Pages

Friday, June 5, 2020

Watch Keanu Reeves Recap The First Two John Wick Movies Ahead Of Parabellum

Watch Keanu Reeves Recap The First Two John Wick Movies Ahead Of Parabellum

Among the many summer movies to look forward to in the coming months is John Wick: Chapter 3 - Parabellum, which is finally arriving a little over two years after its predecessor. But what if you haven’t seen the first two John Wick movies. Well, the first course of option is to actually watch them, but if you find yourself strapped for time, not to worry. Keanu Reeves has provided the following minute-long recap of what has already happened to his assassin character.


Talk about cutting to the chase! Keanu Reeves does a great job summarizing the events of 2014’s John Wick and 2017’s John Wick: Chapter 2, from how this all kicked off when the idiotic son of a mobster stole his car and killed his dog, to how John is now on the run after killing someone on Continental grounds, which is a big no-no. In just a minute, folks who’ve never seen these movies are caught up to speed, and those who only saw them once will have their memories refreshed.


Of course, there’s obviously a lot that this video didn’t cover, like John’s relationship to Willem Dafoe’s Marcus in the first movie to his short-lived conflict with Santino D’Antonio’s second-in-command, Ruby Rose’s Ares, in Chapter 2. Nevertheless, if all you’re looking for is a bare-bones summarization of the John Wick franchise thus far, then watching this video is your best bet. You’ll definitely be able to follow along with John Wick: Chapter 3 - Parabellum’s overall story, even if some of the subtler character dynamics are foreign.




Which brings us to John Wick: Chapter 3 - Parabellum, which picks up immediately after the events of Chapter 2 with John on the run with no access to his underworld resources and a $14 million bounty on his head going live in one hour. John is no stranger to fighting off assassins, but this is unquestionably his biggest fight yet, as it’s the High Table, the council of crime lords that are the ultimate authority in the underworld, that wants his head.


John’s main goal will be to escape New York City at the start of John Wick: Chapter 3 - Parabellum, and the previews have shown that he manages to this since he’s also seen walking through a desert. Beyond that, we don’t know what specifically is in store for John, though you can count on him leaving a trail of bodies wherever he goes.


Along with Keanu Reeves obviously being back for a third round of bullet-riddled action, John Wick: Chapter 3 - Parabellum also sees the return of Ian McShane’s Winston, Lance Reddick’s Charon, John Leguizamo’s Aurelio and Laurence Fishburne’s Bowery King. As for new faces, they include Halle Berry’s Sofia, Angelica Huston’s The Director, Asia Kate Dillon’s The Adjudicator, Mark Dacascos’ Zero, Robin Lord Taylor’s The Administrator and Jason Mantzoukas’ Tick Tock Man.




John Wick: Chapter 3 - Parabellum hits theaters on May 17, so keep checking back with CinemaBlend for more coverage on the threequel and our review. In the meantime, you can scan through our 2019 release schedule to plan your moviegoing trips later this year accordingly.

The Russo Brothers Explain Black Widow’s Endgame Story

The Russo Brothers Explain Black Widow’s Endgame Story
Black Widow in Endgame

MASSIVE spoilers ahead for Avengers: Endgame. If you haven't seen it, look away!


It's been over a week since Avengers: Endgame arrived in theaters, and the public is still recovering from the massively ambitious blockbuster. Despite the dizzying amount of characters that popped up to move the story forward, Endgame was really about the survivors of Thanos' snap-- especially the original Avengers lineup.


Chief among these characters is Scarlett Johansson's Black Widow, who has been with the shared universe since back in Iron Man 2. Natasha Romanoff went through a massive arc during her tenure in the MCU, and Endgame was no exception. Because after holding together the survivors in the wake of the snap, she ultimately sacrifices herself in exchange for the Soul Stone during the time heist.




This is a decision that has rocked the fandom, and there are some critics who aren't a fan of how Widow went out. Now The Russo Brothers have opened up about the death scene, with Joe Russo saying:



The theme of the movie is, can you change your destiny, and what does it cost to do it? And are you willing to pay that cost?It’s a resounding yes from the Avengers. In [Infinity War] they said, ‘We don’t trade lives,’ and there was a desire to protect. And in this movie, there’s now a desire to sacrifice in order to accomplish the goal.



You've got to admire how methodically The Russo Brothers have thought out their pair of Avengers movies. Since they were filmed essentially at the same time, their connective tissue is strong. So thinking back on Infinity War may help the fandom come to terms with Natasha's sacrifice.




During Avengers: Infinity War, Thanos' collection of the stones seemingly could have been prevented fairly easily. Vision was willing to sacrifice himself to destroy the Mind Stone, but the Avengers refused to let their comrade go without a fight. Shuri wasn't able to finish her work before being attacked, and it seems Vision was always destined to perish.


Related: The 25 Most Emotional Moments In Avengers: Endgame


In contrast, the surviving Avengers were willing to lay down their lived in Endgame. The team's name never felt more appropriate, as they were truly Avenging the fallen... whatever it takes. And that includes Hawkeye's entire family.




Natasha and Clint's relationship was consistent throughout the Avengers franchise, and was able to really take the spotlight when the two Avengers traveled to Vormir for the Soul Stone. She ended up sacrificing herself in hopes that they'd reverse the snap, reuniting Hawkeye with his wife and children. During his conversation with EW, Joe Russo went on to say:



We open the movie on [Hawkeye’s] family. She reminds him of it in the scene. They both may have the mission in that moment where, ‘I’m not going to let you kill yourself,’ but Hawkeye has mixed agendas there, which I feel takes the edge off his focus in a way that she doesn’t.



In many ways, Black Widow has been the soul of The Avengers. Aside from Clint, she's got strong personal connections with Captain America, Iron Man, and Bruce Banner. And following the snap and Thanos' death at the hands of Thor, she took lead and kept in communication with their allies around the world. So the Soul Stone was a fitting means to an end, even if it was hard for moviegoers to watch.




Given how dense Avengers: Endgame is, plenty of fans will flock to theaters to see the movie more than once. Perhaps Black Widow's fate will seem different the second time around, especially now that The Russo Brothers are able to finally speak about Endgame's contents. We should expect plenty more discussions in the future, as the co-directors believe that spoilers can be let out of the bag after the movie's second weekend in theaters.


Avengers: Endgame is in theaters now, complete with Black Widow's somewhat controversial death. Be sure to check out our 2019 release list to plan your next trip to the movies.

How The Rock Could Look As Black Adam

How The Rock Could Look As Black Adam

Even before Zachary Levi was cast as the title character of Shazam!, Dwayne Johnson had joined the DC film universe as Shazam nemesis Black Adam. For a long time we assumed the two would face each other in the Shazam! movie but that's not the case. However, the Black Adam movie is still very much on track, and as we begin to look forward to that, artist BossLogic gives us a taste of what we might be in for once The Rock transforms into Black Adam. Check it out.


Created as a teaser movie poster for the forthcoming Black Adam movie, we see Dwayne Johnson's character sitting on a throne, with a defeated Superman crumpled to one side. We don't really get a great look at Black Adam's face, but it's still a fantastically menacing image.


Black Adam doesn't make an appearance in Shazam! but the story does make a reference that fans of the character will recognize. The tagline included on the BossLogic poster references the fact that in DC Comics continuity, Black Adam was a previous recipient of the power of the wizard Shazam.




However, it seems that we'll find out what's happening with Black Adam fairly soon. Dwayne Johnson recently revealed that filming on the Black Adam movie is expected to start sometime next year. If that's the case, we could see the movie as early as 2021.


Depending on which version of the character we're getting when Black Adam finally makes his debut on the big screen, we could be seeing a straight up supervillain or we could get more of an anti-hero. If Black Adam is getting his own solo movie, than the latter scenario is probably more likely.


The next question becomes, will the Black Adam movie feature the return of Shazam! in any capacity, or will that meeting be left for a third film? It might make for a pretty solid trilogy, with each character getting their own full solo film before the big battle that one expects we will get between them.




Based on the opening weekend of Shazam!, seeing the character return seems quite likely. The film did a slightly better than expected $53 million, which, combined with paid previews from a couple weeks ago along with international business, puts the movie at nearly $160 million after its first weekend. Considering that Shazam! only had an estimated production budget of $100 million, the movie is well on its way to being a major success, even if it isn't quite looking like it's going to be doing Aquaman business.


If Black Adam looks half as awesome on the big screen as he does in this poster, we could in for a pretty amazing movie. The fact that the part is being played by Dwayne Johnson only increases those odds.

Thursday, June 4, 2020

Tom Holland Wasn’t Trusted With An Avengers: Endgame Script

Tom Holland Wasn’t Trusted With An Avengers: Endgame Script
Avengers: infinity War Tom Holand standing on Titan in his Iron Spider armor

How bad at secret-keeping do you have to be not to get a complete script to the film you’re shooting? Apparently, the answer is Tom Holland, as the Avengers: Endgame actor was never given an entire copy of the script to this month’s mega-blockbuster event. While that may sound like an exercise in overkill, let’s recap some of the big spoilers that Holland dropped to get this level of notoriety.


In the most notable instances of spoiling the MCU for the masses, we’ve seen Tom Holland tell an audience about to watch Avengers: Infinity War that he was alive, in a joking reference to the fact that Spider-Man literally bit the dust in that very film. Not to mention, there was that time that he alluded to the potential Quantum Realm fix in Avengers: Endgame long before any of those cool new “space suits” came into play. And if you needed any other basis for just how many secrets could have slipped out in addition to those that Holland already put into the world, let’s not forget that there’s a montage of Benedict Cumberbatch being a pretty good goal-keeper when paired with Spider-Man: Far From Home’s rather talkative star.


With all of those secrets scattered like Avenger dust to the wind, it’s apparently came to Joe and Anthony Russo having to withhold the whole script to Avengers: Endgame. And we only know this because in a recent interview, Joe himself admitted it as follows:





Yeah, Tom Holland does not get the script. Tom Holland gets his lines and that’s it. He doesn’t even know who he’s acting opposite of. We’ll just, we use like very vague terms to describe to him what is happening in the scene, because he has a very difficult time keeping his mouth shut.



The fact that we have a whole list of times Tom Holland spoiled the MCU for fans says something about his eager, but kind-hearted tongue when it comes to the adventures of The Avengers. So this information straight from ComicBook.com sounds pretty accurate. Which has us wondering, did Mark Ruffalo get a copy of the script for Avengers: Endgame?


If Tom Holland isn’t trusted with an entire script, than surely Ruffalo's done enough to get himself exiled into spoiler corner. Between his Livestream incident during the Thor: Ragnarok premiere, and his own gaffes involving Avengers: Endgame, it’s gotten so bad that even Don Cheadle has brought attention to it. And by bring attention to, we mean may or may not be joking about not wanting to do press with him. How does that effect lunch breaks on the set?




With Avengers: Endgame only a mere couple of weeks away, it won’t be long before Tom Holland is let off the hook for the time being. It’s a pretty big event, and since he hasn’t had to memorize an entire script’s worth of information, he probably can’t tell us about his big team up with The Hulk for the third act save. That is, if that’s what happens in this next Avengers film, as we’re just kidding, and do not want Mr. Holland to take our word as gospel truth in any way, shape, or form.


Avengers: Endgame heads to theaters on April 26, with Spider-Man: Far From Home hitting theaters on July 3.

15 Best Tom Hanks Movies, Both Popular and Underrated

15 Best Tom Hanks Movies, Both Popular and Underrated
Splash Tom Hanks and Daryl Hannah getting close in front of a city backdrop

If there ever was a Mount Rushmore of actors that are loved by the entire world, one of the first names to be submitted for approval would have to be Tom Hanks. Starting out as a star of TV, through roles in shows like Happy Days, Family Ties, and most notably, Bosom Buddies, Hanks eventually became an actor that would take the world of movies by storm. Launching the greatest charm offensive known to humanity, this legendary performer would traverse the spectrum of human behavior, with the ability to draw a crowd no matter where he landed.


In that career are hallmark roles that everyone knows and loves, but on top of those fan favorites are some roles that should be talked about with the same reverent tones that are used for all the popular picks. Which is why today, we’re going run down not only the best and most popular Tom Hanks movies that everyone can name by heart, but also talk about those films that need a friend. And buddy, these films have a friend in us.


Let's kick things off by delving into the 'popular' portion of his filmography.




15. Splash


His first big Hollywood credit, Splash not only was a gamble at the newly born Touchstone Pictures label, it was also Tom Hanks’ first shot as a romantic comedy lead. While he would cash in on more bawdy and outrageous films for a little while longer, this story about a man who falls in love with a mermaid, played by Daryl Hannah, already laid down the foundation that would carry his career into a new phase in the next decade. Even in this early film, the chemistry between the leads only showed that Hanks and Hannah had the chops to play heart and humor, and it showed that director Ron Howard was a talent to keep watching out for as well. And to think, Tom Hanks originally auditioned for the supporting role that John Candy would eventually play.


14. A League Of Their Own


Tom Hanks has been known as a man that straddles the lines of comedy and drama with great style, and a knowledge of knowing when to play which side of the coin. A League of Their Own is the first calling card that Hanks picked up in that respect, as the role of crass alcoholic Jimmy Dugan gave him the chance to play both an arrogant baseball coach and a supportive teammate to the women he’s coaching. Mixing it up with Geena Davis, Rosie O’Donnell and Madonna, Tom Hanks keeps up with everyone he’s playing to in each scene, and he taught us the greatest lesson of all: there’s no crying in baseball.


13. Big


It’s not easy to play a kid on screen, whether you’re a child performer or an adult that has to pretend that they’re of that same mindset. Big was the moment that Tom Hanks learned that lesson, and it was the first great success that really showed how strong his acting game was. His first collaboration with director Penny Marshall, before their famous re-teaming on A League of Their Own, Hanks’ role of Josh Baskin was mostly a vehicle for the laughs involved with a kid physically growing up overnight. Though it’s not the total package, as Josh’s story also delves into the pressures of adult life and the yearning to go back to the simplicity of childhood. You’ll laugh, cry and smile when Tom Hanks and Robert Loggia play piano at F.A.O. Schwartz.




12. Sleepless In Seattle


There are great shifts in Tom Hanks’ career that allowed him to play various roles, and Sleepless In Seattle is definitely one of them. Portraying a widower whose son casts a wide net to find him a new love, Hanks is teamed for the first time with Meg Ryan, who plays a reporter that’s interested in meeting his lonely character, all in the name of love. Wry wit sets the scene and heartfelt emotion takes the cake, as everything from riffing on romantic movies to a fateful meeting at the Empire State Building, find a way into everyone’s hearts. Naturally, with Tom Hanks as a leading man, it’s not that hard of a job, but it sure doesn’t downplay the results. Even if the man himself admits that during production, he might have been a bit cranky.


11. Saving Private Ryan


Steven Spielberg and Tom Hanks is a combination that has gone down in history as one of those peanut butter/chocolate mashups that usually brings something beautiful to the table. Their first teaming was in the 1998 World War II epic, Saving Private Ryan, and thinking back to how that film played out, one could see why they decided to stay together. Seeing Hanks’ Captain John Miller lead a platoon of men into occupied Germany, with the task of saving the last remaining survivor of a family of brothers fighting the war, invokes shades of the classic wartime epics that came before it. Of course, differentiating this film from its inspirations is the fact that Tom Hanks and his co-stars get to show the brutalities of war, in addition to its camaraderie. One of his most heartbreaking performances, and undoubtedly one of Spielberg’s greatest films, Hanks gave his director a lead to remember, and it helped keep them working together for some time into the future.


10. Toy Story


In the modern era of animation, taking a voice-over role in an animated film feels like a logical step, as well as a big cash-in. But back in the days of Pixar’s Toy Story, that practice was still getting its legs underneath it, even in the camp of Disney’s dream factory. In fact, it’s probably because of Tom Hanks’ iconic role as Sheriff Woody that the phenomenon of big stars in animated films kicked into overdrive by the late ‘90s. Co-starring Tim Allen and a cast of notables, Toy Story broke all sorts of ground for a genre that was merely seen as kids’ entertainment, and a lot of that effort came from the heart that Hanks and his co-stars put into the toy box. And from the looks of what’s been going on with Toy Story 4, it’s something that none of them have ever forgotten.




9. Apollo 13


In his earlier career, Tom Hanks thrived on roles that showed him as a person who would antagonize and even shirk off the yolk of authority. But eventually, this era of his career ended, and in its place was an air of authority that is undoubtedly present in most of his performances. And Apollo 13 is one of the films you should thank for it, as previous collaborator Ron Howard directed Hanks in this film about an infamous disaster during the American space race, and the efforts of all involved to save those caught in the aftermath. Tom Hanks, Bill Paxton, and Kevin Bacon are the astronauts at the heart of the story, all sharing the burden of portraying real life figures, while keeping in mind that they’re more humans than gods. The results are unforgettable, and to this day, Apollo 13 is still one of the best movies about early space flight.


8. Forrest Gump


You knew this was coming. You cannot have a list of Tom Hanks’ most popular roles without mentioning his Academy Award winning role in director Robert Zemeckis’ Forrest Gump. Whether you love the film, or absolutely hate its guts, there’s no denying that without Hanks in the center of that story’s universe, it all falls apart. Playing a man of less than average intelligence, Hanks doesn’t play the desperate cards that some might resort to for sympathy. Rather, he roots his decisions for the character in a humanity that links the entire world together. It’s because of this that anyone can identify with Forrest Gump, and in turn, anyone can laugh, cry or stare at the world as it’s shown through his particular viewpoint. Life may be like a box of chocolates, but Tom Hanks’ performance is that one piece you always run to in that box when you need an extra pick-me-up.


Now that we've covered Tom Hanks' popular movies, let's look at the underrated ones, i.e. the movies that don't get as much love as they should.




7. Dragnet


Right out of the gates holding back the underrated portion of this rundown is Dragnet, a movie that, by conventional wisdom and its place in time, should not have worked. It was a movie adaptation of a show that the '80s nostalgia machine was ready to play ball with, and you can see it in Dan Aykroyd’s Sgt. Joe Friday. That character is an almost note-for-note adaptation of the original TV character of the same name, and if the film had stuck solely on that track, it might have had problems. But adding in a younger comic relief character in Tom Hanks’ rookie Pep Strebeck not only gave Aykroyd’s schtick something to bounce off of, it allowed Dragnet to mash up its past history with a more modern beat. The result is something that’s so wonderfully right, it’s a shame it never spawned at least one sequel.


6. Road To Perdition


Sam Mendes had a blank creative check to do anything as a follow up to American Beauty, and it didn’t take long for the director to cash it. Paid out to the order of the comic adaptation Road To Perdition, Tom Hanks plays way against type as Michael Sullivan, a hitman working for the Chicago mob who has to run for his life. Protecting his son, who just happened to be at the wrong place at the wrong time, Hanks’ character gets to show a lethal edge that the actor didn’t get to show off too often before that point, and sadly hasn’t had too much of a chance to do again. The film, much like its lead performance, is a balance of emotional truth and raw survival in a world of organized crime.


5. The Terminal


We previously discussed the beautiful pairing that is Steven Spielberg and Tom Hanks, as the two collaborators have made legendary hits like Saving Private Ryan. But sitting in the darker corners of their collective canon is The Terminal, a Frank Capra-esque tale of Viktor Navorski, a man literally without a country. As a victim of a horribly timed coup in his home nation, Hanks’ Navorski plays through a fictionalized version of a similar event that happened in real life. Dealing with both threatening bureaucracy, as well as his own awkwardly funny lessons in acting more like an American, he melts into the central role in a tale of heartbreak and hilarity.




4. The 'Burbs


How the hell does a film between Gremlins’ Joe Dante and Tom Hanks fall into obscurity? It’s a question that comes out of thinking back on The ‘Burbs, a movie that took full advantage of the actor’s zany comic energy while it was still his stock in trade. Hanks’ protagonist, Ray Peterson, starts to believe that his neighbors are murderers, and the entire film is a sliding descent into madness that takes Ray and his friends by storm, as they become increasingly desperate to prove to the neighborhood that they aren’t crazy. Playing like a cross between Rear Window and The Little Rascals, this dark comedy only rises in value as it teams Tom Hanks with co-stars Carrie Fisher, Bruce Dern, and Corey Feldman to revel in the madness.


3. Charlie Wilson’s War


History isn’t always a stuffy, simple affair that gets told time and time again. Sometimes, like in director Mike Nichols’ Charlie Wilson’s War, it’s about colorful characters who take matters into their own hands. Senator Charlie Wilson was definitely one of those figures, and the film recounting his efforts has Tom Hanks starring as the drug-using, womanizing senator who, despite his wild reputation, tried to do some good in the war between Afghanistan and Russia. Writer Aaron Sorkin gives Hanks the sharp dialogue he thrives on, while Julia Roberts and Philip Seymour Hoffman further fuel his performance as the titular senator, which makes for something both informative and incredibly hysterical.


2. Cloud Atlas


If you’re an actor at the top of your craft, you probably have a list of directors and creative talent that you’re dying to work with. That feels like the reasoning behind directors The Wachowskis and Tom Tykwer teaming up with an all-star cast that includes Tom Hanks in the severely underrated mind-bender Cloud Atlas. Playing everything from a villainous doctor to a morally conflicted survivor of a future apocalypse, Hanks is given a laundry list of challenges and tropes to work into this collection of six narratives that run together with one common thread. Whether he be menacing, charming or anywhere in between, this is a film that gave one of American’s most treasured actors one hell of a performance exercise, and it deserves to be talked about so much more than it already is.




1. Bridge Of Spies


Honestly, at this point, history and Tom Hanks are inseparable, as it’s more likely that he’ll play every historical figure of note before his career is over. And yet, Bridge of Spies manages to take this, and the fact that it’s another Spielberg/Hanks collaboration, and use both aspects to their full effect. The film tells the real life story of lawyer James B. Donovan, who was drafted by the United States government to not only defend an outed Russian spy at trial, but also to exchange him for a U.S. hostage captured by the Russian government, and it does so in an interesting manner. Intrigue is mixed with sharp witted repartee in Donavan’s quest to make the best deal possible, and putting dialogue co-written by the Coen Brothers should be all you need to convince you to watch Bridge of Spies.


Whether the performance is popular or underrated, Tom Hanks always shows up to play like a champion. The man is a hard worker, and he’s also one of last remaining nice guys in a world that feels colder and more bitter than ever. But, of course, everyone has their favorite Hanks roles, and we may not have covered some of your A-List picks. So tell us in the comments below which popular or underrated roles of the man’s career you favor! There’s no wrong answers, as the answer always ties back to Tom Hanks.

Dark Phoenix Footage At WonderCon Shows Off Outer Space Chaos And An Emotional Battle

Dark Phoenix Footage At WonderCon Shows Off Outer Space Chaos And An Emotional Battle
Phoenix In space Dark Phoenix

Though Dark Phoenix has been in the works for a while, we really haven’t seen all that much footage from the blockbuster. Sure, we’ve seen a couple of trailers come out, but when considered in the context of how much time there was between previews, what we’ve seen doesn’t amount to much. It’s a bit of a surprise, given that the film is now just a few months away from release, but the marketing for the movie broke the drought in a big way today by showing off a couple of full scenes at WonderCon.


20th Century Fox held a special Dark Phoenix panel at the Anaheim Convention Center today, and in addition to having a panel featuring a bunch of stars and filmmakers, the film also showed off nearly 20 minutes of footage. It’s all pretty cool stuff, and you can find the details about it below:


The sequence started with a shot from behind the X Mansion, with the basketball court opening up and the Blackbird launching from the hanger underneath. The X-Men are on a mission - on board are Mystique (Jennifer Lawrence), Beast (Nicholas Hoult), Quicksilver (Evan Peters), Storm (Alexandra Shipp), Cyclops (Tye Sheridan), and Jean Grey (Sophie Turner) – but it isn’t a typical Earthbound adventure. For the first time ever they are making their way into space, and it’s clear that it’s not an environment in which they are totally comfortable.




News stations from around the world are broadcasting the event, showcasing the popularity of the world’s first superhero team. While the X-Men are on the move, Professor X (James McAvoy) is in Cerebro communicating with NASA, who are reporting an incident with a shuttle in trouble involving a solar flare. As we see through the eyes of the mutant team, however, it’s not exactly a normal cosmic event, as it looks more like there is a dangerous mass floating and getting closer to the troubled spaceship – which is shown spinning out of control with a busted thruster.


Calling the shots, Mystique notes that before they can do anything they need to stop the rotation of shuttle, but Nightcrawler notes that he can’t teleport in because he can’t see into it. The job then falls to Cyclops, who is told that he needs to blast the thruster and stop the spin. He goes below deck, lines his specialized visor up with a periscope-esque targeting system, and successfully fires an optic blast that gets the in-trouble ship to stop.


With the situation more manageable, Nightcrawler and Quicksilver are called into action to teleport to the NASA vessel – and meanwhile Storm seals the damage that’s been done with ice. In hyper-speed mode, Quicksilver takes the seatbelts off all of the astronauts, and then tosses them towards the back of the shuttle where Nightcrawler is waiting. Once everyone is collected, they BAMF and find themselves back on the Blackbird.




All seems well and good and the call is made to head home… until one of the rescued astronauts points out that the mission isn’t done yet. Their commander was in the airlock trying to fix the thruster at the time of the rescue, and he remains there with the “solar flare” getting closer and closer. Mystique wants to leave, not wanting to risk the members of her team for one more person, but Professor X insists that they stay and do everything they possibly can to save the remaining life in danger.


With Storm no longer able to keep the ship together with ice, Jean Grey boldly claims that she can slow the destruction, but she needs to get closer to the ship. Both Cyclops and Professor X back her up, though Beast notes that there is less than a minute before the solar flare hits and becomes too dangerous to survive. The call is made, and Nightcrawler and Jean teleport over, with the powerful telepath keeping the construction of the ship together. The commander is saved by Nightcrawler, but as time runs out Jean finds herself trapped as the flare hits. Cyclops screams asking where Jean is, but all they can do is helplessly watch from afar as the cosmic energy engulfs the damaged shuttle.


With Jean, we watch as she starts to absorb the energy – screaming as she does – and it’s an experience that it seems Professor X has right along with her. What adds an interesting note, however, is that while part of the solar flare seems to try and reach out to the Blackbird, Jean uses her concentration to divert it, and winds up absorbing all of it. The shuttle explodes and everyone thinks that Jean is dead. Once all the chaos is over, Nightcrawler teleports and brings her to be back with the X-Men – and while the group initially mourns, she then opens her eyes to reveal that she is alive (with a bit of orange swimming around in her irises).




The X-Men land back on Earth to much fanfare, and the celebrating continues when they get back to the X Mansion. Everyone is happy, and Professor X is feeling enough pride to cancel all classes for the rest of the day, but Mystique is definitely not happy about the whole situation. After Xavier checks in on Jean Grey, sending her to get a full medical exam, Mystique takes him into his office, and she has a frank discussion with him about the increased risks that are being taken. She is worried about the safety of the recruits, and is afraid that the wheelchair-bound telepath is taking on bigger and bigger challenges just for the sake of his ego. He counters, however, by acknowledging that mutants are being accepted unlike any other time in history, and that only one bad day could result in their kind being hated and despised again. It’s clear that it’s not an issue that is going to be solved with one discussion, but at the very end Mystique gets in one last shot, noting not only that it’s been a minute since Xavier last risked his own life, and that women are so consistently saving the men that the team name should be changed to X-Women.


Jumping ahead in the movie (and clearly skipping over some major, major developments), the other big sequence in the Dark Phoenix footage showed off a showdown that seemingly happens in the second half of the film – so if you don’t wish to be spoiled on anything, you may want to stop reading here.


Starting with Xavier in Cerebro with Cyclops, it’s made clear that Jean Grey has started to go off the deep end, and that crap is really starting to hit the fan. Beast has teamed up with Magneto, and they have decided that Jean needs to die – which, naturally, Professor X is unwilling to let happen. He psychically connects with Nightcrawler, showing the place where he needs to go, and together they travel along with Storm (after some argument) to try and stop the assassination.




The members of the X-Men then quickly find themselves in a confrontation with Magneto and Beast in Central Park, as well as two other mutants: one, Red Lotus, with braids that basically act as prehensile tentacles, and another, Selene, with the ability to control minds. Following a verbal scuffle (including an F-bomb from Cyclops), a battle begins as Magneto makes his way towards a building where Jean Grey and Jessica Chastain’s mystery character are staying, and they know that he is on his way to kill Phoenix – what is basically spelled out as an act of revenge for the killing of Mystique. The fight rages on, but the Master of Magnetism gets the upper hand when he uses his powers to pull an entire subway car out of the ground and positions it to block the entrance of the aforementioned building.


Once inside, Magneto is confronted by Jean Grey and Jessica Chastain’s character, and his big move is executed by pulling a metal banister from its spokes and pointing the jagged end at Jean. As emotional as he is, though, he can’t go through with it. Unfortunately for him, it seems that Jean doesn’t feel the same way. With her heightened abilities, she starts to crush Magneto’s head with the villains helmet… though it cuts to black before we can see what happens.


Overall, the footage was interesting if not just because it shows off a lot of new stuff that we haven’t actually seen in past X-Men movies. The titular team operates in a completely different way than other iterations – particularly with the way in which it pairs certain mutant abilities together in order to achieve a certain goal. It’s also a bit that gives us quite a lot of clarity when it comes to where all of these characters stand within this story – particularly Professor X, Mystique, Magneto, Cyclops, and particularly Jean Grey.




We’ve obviously been waiting for Dark Phoenix for a long time, but it’s now actually almost here. The film will be arriving in theaters everywhere on June 7th, and be sure to stay tuned here on CinemaBlend for not only more of our WonderCon footage, but also our interviews at the convention with the movie’s filmmakers and stars.

The 7 Best And Most Realistic War Movies

The 7 Best And Most Realistic War Movies
Platoon

War is a rough subject that's very hard to fully grasp if you haven't been there. With that being said, the world of cinema has managed to get the horrors and humor of war right a handful of times, according to the accounts of actual veterans who were actually present for the conflict. Is that all it takes to create one of the best war movies?


Realism is important, of course, but it may not mean a ton if a movie itself isn't a must-watch drama that civilians and those curious are looking to years in the future to understand just how grizzly these conflicts can be. The following are a list of films that hit that mark of best war movies in terms of realism and quality, listed in chronological order.


Apocalypse Now (1979)


Arguably the most famous war movie on the list, Francis Ford Coppola's tale of a Vietnam soldier tasked with terminating a rogue officer "with extreme prejudice." The story starts off pretty standardly, and slowly devolves into something much darker and different as the film goes on. This has led to some criticism from veterans, many of whom say the first third of the movie is a far more realistic depiction of war than the parts after. Still, the early stuff seems to be spot on and this is, of course, an enduring movie.




Part of this is due to Francis Ford Coppola's vision, which was to adapt the famous 1899 novella Heart of Darkness into a story about Vietnam. Luckily, the film's engaging story and iconic moments have made it a classic amongst war movie aficionados and certainly a contender for the best war movie of all time.


Das Boot (1981)


Das Boot was a German drama that was based on the novel of the same name and the efforts of a real German submarine, the U-96. The movie was created using a mock-up replica of the actual ship, in an effort to effectively capture the mixture of inaction and action German submariners went through during WWII.


Though the novel's author criticized Das Boot for its glorification of war (the book was meant to be anti-war), American and German audiences responded well to the movie. That's likely thanks in no small part to this best war movie's painstaking recreation of the boat, which was also rented by Steven Spielberg during production for Raiders of the Lost Ark.




Platoon (1986)


There are several great films about the Vietnam War, although Platoon tends to stand out as one of the leaders of the pack in terms of realism. This "best war movie" is often mentioned by Vietnam veterans of one of the most accurate depictions of the war, thanks in no small part to its Vietnam veteran director, Oliver Stone.


Unlike other popular war movies like Apocalypse Now, Stone's screenplay meshes his experience with the accounts of other Marines who were in the conflict. The result was a graphic and powerful performances by talented actors and a depiction of war that won't soon be forgotten. It's even hard to find a criticism on inaccuracies it shows, which speaks both to its realism and quality as one of the best war movies.


Saving Private Ryan (1998)


When one thinks of the best war movies, Saving Private Ryan may and definitely should be at the top of the list. The Omaha landing sequence is frequently referenced as one of the most accurate war scenes of WW2 in cinematic history which, quite frankly, is a terrifying thought. What's more impressive is the scene did not get a storyboard, and Steven Spielberg opted instead to direct his camera toward more spontaneous moments.




There are a few less factual parts of the tale, but Steven Spielberg explained that he let realism fall by the wayside for a couple of scenes for dramatic effect, to better speak to the emotion of the story. Perhaps more so than any other entry on this list, Saving Private Ryan walks the line between fact and fiction the best.


Black Hawk Down (2002)


Black Hawk Down is Ridley Scott's telling of The Battle of Mogadishu with an all-star cast that includes the likes of Ewan McGregor, Josh Hartnett, and Tom Hardy. The story follows three special forces units, all tasked with capturing Mohamed Farrah Aidid. Things go south, and result in an event that ended in the death of 1000 Somali and 19 American soldiers.


While Black Hawk Down is often lauded as one of the best war movies for its accurate combat depictions, it has found criticism for being a fairly one-sided account of the conflict. In reality American soldiers were aided by Malaysian and Pakistani forces, neither of which are represented in the movie. Additionally, Somali advocacy groups have noted the depiction of Somalis in the film is inaccurate, and it's worth noting no Somalis were cast in the film.




We Were Soldiers (2002)


Mel Gibson's We Were Soldiers is a more modern film that chronicles the Vietnam War, and specifically, the Battle of la Drang. It's spot as one of the best war movies is backed by the numerous efforts made to maintain realism and recall the events of Hal Moore's memoir We Were Soldiers Once... And Young.


For all the movie gets right, it does bend the truth in showing the final charge by American forces. There was no such event, and the North Vietnamese were not destroyed. It's one of the big glaring differences, but for the most part, the rest are simply details that seem trimmed for the sake of shortening the story. Perhaps if a TV series was made, the full depiction of events could be brought to life.


Hacksaw Ridge (2016)


Speaking of atypical depictions of war, Hacksaw Ridge tells the mostly true account of Desmond Doss, who went through his service in WW2 without a weapon. Despite his lack of a firearm, Doss saved numerous lives in The Battle of Okinawa at the cost of severe injuries that inevitably affected the rest of his life.




Surprisingly, the factual inaccuracies of Hacksaw Ridge are not on the field of battle, but in the stories outside of Desmond Doss' service. Doss' wife didn't become a nurse until after the war, and the family fight that encouraged him to never use a weapon was between his uncle and father, not his father and mother. Doss was never actually court martial-ed, but was threatened many times. It makes for a great story nonetheless, hence its place on the list.


There are plenty of great war movies and plenty of other realistic war movies out there, so if there are any that have been left off the list that deserve mention for an exceptional mix of quality and realism, drop it down in the comments below. We're always looking to add to our binge-watching lists anyway.

 

Blogger news

Blogroll

About