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Saturday, April 25, 2020

Dumbo Has Screened, See The Early Reactions

Dumbo Has Screened, See The Early Reactions
Dumbo

2019 is the year Disney goes all in on the remakes of its animated classics. Later this summer we'll see both Aladdin and The Lion King hit the screen. But first, it's all about the flying elephant. Dumbo was Disney's fourth animated feature film, which makes it now the earliest one to get the live-action treatment. How does the new film stack up against the original, as well as the other Disney remakes? A few critics were lucky enough to see Dumbo early and most of them are pretty complimentary.


Film critic Courtney Howard has one of the more glowing responses to Dumbo, complimenting both the message of the movie as well as the CGI title character.



Dumbo has a blessedly surprising pro-animal rights agenda wrapped in a subtle, rebellious meta-commentary on a band of outsiders shaking up a corporate establishment. Its aesthetic design is dazzling, gorgeous & meticulous. The CG elephant is absolutely adorable.






It's interesting, though not too surprising, to hear that there's an animal rights element to the new Dumbo. Several of those who have seen the movie remarked upon it. The fact is that the 1941 original is a movie that hasn't necessarily aged all that well. Many elements that were not seen at the time as being any issue, we now realize were inappropriate. Many people remember, or are at least aware, of the crow characters that give Dumbo his "magic feather." The fact is that's not even the only racially problematic sequence in the film. But beyond race, there's even more about Dumbo that's potentially a problem now.


The fact is that circuses themselves are largely viewed now as something that should be left in our past. Few, if any, of the circuses that remain in business today even use animal acts. Regardless of how well a circus may attempt to treat its animals, the issue of them being repeatedly caged can't be overlooked. The sequence that leads Dumbo's mother to be taken away, as one example, is the sort of thing that would likely result in the entire circus being shutdown, and a host of lawsuits being filed. Dumbo is also repeatedly put at great physical risk for the entertainment of people. We know now such things are entirely wrong. Not at least pointing out this fact would have been a missed opportunity.


One of the more unique aspects of this particular story is that the title character of the film is an elephant created entirely with CGI that never actually speaks. It's safe to say that if the elephant doesn't work, the movie doesn't work. However, one item that pretty much everybody seems to be in agreement on is that the elephant is adorable and emotional. As writer Nick Kazden put it...






I wasn't sure what to expect, but I can say that Dumbo is a genuinely heartwarming, entertaining movie that is definitely worth your time. The cast is enjoyable but the VFX Dumbo is so damn expressive that he steals the show everytime he's onscreen.



Dumbo is directed by Tim Burton. While he's mostly known for making movies about more macabre subjects, this isn't the first time he's made a movie designed to warm the heart, and many are in agreement that he's done a good job with Dumbo. Slashfilm calls it one his best live-action films in years.



I enjoyed Dumbo. Fantastic art/production design, a surprising/necessary pro-animal rights message. One of the best live action films Burton has directed in years. Unlike most Disney adaptations, its in the unique position to be 35% an adaptation and 65% a sequel, which is cool.






The idea of Dumbo being a sequel likely comes from the fact that Dumbo only actually shows the world he can fly in the last minutes of the original film. As it seems clear that's not the case here, most of this version of Dumbo would have taken place after the original movie was over. This gives Tim Burton a lot more to work with, which may be where his creativity is allowed to shine.


The sentiment that Burton is at his best is also echoed by Attractions Magazine, though without the caveat of "live-action..."



t’s absolutely wonderful - a beautiful story, quite different than the original, that won’t leave a dry eye in the theater. The cast is kismet together on screen. It’s one of Tim Burton’s best in a long time.






Of course, few films receive entirely perfect responses from all corners, and while few seem to have truly hated Dumbo, many still found it lacking. While the remake may offer a bit more substance than the animated original, Nerds of Color still found the new version fairly thin...



Dumbo the character is quite cute. But unfortunately, though it looks great, the movie lacks the sincerity and heart that made the animated original a classic. Too manufactured, and it’s super talented cast is a bit wasted on paper thin characters and relationships.



Similarly, IGN felt that the movie was simply missing the heart of the original, and that the stories of the human characters, the part of the live-action film that is entirely original, never felt fully realized...






Watched Dumbo last week. Despite some great visuals, a very fun Michael Keaton performance, and an adorable baby pachyderm, the movie never really gets you caring as much about what's going on as the original. The human stories feel undercooked and it really rains on the parade.



Dumbo is an interesting movie to want to remake in the first place. While it's got some beautiful visuals and musical moments, the story itself leaves a bit to be desired. The movie isn't very long, and it still has moments, like the well-known "Pink Elephants on Parade" that are mostly just filler designed to show off Disney's animation talent.


The new version was always going to need something to give it a bit more substance. The decision was to create a collection of new human characters who come into conflict over Dumbo's fate, but it seems not everybody agrees they have all that much substance themselves.





There are clearly a lot of fans of the animated classic that will likely want to check this one out. Some are saying it is much better than some of Disney's more recent remake efforts. The rest of us will find out when Dumbo hits theaters March 29.

Friday, April 24, 2020

Stephen King Drops F-Bomb Over How Great Pet Sematary Is

Stephen King Drops F-Bomb Over How Great Pet Sematary Is
Church the cat in Pet Sematary 2019

Stephen King is never shy with his opinions. Just ask The Shining. But the good news is he thinks the new Pet Sematary movie is "fucking great!" This is the second movie to adapt his 1983 horror novel, following the 1989 film.


Critics have already seen the 2019 Pet Sematary and the reactions have been very positive. King seems to agree, particularly appreciating the maturity of the film:



It’s fucking great! It’s a really good movie. It’s a grown-up, adult kind of movie. It’s not like 12 semi-clad teens get killed in a summer camp. In this particular time frame, you know, there’ve been several movies that have been successful. Horror movies like Jordan Peele’s Get Out last year. And then I think when Us opens, I think it’s gonna be big. I think it’s gonna be huge. Those are like adult-type fantasies.





Stephen King must've shared those quotes a while before EW posted them, since by now Us has come out and it was indeed big -- with a bigger-than-expected opening. Horror is huge right now. Pet Sematary isn't expected to have a huge box office opening opposite Shazam! but it should pull in respectable numbers. The strong word-of-mouth can't hurt.


Stephen King also reiterated he's OK with the 2019 Pet Sematary changing one aspect of the film -- which was already revealed in the trailer so it's not really a spoiler -- that the older girl is resurrected this time and not the little boy.



It’s something different. They did a good job. Boy, I saw all the stuff that came online when people realized that it was Ellie rather than Gage that got run over in the road, and I’m thinking like, “Man, these people…” It’s so nuts. You can take Route 301 and go to Tampa, or you could take Route 17 and go to Tampa. But both times, you’re gonna come out at Tampa! [Laughs] You know what I’m saying? It didn’t change anything for me. I thought, “Okay, I understand why they did it, because it’s maybe easier to work with a zombie when she’s a little girl, [rather] than a toddler.”





Stephen King said, in general, he's fine with stories changing details -- if, in his opinion, it works for the story:



I’m really kind of mercenary about all this. My idea is, “If it works, it’s golden. If it doesn’t work, you know, Jesus Christ, why did you change it?” I mean, I’ve seen changes in stuff that’s been done to my work where I just throw up my hands and I say, “Why? Why did you do that? You had a book. You had a blueprint you could’ve gone by.”



It's true. There are good Stephen King adaptations, bad Stephen King adaptations, and a whole lot in between with a mix of both in the same project.




Read the whole Q&A for a lot more from Stephen King. Pet Sematary opens this coming Friday, April 5. And don't forget we also have It Chapter 2, Doctor Sleep, Castle Rock Season 2, The Stand, and more King adaptations still to come. He never stops!

How Clark Gregg Originally Found Out He'd Be In More Than Iron Man Movies In The MCU

How Clark Gregg Originally Found Out He'd Be In More Than Iron Man Movies In The MCU
Clark Gregg as Agent Coulson in Iron Man 2

While Clark Gregg's agent Phil Coulson doesn't have superpowers, the character is as loved by fans as any of the Avengers. Between his appearance in several Marvel Cinematic Universe films, and the ongoing Agents of SHIELD TV series, he's become a significant part of the story. However, if it was always the plan for Coulson to become a recurring part of the MCU, somebody forgot to tell Clark Gregg, as he didn't know his role was growing until the middle of filming Iron Man 2. According to Gregg...



During one of those [Iron Man 2] scenes they said, ‘Oh Tony, you’ve got to tell him he’s going to New Mexico.’ Finally, after I did a couple of takes, because I was obedient and happy to be there, I was like, ‘One question: What’s in New Mexico?’ And they said, ‘Oh, Thor! You’re going to be the one to find his hammer. Are you free?’ And I was like, ‘Oh shit, I’m going to get free!’



Clark Gregg made his debut as Agent Phil Coulson in the original Iron Man, back when the only hint that there was ever going to be anything like the MCU came in a post-credits sequence back when people didn't know they needed to stay through the credits. He was Tony Stark's liaison with SHIELD.





He returned for Iron Man 2 and likely just assumed that he'd just be a small part of whatever shenanigans Tony Stark got up to. The Incredible Hulk was the only other Marvel movie at that point and while Robert Downey Jr. did appear in a post credits sequence of his own, connecting the stories, it still wasn't clear just how well the MCU idea would work. Hulk wasn't a hit like Iron Man had been.


It's clear from the way Clark Gregg talks to Polygon that he's as much a fan of the Marvel movies as he is happy to be a part of them. Of course he would get excited about the chance to be in Thor as well as the Iron Man movies. I like how it was just sort of planned to have Clark Gregg appear in the movie and he was asked if he was free after telling him he was going. Based on his response, it was probably assumed he would make himself available if he made it clear how happy he was to be making the movies.


His fate in The Avengers was probably somewhat disappointing to him, though Gregg says he was humbled by the outpouring of support from fans who wanted to find a way to bring him back. One theory was that dead Coulson could have been a Skrull. Now, Gregg is back on the big screen in the MCU in the 90s prequel Captain Marvel which opens on Friday, and so are the Skrulls. Is Coulson actually a Skrull? No spoilers.




Justice League’s Ray Fisher Wishes His Character’s Backstory Was More ‘Fully Represented’

Justice League’s Ray Fisher Wishes His Character’s Backstory Was More ‘Fully Represented’
Cyborg in Justice League

It's no secret that superhero movies are everywhere, as the genre has proven to be massively popular and profitable over the past few years. While all eyes are on what Marvel brought to the table with The Russo Brothers' record breaking Avengers: Endgame, there's also some competition coming from the DC Extended Universe.


The DCEU has had some serious peaks and valleys since its inception, although things seem to be on the upswing with the release of Aquaman and Shazam! But it wasn't long ago when it seemed that all was lost, after the disappointing performance of Batman v Superman and Justice League. The latter introduced Ray Fisher's Cyborg to audiences, but the actor recently spoke to an aspect of the character's backstory that he wishes wasn't left out. As Fisher tells it:



Something which is something we didn’t get to see fully represented in the film, is the loss of Victor’s mother. And how that sort of drives a wedge between them as well. Because not only has he lost his body, he’s lost his mother, he’s lost his ability to play football. He sees himself as a monster. And most of this is due to Silas.





Cyborg's future in the DC live-action universe is currently unclear, but comic book fans will no doubt agree with Ray Fisher's assessment regarding his character's treatment in Justice League. Because there was basically no mention of his mother Elinore Stone throughout the course of Zack Snyder's blockbuster.


Ray Fisher's comments come from his recent appearance at Wizard World Comic Con (via Reddit), and address Cyborg's typical comic book origin. Justice League caught up with Cyborg after his powers had already been granted, with the experiment his father Silas did on Victor only briefly mentioned. What's more, his mother Elinore was left out of the story, a decision that Fisher seems to take some umbrage with.


Related: Justice League’s Ray Fisher Still Wants Zack Snyder To Direct A Cyborg Movie




In the comics, the accident that causes Victor Stone to be transformed into Cyborg is also one that took his mother's life. So on top of Cyborg resenting his father Silas for taking his humanity away, their relationship is further fractured by the anger and guilt associated with Elinore's death. This backstory would help explain the sense of loneliness and bitterness that Cyborg was feeling in Justice League, and why he might have refused to join the team when first recruited by Diana Prince.


Ahead of Justice League's release, it was believed that each of the members of the team would be given their own solo flick down the line. This included a Cyborg movie, although it looks like Warner Bros. may have abandoned these plans. It's unclear if Ray Fisher will ever reprise his DC role, as the shared universe has pivoted away from serialized storytelling and onto capsulated, director-driven projects.


Shazam! is still in theaters now, and the next DC release will be Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) on February 7th, 2020. In the meantime, check out our 2019 release list to plan your next trip to the movies.



Thursday, April 23, 2020

Detective Pikachu Is Poised To Make A Ton Of Money In Theaters

Detective Pikachu Is Poised To Make A Ton Of Money In Theaters
Detective Pikachu

These days there's really no such thing as a bad time for a big tentpole movie to release, but the "summer movie season" which these days starts around late April or early May, is still a period that gets a bit more love from studios. Big movies tend to open bigger and it looks like that's going to be the case for Detective Pikachu. Early tracking for the live-action Pokemon movie has it running at an opening weekend of between $75-$90 million with a total domestic run of somewhere around $250 million.


To put that in perspective, the only movie expected to do better than Detective Pikachu at the box office between now and when Pikachu opens May 10 is Avengers: Endgame. The rest of the major releases, Disney's live-action Dumbo, Shazam!, Hellboy, etc. are not expected to do anything close to what Detective Pikachu is looking at putting up.


This is certainly at least somewhat surprising. While Pokemon certainly has a lot of fans, in North America it would still have to be viewed as a niche property. While the success of more mainstream Pokemon games like Pokemon Go certainly have helped the brand achieve broader popularity, there was no guarantee that would translate to success elsewhere. However, based on these numbers it certainly does look like Detective Pikachu is set to be a huge hit.





The fact that Pokemon's international appeal has the potential to result in the film doing even better overseas means that when global numbers are tallied, Detective Pikachu could end up being one of the highest grossing movies of the year.


As Box Office Pro points out, there are some potential stumbling blocks to Pikachu's success. It will be opening during Avengers: Endgame's third weekend, and while that will likely give the superhero juggernaut enough breathing space, if that film is able to retain a sizable audience for that long, it could potentially cut into the business of the Pokemon movie.


Detective Pikachu will likely have about two weeks to make the bulk of its domestic cash. That's when Disney live-action Aladdin will be opening, which will likely appeal to the same wide audience that Pikachu looks to be wooing. The weekend in between will see the opening of John Wick: Chapter 3 - Parabellum, which, as an R-rated action movie, is unlikely to draw too much away from the Pokemon audience.





Considering the movie is still well over a month away, these projections will almost certainly change. The only question is which direction they will go. There's a strong chance that as we get closer to release more people will begin to get excited about Detective Pikachu. It's very possible this movie will be even bigger than we think it's going to be.

Shazam! Releases Different Trailer For China That Reveals More Jokes

Shazam! Releases Different Trailer For China That Reveals More Jokes

When comparing the underwhelming performance of Justice League to the commercial smash that is Aquaman, one might think the DCEU might be decidedly distancing themselves from a previously-planned interconnected universe. While the studio’s upcoming lineup indicates a move in that direction, it looks like Shazam! won’t be completely ignoring the other DC heroes. In past trailers, we’ve seen a few sprinkles here and there referencing the DCEU, such as Freddy Freeman’s authentic Batman Batarang and when Shazam yelled “Get ‘em, Batman!” when throwing a big doll of the Caped Crusader. The new trailer for China mixes familiar footage with new and hilarious DCEU jokes, and man, do they get us excited for the upcoming release. Check it out:


Well, aren’t these are perfect!! The new trailer was released in anticipation for China’s upcoming release of Shazam! on April 5, which coincides with the domestic opening day as well. While most of the clips aren’t new, the few that are win big at taking a jab at other superheroes in DC’s film universe.


The footage reveals a bit more of Shazam’s face-off with Dr. Sivana in the city, showcasing more stunning action and a hilarious exchange between them. Amidst their big fight, Dr. Sivana proceeds to threaten the hero, but the superpowered Billy Batson points out, they are a mile apart and he can’t hear his "bad guy evil speech." Within the scene, it looks like the movie will cut to a child humming the iconic “Superman Theme” while playing with Batman and Superman action figures, which mirror the actions of Shazam and Dr. Sivana’s fight.




The new China trailer also shows a clip of Shazam looking into a fish bowl and quipping – “I can’t talk to fish, what could we do with that that’s cool?” Freddy responds with, “Maybe command an army of billions in the Ocean!” while gesturing to his Aquaman t-shirt. It’s a funny poke at the underwater hero often being the butt of jokes, well, before the naysayers saw how badass he can be in the recent blockbuster, that is.


These are some amusing jokes to get fans excited for Shazam! which show the franchise isn’t completely abandoning its roots. This is also probably somewhat of a business move for Warner Bros. to market the new hero to Chinese audiences because movies such as Justice League and Aquaman made some good money there – more so with Aquaman, which topped Wonder Woman’s entire box office total of $93 million in just three days in China, before making over $298 million total in the big movie market.


Time will tell where Shazam! stacks up alongside its fellow DCEU heroes at the China box office, but early tracking on the domestic front has the superhero flick making around $45 million during its first weekend. The early positive reactions could certainly help propel Shazam! forward when it comes to theaters on April 5.



Tom Holland Warns Of A Spider-Man: Far From Home Scene That Will Be An Emotional Punch In The Face

Tom Holland Warns Of A Spider-Man: Far From Home Scene That Will Be An Emotional Punch In The Face
Tom Holland in Spider-Man: Far From Home

Jon Watts’ initial Spider-Man movie, Spider-Man: Homecoming, was more emotional than you might remember. Yes, it had its lighter moments, and inspirations from the high school classics delivered by John Hughes. But there were tough, emotional beats in that movie as well, which Watts and leading man Tom Holland weren’t afraid to embrace and wallow in. And it sounds like they are back at it in the upcoming Spider-Man: Far From Home.


CinemaBlend recently traveled to the London set of Spider-Man: Far From Home and watched the creative team work. During a sit-down conversation with Tom Holland, we brought up complicated scenes from Homecoming that really stuck with us, from the scene of Peter Parker pushing himself out of the rubble – a direct callback to The Amazing Spider-Man No. 33, “The Final Chapter” – to his verbal standoff with Michael Keaton in the car outside of Liz’s dance.


We asked if Spider-Man: Far From Home includes tense, emotional moments similar to these, and Holland immediately opened up, stating:





There’s a scene in this film where audiences will feel like they were punched in the face. Even filming it, I remember walking out and then watching it again on the monitors and asking Jon, ‘Are you sure that's okay?’ And he's like, ‘No, it's not. People are going to hate this scene.’ But it really… God, it’s pretty crazy. And it's very similar in the way that it's very tense, and it sort of rips the rug from underneath your feet. It's pretty awesome.



Now that is a tease. Tom Holland couldn’t come close to giving us any more context about the scene he is discussing. At the same time, Holland was pretty guarded during the whole visit, because when he sat down to discuss Spider-Man: Far From Home, none of us had yet to see Avengers: Endgame. That movie didn’t even have a title yet. And as far as we knew, Spider-Man was dust.


Naturally, now, we know that he’s back… and if you saw Avengers: Endgame, you know how he comes back! The latest trailer for Spider-Man: Far From Home sort of shows how he is going to pick up the pieces following Endgame, so why don’t we let that teaser tell the story:




In Spider-Man: Far From Home, Peter Parker (Tom Holland) needs to take a break from that superhero lifestyle, so he agrees to accompany his classmates on a European jaunt. Only, once there, he gets caught up in a series of global attacks that are being investigated by Nick Fury (Samuel L. Jackson) and a new ally, Quentin Beck (Jake Gyllenhaal).


As much as Spidey wants to sit this one out, Fury and Beck need his assistance to take down Elementals – creatures that are from another dimension, or multiverse, and could cause real problems for the world at large.


Spider-Man: Far From Home swings into theaters on July 2. Stay here on CinemaBlend for a lot more coverage from our visit to the movie’s set.



 

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