Naomi Scott, Marwan Kenzari, Navid Negahban, Nasim Pedrad, Billy Magnussen, and Numan Acar, Aladdin arrives in theaters everywhere this weekend.

There’s A John Wick Video Game In The Works

There’s A John Wick Video Game In The Works
Keanu Reeves in John Wick: Chapter 3 – Parabellum

Ahead of the release of John Wick: Chapter 3 – Parabellum (which critics are absolutely loving so far), fans can rest easy that the franchise doesn’t look to be ending anytime soon. Additionally, an action-packed strategy video game is also on the way. Good Shepherd Entertainment and Lionsgate are teaming up for an original game about the titular hitman called John Wick Hex.


The upcoming game will have players taking the role of Keanu Reeves’ character in what’s being described by the publishers as “fight-choreographed chess brought to life in a video game”. John Wick Hex will come from game director Mike Bithell (Thomas Was Alone, Volume) and the help of the creative and stunt teams behind the John Wick franchise. It’s being developed for consoles and PC, exclusively for the Epic Games store.


It will be an interactive experience that will implement the “gun fu style” from the movies and expand the universe previously established on the big screen. Players will be able to unlock various weapons, John Wick suits and locations as they play. There will be limited ammo provided within the game to remain realistic and add an element of strategy to the game play.




Gamers will need to carefully choose every action and attack they make, with the cost and consequences in mind (hence the “fight-choreographed chess” element). Each strategically planned fight will contribute to the player’s progress on their hit job. 


There currently isn't a release date announced for the game, but Ian McShane will voice his role of Winston and Lance Reddick will return as Charon in the game and additional actors will soon be announced-- per The Hollywood Reporter.


Check out the announcement trailer for John Wick Hex below:


From the first peak, the game certainly looks to have maintained John Wick’s stylish flair, and gives us an idea about what to expect visually during game play. Looks like a fun time, especially for fans of the film franchise who will get to play in the assassin’s shoes in a brand new adventure from the character.




The two John Wick movies have made over $260 million at the box office worldwide so far, and the third is expected to open at around $30 to $40 million next weekend for the franchise’s highest first weekend yet. The action thriller will follow the hitman on the run, after killing a member of the international assassin’s guild. Halle Berry is joining the cast this time around as an old acquaintance of Wick named Sofia. She rolls with two Belgian Malinois dogs and looks badass as usual.


John Wick: Chapter 3 – Parabellum opens in theaters on May 17, alongside A Dog’s Journey and A Sun is Also a Star. Are you looking forward to playing the game as well as going out to see the third installment? Let us know in the comments below.

6 Major Box Office Records Avengers: Endgame Broke With Its $1.2 Billion Debut

6 Major Box Office Records Avengers: Endgame Broke With Its $1.2 Billion Debut
avengers Endgame poster

Avengers: Endgame has arrived like a meteor that exclusively destroys box office records. People had projected the film would do incredibly well, but Endgame has blown past most predictions to earn $1.2 billion worldwide in just one weekend. It's the first film in history to ever do so and it's not the only milestone that it has passed on its path to worldwide domination. Endgame has broken at least six impressive records in its opening weekend. All the numbers can be tough to keep track of, but that's where we come in.


One important thing to note is that Endgame had a major advantage right out of the gate. The film opened on Wednesday in China, meaning that it had extra time to increase its tally. Avengers: Infinity War didn't do that, so the Chinese market had a big role to play in Endgame's box office success. Overall, China made up 28% of Endgame's total worldwide opening box office.


#1 Domestic, International, And Global Debuts


Endgame is the number one movie domestically, internationally, and combined globally. While the film was already projected to have those titles before release, no one thought it would be this high. The blockbuster has grossed $350 million domestically (the first to ever do so opening weekend), $859 million internationally, and $1.2 billion globally. The previous global record holder was Avengers: Infinity War with $640.5 million.




#1 Domestic Thursday Previews


Technically, films open on Thursday night, but the total is usually combined with Friday's numbers and then that it considered the opening day total. As far as Thursday previews are concerned, Endgame was the largest opening ever with $60 million. The previous record holder was Star Wars: the Force Awakens with $57 million, so Endgame just narrowly beat it.


#1 Domestic Single-Day Gross And #1 Domestic Friday Gross


In this case, Endgame's highest grossing day of the week was also its opening day gross on Friday. Star Wars: the Force Awakens was the movie to beat in this category, and Endgame shot right past it. Endgame was the largest single-day and Friday gross with $156.7 million. The Force Awakens total score was $119.1 million.


#1 Domestic Saturday And Sunday Grosses


Endgame looks determined to conquer every single day of the week and it was the highest grossing movie ever on both Saturday and Sunday. specifically, it grossed $109 million on Saturday and $84.3 million on Sunday. Like many of the records on this list, Avengers: Infinity War was the previous belt-holder. Back in 2018, the film grossed $82.1 million on Saturday and $69.2 million on Sunday.




#1 China Opening Day And Opening Weekend


Again, the effect of the Chinese box office can't be understated here. Having that extra Wednesday to boost Endgame to a 5-day opening weekend was a big help for the superhero film. Endgame is largest opening day ever in the market, scoring $107.8 million. It also now holds the largest opening weekend with $330.5 million, nearly matching the entirety of the domestic weekend total.


Fastest Film To $1 Billion Globally


This is the one that people will probably remember for a long time. This right here is unprecedented. Avengers: Endgame made more than $1.2 billion in just five days. The film beat its predecessor, Infinity War, which hit the $1 billion mark in 11 days. It's tough to see any other movie topple this record, but it's a future of possibilities out there.


To add a few more records to the list, Disney noted that Endgame was the biggest IMAX global debut with $91.5 million. It's also the 8th Marvel Studios film to cross $1 billion, and the second to do so this year after Captain Marvel. At the moment, Endgame is the 18th largest worldwide release, but that number is sure to change in the coming weeks. According to Box Office Mojo, the blockbuster sequel could make as much as $920 million domestically if it follows the pattern of Infinity War, but tracking is apparently unclear at the moment.




It's taking everyone else's money, so it might as well take yours too. Avengers: Endgame is out in theaters right now. For more Marvel movies coming down the pipeline, here's our Marvel movie release guide.

All James Bond Movies In Order: From Sean Connery To Daniel Craig

All James Bond Movies In Order: From Sean Connery To Daniel Craig
Sean Connery as James Bond in Dr. No

Long before the MCU, Harry Potter, and the Star Wars franchises, there was Bond, James Bond. The one and only 007, licensed to kill. For almost 6 decades, the British super-spy James Bond has lit up the silver screen.


Six different actors have portrayed the cold-blooded killer willing do anything for Queen and Country: Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig have all put their own unique twist on the character over an incredible 24 (soon to be 25) films. This is the full list of James Bond movies in order with a little bit of information about the 25th due in 2020.


In the interest of full disclosure from the top, this is a complete list of all the official James Bond movies in order that have been produced by Eon Pictures starting in 1962. You won’t see David Niven or Barry Nelson on this list, nor does Never Say Never Again fit in anywhere. If you want to argue whether those should be included (they shouldn’t), feel free to do so in the comments. This also isn't a ranking, you can find that here.




The Sean Connery Era


Dr. No (1962)


Dr. No. The one that started it all. In it, James Bond, played by Sean Connery, is sent by MI6 to Jamaica to investigate the death of a station chief in Kingston. While in Jamaica, fans of the series are introduced to Felix Lieter, Bond’s counterpart in the CIA and a character that would recur in the series frequently. Bond also meets Honey Ryder, played by the incomparable Ursula Andrews, the first official “Bond Girl.”


After meeting, Bond and Honey are kidnapped and taken to a secret lair where the villain Dr. No meets with other SPECTRE members to discuss their latest plans to take over the world. Of course, 007 foils the plot and saves the day and gets the girl. As the series was based on the novels by Ian Fleming, many of the tropes that have become ingrained in the series are already a part of it in the very first film, like the girls, the booze and the arch villains.


From Russia With Love (1963)


The second film on the list of James Bond movies is From Russia With Love, also starring Sean Connery as James Bond. Released just one year after Dr. No, From Russia With Love continued to introduce fans to all the iconic pieces of the franchise. For the first time, fans met the head of Q branch, played by the legendary Desmond Llewelyn, a role he would play in an incredible 17 Bond films over the years.




The plot takes Bond from London to Istanbul to Belgrade to Venice as he fights the evil SPECTRE alongside Bond Girl Tatiana Romanova, played by Daniela Bianchi. From Russia With Love also introduces Ernst Blofeld as SPECTRE's “Number 1.” Blofeld would go on to be single most iconic Bond villain, appearing in five movies and played by five different actors.


Goldfinger (1964)


Continuing the run of releasing a movie a year, 1964 brought Goldfinger. When ranked, this film probably comes out on top the James Bond movie list most often. That's saying a lot considering how long it's been since its release and all the content that's followed.


Featuring an iconic theme song sung by Shirley Bassey, an iconic villain in Auric Goldfinger, an iconic Bond Girl with the most famous of names, Pussy Galore, played by Honor Blackmon, and an iconic henchman in Oddjob, Goldfinger is, to say the least, iconic. James Bond travels from London to Miami to Kentucky chasing the supervillain Goldfinger and in the end, saves the day when he foils Goldfinger's plan to rob Fort Knox.




Thunderball (1965)


Released just 14 months after Goldfinger, Thunderball might have the campiest opening of any of the Connery James Bond movies, with Bond escaping while using a jet pack. It’s about as silly as Connery’s version would ever get, though it still falls well behind Moore’s general silliness.


Bond takes on the supervillain Emilio Largo as he attempts to steal nuclear bombs on behalf of SPECTRE with help from his mistress, Bond Girl Domino, played by Claudine Auger. Nearly two decades, Warner Bros delivered a second adaptation of the original Thunderball novel, with Sean Connery playing Bond once more. So Connery has the distinction of getting to perform in two different versions of one spy tale.


You Only Live Twice (1967)


Filmed mostly in Japan, You Only Live Twice was supposed Sean Connery’s final Bond movie, and it would be, at least for a little while. He resigned halfway through filming, announcing that he would not return in the next film.




This classic was somewhat controversial because children’s author Roald Dahl was chosen to be the screenwriter, as well as the decision to make Bond look and "talk" Japanese in a somewhat racist scene that has Sean Connery essentially in "yellow-face." It also features the... interestingly named Bond Girl “Kissy Suzuki” and once again, James Bond tangles with his old foe Ernst Blofeld, played this time by the great Donald Pleasence.


The George Lazenby Era


On Her Majesty’s Secret Service (1969)


For the first time on the screen, Sean Connery was not the star of a James Bond movie. After Connery announced he was leaving, the producers went on a search for the next Bond. They landed on Australian George Lazenby, and they offered him a seven picture deal. Lazenby's agent famously told him that he thought the franchise wouldn’t last into the '70s and he didn’t want him to be tied to it for long, so he only made the deal for the one film, and that would come back to haunt both of them.


On Her Majesty’s Secret Service tends to get a bad rap from some fans, but it’s actually a pretty great James Bond movie with everything a fan should want. Blofeld is back, this time played by the legendary Telly Savalas. The Bond Girl, Tracy, played by Diana Riggs, actually becomes Mrs. James Bond in the movie. George Lazenby has a little more of an edge to his version of Bond, and this one of the darker films in the series.




The Sean Connery Era 2.0


Diamonds Are Forever (1971)


Sean Connery is back! After George Lazenby’s one-film deal expired, Eon and United Artists went all out to get the beloved Connery back. Charles Gray, who played an ambassador to Japan and friend of Bond’s in You Only Live Twice, also returned to the series in Diamonds Are Forever, this time as the evil Ernst Blofeld.


There were not one, but two “Bond Girls,” both with classic names: Tiffany Case and Plenty O’Toole, played by Jill St. John and Lana Wood, respectively. Also, for the first and only time, gambling legend James Bond visits Las Vegas, where he dines at the… Circus Circus? Oh well.


The Roger Moore Era


Live And Let Die (1973)


For just the second time, Sean Connery wasn’t in the starring role in the newest James Bond movie. Roger Moore became Bond and he would go on to make the role truly his own, playing it much campier and looser (and less edgy) than both Connery and George Lazenby had before him. Live And Let Die marked a big change in the franchise as Moore was likely to be playing the role for a while. Not only did he play the role different but the tone of the movies changed to match it. The characters became a little more over the top, as did the stories.




Live And Let Die has one of the most bizarre stories as the producers attempted to cash in on the Blaxploitation genre that was popular at the time. Although Yaphet Kotto is excellent in the two roles he plays as the villains, the whole thing is rather bizarre. Jane Seymour is one of the best to every play a Bond Girl though, as Solitaire.


The Man With The Golden Gun (1974)


James Bond returned the next year in The Man With The Golden Gun, starring Roger Moore once again. The titular character, named Francisco Scaramanga, is an assassin with James Bond’s name on one of his golden bullets (literally). He is played by the great Christopher Lee and his main henchman was the iconic Nick Nack, played by the legendary Herve Villechaize.


Maud Adams makes her first appearance in a James Bond movie as Andrea Anders, and once again, there is a classic Bond Girl character name – Britt Ekland plays Mary Goodnight. So yeah, there are definitely enough familiar elements in this movie.




The Spy Who Loved Me (1977)


The Spy Who Loved Me is the tenth James Bond movie in just 15 years. This one has everything a Bond fan could want: a classic villain in Curd Jurgens as Stromberg, a stunning Bond Girl in Barbara Bach as Triple X (eat your heart out, Vin Diesel) and maybe the most infamous henchman of all time, Richard Kiel as Jaws.


It also happens to feature an amazing theme by Carly Simon. One fun fact about The Spy Who Loved Me is that Bond producer Albert “Cubbie” Broccoli first approached Steven Spielberg to direct it, but he turned them down as he was in post-production on Jaws (the movie, not the henchman).


Moonraker (1979)


Moonraker has the dubious distinction of consistently being at or near the bottom of the list when the James Bond movies are ranked. The truth behind it may explain some of the problems. The plot is ridiculous. It’s James Bond in space. And since it’s a Roger Moore film, it’s already pretty campy even before they even get to space. That was a terrible idea, but it was also a rushed one, which made it worse.




Originally the follow-up to The Spy Who Loved Me was supposed to For Your Eyes Only. Instead, the producers changed gears on the heels of the massive success of Star Wars in 1977 and put super-spy James Bond an astronaut in space. It wasn’t a good decision. It did mark the return of Richard Kiel as Jaws though, and Moonraker also features the most ridiculous Bond Girl name of the entire series – Dr. Holly Goodhead, played by Lois Chiles.


For Your Eyes Only (1981)


James Bond entered his third decade on the screen with For Your Eyes Only, and while it still was a trademark Roger Moore-era movie, with humor and over-the-top moments, it was a return to good ideas and good movie-making after the disaster that was Moonraker. It opens with James standing at his late wife Tracy’s grave. It’s the only time in the whole series she is referred to, outside of On Her Majesty’s Request.


Shortly after that, James finds himself on a helicopter be remotely controlled by none other than his old nemesis, Ernst Blofeld, who is in a wheelchair and whom Bond eventually deposits down a smokestack as the opening credits role. Classic. Also – keep a sharp eye out for Tywin Lannister himself, Charles Dance, from Game Of Thrones, who plays one of the baddies chasing Bond in Italy.




Octopussy (1983)


Yep, this one is usually most famous for its name. Somehow, it got past the censors and ended up with a PG rating. Octopussy was released the same year the rival James Bond movie Never Say Never Again, with Sean Connery returning the role, as mentioned earlier.


Octopussy won the box office race and Never Say Never Again was sort of ignored by most Bond fans other than as a curiosity. Octopussy is also the only Bond movie filmed in India, which makes it worth the watch alone. It saw James Bond being tasked with following a general who is stealing treasures from the Soviet Union, but it eventually turns into a race to stop the detonation of a nuclear weapon.


A View To A Kill (1985)


A View To A Kill was the 14th James Bond movie of the series as well as the seventh, and final, for Roger Moore’s career as 007. Moore is still the highest tally among all the actors that have played James Bond. The thing that stands out the most in this mid-'80s romp is, by far, Christopher Walken’s turn as the blonde-haired supervillain Max Zorin.




His goal is to cause an earthquake that wipes northern California off the map while he rides around on a blimp with his name on it. The one of a kind Grace Jones takes a turn as both a Bond Girl and a henchperson in this as the intense May Day. The plot and the movie are the epitome of over-the-top camp that defined the Roger Moore era.


The Timothy Dalton Era


The Living Daylights (1987)


When Roger Moore retired as 007, the odds on favorite to replace him was Remington Steele star Pierce Brosnan. Eventually though, Brosnan would be locked into his contract for the show and the producers went with Timothy Dalton as the star of The Living Daylights. The way Dalton played James Bond was a big departure from Moore. He played him with more an edge, a tougher, more realistic,\ and angrier Bond.


Over the years, Dalton’s Bond has gained more prominence among fans, but initially it was panned. Also of note, Joe Don Baker plays a villain in the movie, but he would return in the Brosnan era as a CIA agent named Jake Wade. It should also be noted that The Living Daylights marked the return of Bond's classic car, the Aston Martin, and would also be the last movie to use the title from an Ian Fleming story until 2006's Casino Royale.




Licence To Kill (1989)


The second and final James Bond movie for Timothy Dalton is one of the most under-appreciated films of the series, Licence to Kill (yes, we're going with the British spelling here). It continued exploring the darker and more violent side of 007, which really played to Dalton’s strengths.


One very notable thing about the cast, the henchman Dario is played by a very young Benicio del Toro in one of his very first roles. Carrie Lowell, later of Law & Order fame plays the Bond Girl. Felix Leiter also came back for another round of action, and he wouldn't be seen on the big screen again until Casino Royale.


The Pierce Brosnan Era


GoldenEye (1995)


Due to financial and legal wrangling, Licence To Kill would be the last James Bond movie for six years, and in the intervening time, a lot of major changes happened Arguably the biggest was the producers (now including Barbara Broccoli, taking over for her father) landing the guy they wanted back in the '80s, Pierce Brosnan, to play the British secret agent.




His first movie, GoldenEye, was a huge hit as the public was excited about the first Bond movie in years AND that Bronsnan finally had the role many thought he should have had years before. Another major change was the role of M. For years, the role was played by Bernard Lee, then in the '80s, by Robert Brown. For GoldenEye, the producers would cast a woman in the role, Dame Judi Dench, who would go on to make the role all her own. The big villain in this is also a Game Of Thrones alum, Sean Bean.


Tomorrow Never Dies (1997)


Tomorrow Never Dies is most notable for its cast. The villain is played by yet another future Game Of Thrones star, Jonathan Pryce and Teri Hatcher plays the Bond Girl. The late magician and actor Ricky Jay plays one of Pryce’s henchman.


Eagle-eyes viewers can also pick up two future Downton Abbey collaborators, Hugh Bonneville and Julian Fellowes, in small roles as well as a young Gerald Butler in a small role as a British sailor. As for the story, it revolves around James Bond trying to prevent World War III from unfolding. So, you know, an average weekday for him.




The World Is Not Enough (1999)


One of the most universally panned James Bond movie, The World Is Not Enough suffers from a weak plot (the story sees James Bond protecting the daughter of a recently-assassinated billionaire) and a weak acting performance from Bond Girl Denise Richards, despite her excellently silly Bond Girl name, Dr. Christmas Jones.


Robert Carlyle is excellent as the villain and this film also marks the first appearance of John Cleese as “R.” Sadly, it would be the last James Bond movie for Desmond Llewelyn as Q. Llewelyn was killed in a traffic accident shortly after the movie was released.


Die Another Day (2002)


Die Another Day marked the final James Bond movie with Pierce Brosnan as 007. It is probably most famous for Halle Barry’s appearance as the Bond Girl Jinx Johnson and her scene that recreated Honey Ryder’s famous scene in Dr. No when she walks out of the ocean in a bikini. That scene served as a tribute to the entire series, which was celebrating its 40th anniversary.




It also marked the first time the series starred John Cleese as Q, the first time the role was played by someone other than Desmond Llewelyn. Madonna also plays a small role in the film, in addition to providing the theme song.


The Daniel Craig Era


Casino Royale (2006)


2006’s Casino Royale was the first major reboot of the James Bond film series. It restarted the timeline and it starts with new Bond star, Daniel Craig, as a newbie “Double O” which M, still played by Judi Dench, is hesitant that the correct decision was made by promoting him and granting him a license to kill.


The reboot, by almost any measure, was a huge success as critics and fans praised Craig for the gritty realism with which he played the role. Casino Royale also introduces the wonderful Jeffery Wright as old Bond’s old CIA buddy, Felix Leiter.




Quantum Of Solace (2008)


Quantum Of Solace, the second Daniel Craig film, was a bit of a disappointment on the heels of Casino Royale. It features a rather forgettable villain, played by Mathieu Amalric and a rather forgettable Bond Girl, played by Olga Kurylenko.


But, there is another Bond Girl in the film with another classically silly name – Strawberry Fields, portrayed by actress Gemma Arterton. Judi Dench and Jeffery Wright reprised their usual roles as well. Something to look out for – directors Guillermo del Toro and Alfonso Cuarón both make cameos in the film.


Skyfall (2012)


After more behind-the-scenes financial issues, mostly having to do with money problems for MGM, which owned the rights to the James Bond films, it took four years to get Skyfall made. But the wait was worth it, as it was one of the very best in the whole series. Just for starters, the theme song by Adele is fantastic, and it deservedly won an Oscar for Best Song.




Javier Bardem plays the villain and the film introduced a new, younger Q in keeping with the rebooted series, played by Ben Whishaw. Ralph Fiennes as makes his first appearance in a Bond movie as Gareth Mallory, a member of Parliament that oversees MI6. In one of the most emotional moments in the entire series, Judi Dench, as M, dies in the arms of James Bond.


Spectre (2015)


What’s a good reboot without the re-introduction of a classic villain? In the James Bond world, that can only mean one person and one organization, Ernst Blofeld and SPECTRE.


For the first time since the 1970s, The Joker to James Bond’s Batman was back in this Sam Mendes-directed film. In this take, Christoph Waltz puts his spin on the character as the 5th actor to play the role. While the Spectre is not perfect, the opening sequence alone, shot in Mexico City, is worth the price of admission. Also, it marks Ralph Fiennes' Gareth Mallory making his first full appearance as M, as his career transition happened at the end of Skyfall.




Bond 25 (2020)


Production has just begun for the 25th installment of this unstoppable series. In all likelihood it will mark the end of the Daniel Craig era as he has said it will be his last. Not much else is known about it, except that Rami Malek will star as the villain; other newcomers include Ana de Armas, David Dencik and Lashana Lynch; and the familiar faces returning include Ralph Fiennes, Naomi Harris, Rory Kinnear, Lea Seydoux, Ben Whishaw and Jeffrey Wright.


We can’t wait to see what is in store for the cinema’s greatest secret agent. Let's just hope that Daniel Craig's recent injury isn't very serious and the film stays on its timeline.


So there it is. The entire list of (soon to be) James Bond movies in order. 25 films in a remarkable franchise that continues to find audiences, both new and old after an amazing 57 years. What will the future hold? No one knows for sure, but it’s a safe bet that James Bond isn’t close to retirement, at least not on screen.



 

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