Is Rocketman Having Issues With Its Nudity And Gay Content?

Is Rocketman Having Issues With Its Nudity And Gay Content?

As Rocketman, the “musical fantasy” biopic showcasing Elton John's life and career, has been progressing through production, there have been certain promises made to the audience. Namely, that it will be a fantastical spin that also tells Sir Elton's personal story, including a no holds barred approach. Well, it looks like that promise is already coming into question, as recent whispers indicate that Paramount, the studio releasing the film, wants a nude scene cut from the film.

The story goes as follows: there's an approximately 40 second scene where Taron Edgerton and Richard Madden have what's been referred to as a “nude cuddle” in Rocketman. Reportedly this scene is offensive enough to the studio that they want it cut, and the filmmakers are fighting this decision through “heated discussions.” In other words, it sounds like the studio is balking at the more adult oriented approach, and those making the film aren't having it.

Some may think this argument is odd, considering Rocketman is poised to do what Bohemian Rhapsody would not in regards to same sex attraction. It's expected to be a biopic that could appeal to Elton John fans, while also showing his more R-rated vices, warts and all. However, the Bryan Singer directed film is exactly what Paramount is probably thinking about when putting the finishing touches on this piece of musical history; especially considering the meteoric ride that film has taken to the bank and a slew of Oscars.

With $879 million dollars in international grosses, and four wins out of five Academy Award nominations, Bohemian Rhapsody is more than likely going to be the benchmark most studios aim for when it comes to musical biopics. And that film has one key advantage when compared to Rocketman's more adult approach: its PG-13 rating allowed it a wider swath of audience members that could enjoy it in theaters.

So if Paramount has even a thought of making Rocketman a close to billion dollar success, it's more than likely that the studio wants to have a cozy PG-13 rating attached to it. Which makes this latest item from Baz Bamigboye's Twitter all the more believable, as well as that much more unfortunate. The issues that the studio seems to have with director Dexter Fletcher's movie don't seem rooted in any sort of moral grounding, but rather it feels like this is a business decision being made for the commercial viability of the film.

It'd be interesting to hear what Sir Elton John thinks of the Rocketman debacle, as he's been a driving force behind getting this project off the ground for some time now. With everyone from Justin Timberlake to Tom Hardy having their names put into the ring for consideration, it's been quite the road to where the film currently resides. If these reports get back to the right people, sooner or later there has to be a clarification as to whether the film will include the sex and nudity it's talked up, or if they back down and trim the film to a more blockbuster friendly extent.

Rocketman burns out its fuse in theaters, alone, on May 31, 2019.

Why Palpatine Had To Show Up In Star Wars: The Rise Of Skywalker

Why Palpatine Had To Show Up In Star Wars: The Rise Of Skywalker

Last week, Star Wars Celebration blew the roof off of the internet with the first look at Star Wars: The Rise of Skywalker. There is lots to talk about in the new teaser, but the most popular item is probably the return of Emperor Palpatine. The classic Star Wars baddie is making a comeback, and while we are left to wonder exactly how that's possible, it's not too surprising that Palpatine is back. When you think about it, there weren't any other choices for a villain because, well, there's no one else left.

The ominous laugh of Emperor Palpatine closes out The Rise of Skywalker teaser trailer, and director J.J. Abrams later confirmed that Palpatine is definitely back for the final installment of the trilogy. The news caught fans by surprise. Even though Palpatine's return was a popular fan theory for years, it's still nuts to see him actually coming back.

It's an exciting way to close out the saga that began way back in 1977, but once the lights dim down, it becomes increasingly clear that Star Wars didn't really have any other option but to bring Palpatine back.

For starters, the news isn't all that surprising when you consider bringing back the familiar is J.J. Abrams' Star Wars M.O. He directed Star Wars: The Force Awakens, which indulged in plenty of nostalgia. A popular criticism of that film is that it's TOO similar to the Original Trilogy. After all, there's basically another Death Star lead by a creepy old man who appears as a hologram to a masked servant who has family ties to the good guys.

Plus, Abrams is bringing back Lando in The Rise of Skywalker, so extending the invite to Palpatine is just giving the people more of what they want. Critics of this move might say that bringing Palpatine back isn't too exciting and a sign that this new trilogy might not have had many fresh ideas left.

I don't think I necessarily agree with all that, but I do think that this trilogy found itself in a bit of a hole, and the only way out was by resurrecting Palpatine.

To be fair, Abrams and Kathleen Kennedy have said that it was always the plan to bring Palpatine back at the end. The problem with that though is that it's never been entirely clear how much was planned for the story of the three new films. Even though Abrams set up some mysteries, The Last Jedi director Rian Johnson said he was working with a blank slate and had total creative freedom. That doesn't sound like much of a plan.

The Last Jedi, for all that it does right, put The Rise of Skywalker into a pickle because it wiped all the villains off the board. Fans hyped the crap out of Snoke, who turned out to be something of a red herring and killed off pretty easily. He just wasn't that interesting to begin with, but he was the closest thing these films had to an overarching villain.

The other option is Kylo Ren, but he's a circle trying to fit into a square hole. Ren's arc is so tied up in whether or not he'll be redeemed, he doesn't feel like a true villain. He's too conflicted to be the final boss. So, we're left without any villain to take us to the homestretch, unless you want General Hux to get a major promotion.

It's also too late to introduce a new villain. Since it's the final movie, why should anybody care about a character who pops up out of nowhere? There isn't enough for an audience to invest in. His connection to the main characters would be tenuous at best, and it's tough to see any motivations that would be compelling enough to get attached to.

Palpatine, however, fixes all of those problems. He's a familiar character, so people already know his whole deal, and the movie doesn't have to waste time introducing him. Plus, he has the nostalgia factor, and it's a lot more fun to talk about him than it is some new guy.

While Palpatine's motivations are thin (he wants to rule the galaxy because he wants to), that works for him. Star Wars is pretty black and white, and Palpatine is meant to be the face of ultimate evil. He's a cruel bastard and not much else, but that's also the point. He's not meant to be more than that, so it's even easier to get on board with his return because it doesn't come with a lot of complicated baggage.

Additionally, Palpatine is THE Star Wars bad guy. If The Rise of Skywalker is meant to close the book on these characters and the story we've come to know, it's fitting that he's the final obstacle. He's technically been the main villain of two trilogies and he's the architect of almost all the bad stuff that happens in Star Wars. Why not bring him back for one last go-around?

The whole mystery behind how Palpatine will factor into the movie can't be undersold either. There are going to be tons of fan theories and discussions about this topic before the film arrives in December. The trailer has already drummed up a ton of buzz, and utilizing a familiar and beloved bad guy certainly doesn't hurt in the marketing department either.

I suppose it's not very hard to get excited for a new Star Wars movie, but Palpatine has been gone for a long time. There's no shame in being excited that the villain will be back to laugh and shoot a bunch of lightning one last time.

I think that it's too soon to say whether bringing back Palpatine is a good or bad decision. It'll all depend on how he's brought back and how he's mixed into the plot. You can argue that it's a lazy and safe decision, but I also think it was the only one the filmmakers could have made. Options are a lot more limited in the villain department after Snoke died and it's too late to bring in a new bad guy. However, the advantage of Palpatine is that we at least have an idea of what to expect.

Robert Rodriguez Really Loved Picking James Cameron’s Brain During Alita: Battle Angel

Robert Rodriguez Really Loved Picking James Cameron’s Brain During Alita: Battle Angel

At this point in his career, Robert Rodriguez is hardly a newbie. It was nearly 30 years ago that he directed his first feature, 1992's El Mariachi, and he's made close to 20 features in that time. He is most definitely regarded as a veteran in the filmmaker community - but apparently that status did absolutely nothing to stop him from constantly looking to the legendary James Cameron in the making of Alita: Battle Angel:

Jim’s like the ultimate Yoda. First, he’s like, ‘You don’t need guidance. Stop calling me a mentor, you don’t need any mentoring.’ You know, he’s just totally empowering. He does it without even trying. If I ask him a question, he will give you back a really thoughtful Jim Cameron answer.

Robert Rodriguez and James Cameron had the opportunity to work together closely in the making of Alita: Battle Angel, as the former directed a script written by the latter, and clearly Rodriguez truly loved the time they spent together, and the wisdom he gleaned. It was a subject he discussed with apparent enthusiasm during a recent interview with Indiewire.

Being a significant part of the 1990s indie director movement, Robert Rodriguez has a number of titles on his resume that are beloved by certain cinephiles, including Desperado, From Dusk Till Dawn, and Grindhouse, but there's also no real arguing that James Cameron operates on a different level. You can't even properly list the game-changing titles on the man's resume because it gets too unwieldy in text and you have to make controversial omissions.

I think it's safe to say that any of us put in Robert Rodriguez's position would treat James Cameron's eminence the same way, and one extra benefit is that Rodriguez made an effort to permanently capture the pearls of wisdom Cameron had to offer:

So I just have it on record. I turn my phone recorder on, because it’s like some of this will go right over my head and I’m going have to go back and study it. He’s so freaking brilliant.

It seems like the collaboration will be one that Robert Rodriguez will long cherish - and there's still a lingering question mark regarding whether or not he will get the chance to work alongside James Cameron again. Following pessimistic early box office prognostications, Alita: Battle Angel has turned into an impressive hit, to date making $360.3 million worldwide (though only $74.7 million comes from domestic grosses). At this point we're still waiting to see if there will be an opportunity for the project to produce a sequel, but the possibility definitely exists.

Even if Robert Rodriguez and James Cameron never get to work together again, though, at the very least it sounds like Rodriguez made the most from the time.

For those of you who have not yet seen it Alita: Battle Angel - starring Rosa Salazar, Christoph Waltz, Jennifer Connelly, Ed Skrein, and Mahershala Ali - is now playing in theaters worldwide.

How Much Toy Story 4 Could Make Opening Weekend

How Much Toy Story 4 Could Make Opening Weekend

This summer is absolutely stacked with movies, and one of the most high-profile is Toy Story 4. It's been nine years since Toy Story 3 and the new film in the series will find Buzz and Woody reuniting with Bo Peep and trying to find their way back to Bonnie. There's a lot of love for the Toy Story franchise and it sounds like the new film is in for a pretty healthy opening weekend, should all go well. Early tracking for Toy Story 4 has the movie opening to as much as $130 million.

Everybody is talking about Avengers: Endgame and how that film is breaking every record under the sun, but this is only the start of the summer season. There are plenty of other movies that are aiming for box office supremacy, and Toy Story 4 has a solid shot at becoming the highest-grossing animated film of the year.

While we are still a good distance away from the film's June release date, early tracking for Toy Story 4 is already in progress. According to Box Office Pro, the film could open within the range of $105 million to $130 million.

There are a number of factors that could swing this projection. The Toy Story franchise has a lot of nostalgia attached to it, and given the nine-year gap between films, older fans may want to bring kids who were born after Toy Story 3 and introduce them to the franchise. Additionally, reactions to trailers and other footage have been positive, as well as reactions to new characters like Forky.

However, Toy Story 3 is seen as the perfect conclusion to the series by some viewers, so they may not feel compelled to check out the latest adventure. This wouldn't really deter younger fans, but interest in the film amongst older generations isn't as high as it was for Finding Dory and Incredibles 2 by this point, according to Box Office Pro.

The film will also open two weeks after The Secret Life of Pets 2, which could cause Toy Story 4 to have a deflated opening if the Illumination sequel is well-received.

Comparatively, this opening projection is fairly in line with Toy Story 3, which grossed $110 million opening weekend. However it falls behind two of Pixar's most successful films box office-wise. Finding Dory opened with $135 million while Incredibles 2 was Pixar's best opening ever with $182.7 million. However, it's still fairly early, and projections tend to change the closer it gets to the release date.

Will Toy Story 4 be able to escape the Oscar-nominated shadow of Toy Story 3? We'll know for sure when the film arrives in theaters on June 21, 2019. For everything else coming to theaters this year, check out our 2019 movie release guide.

Captain Marvel Just Crossed Another Box Office Milestone

Captain Marvel Just Crossed Another Box Office Milestone

When Captain Marvel hit theaters, it was far from a shock that the movie made money. That's pretty standard for Marvel Studios at this point. However, exactly how much money it was going to make, nobody could be quite sure. Nearly two months later, the answer is, quite a lot.

In its seventh weekend of release Captain Marvel hit another major box office milestone by breaking the $400 million mark in domestic box office totals. When combined with the nearly $700 million the movie has made overseas, that brings its global number to just short of $1.1 billion.

Captain Marvel actually made more money this past weekend than it did the weekend previous, even though it was on 300 fewer screens, coming in at over $9 million. It also jumped up to being the fourth highest grossing movie of the weekend. It's never been lower than the sixth spot since it opened.

Basically, Marvel has owned the box office for the last two months, and that's not going to stop with Avengers: Endgame set to debut this Friday.

Considering how strongly Captain Marvel is still performing, it will be interesting to see how the movie performs next weekend. Many of those who have been going to see Captain Marvel may be doing so to make sure they're caught up on the MCU before Endgame hits. Once it does, all attention will probably shift there.

It makes one wonder if Marvel Studios is currently wishing it had released Captain Marvel earlier in the year so that it could have made even more money before Endgame came out. The movie is only $12 million short of overtaking Wonder Woman at the domestic box office. It might have had an easier time doing that without another Marvel movie to compete against.

While Captain Marvel hasn't done nearly as well as Black Panther did domestically last year, the newer film has a slight edge over Panther internationally. Either way, both movies have been tremendous hits. Captain Marvel is the highest grossing movie of the year both domestically and internationally by a wide margin. While that will almost certainly change over the next couple of weeks, Marvel will be more than happy to see its current number one replaced by its new number one.

The fact that Captain Marvel not only started strong but has had legs that have kept it going for the last two months is great news for Marvel. While we still have no idea what's in store for us in the next phase of the MCU, the expectation is that Captain Marvel as a character will be a big part of the future, the fact that the movie has done so well is an indication that the audience is on board with that idea.

And since Captain Marvel as a character will still be a part of Avengers: Endgame, the character will be at the center of the two highest grossing movies of the year very soon.

Jordan Peele Says He Isn't Interested In Casting A White Dude As The Lead In His Movies

Jordan Peele Says He Isn't Interested In Casting A White Dude As The Lead In His Movies

Jordan Peele's movies have a lot that set them apart from the pack, but one of the most obvious is the fact that, in the cases of both Get Out and Us, the lead characters were African-American. In a Hollywood that is still largely focused on white men, Peele's movies are an anomaly, but the director doesn't expect that he'll ever make a movie with a lead actor that looks like so many other lead actors, for the simple reason that it happens so frequently. According to Peele...

I don’t see myself casting a white dude as the lead in my movie. Not that I don’t like white dudes. But I've seen that movie.

While Hollywood diversity is always improving, the vast majority of films still star white dudes. Beyond the simple benefits of diversity, the fact is that Jordan Peele's movies standout because they aren't simply another movie about a white guy. The relationship between black people and the horror genre specifically is such that it is often the subject of jokes. Peele's interest in making horror films with black actors means that he gets to battle these tropes and give the entire genre a new look.

And for Peele, it isn't that he simply likes to cast black people. In Get Out especially, the fact that the main character is black is a key part of the story. It simply doesn't work any other way.

And if you're worried, the position of white people in Jordan Peele's movies is improving. In Get Out they were evil, but in Us, they're not the bad guys, they're just assholes.

At the same time, the writer/director told a group of students at the Upright Citizens Brigade Theater (via THR) that he also wants to cast black people in his films because he's in a unique position to be able to do so...

The way I look at it, I get to cast black people in my movies. I feel fortunate to be in this position where I can say to Universal, 'I want to make a $20 million horror movie with a black family.' And they say yes."

For a director who has only made two movies, Jordan Peele has had an incredible amount of success. His first movie won him an Academy Award for writing and his second movie is now the hottest thing at the box office. The fact is that other filmmakers could potentially have trouble casting minorities in major roles in movies because there's frequently a feeling that can limit a movie's appeal, but nobody is going to tell Jordan Peele no at this point. One hopes that Peele's success will help open the door to others, as he is helping to shatter those Hollywood casting myths.

To be fair, Jordan Peele simply says he doesn't see himself casting a white actor in a lead role because he's seen the movie before. If he came up with a way to do it that we hadn't seen before it could happen. Still, Peele's movies are terrifying and provocative just the way he makes them, so I'm certainly not hoping for a major shift any time soon.

Those Pulp Fiction Nods In Captain Marvel Might Not Have Been Intentional

Those Pulp Fiction Nods In Captain Marvel Might Not Have Been Intentional

Warning: The following contains minor spoilers for Carol Danvers' origin story!

While journeying back to the 1990s in the MCU’s Captain Marvel, some eagle-eyed fans noticed that the film contained what appeared to be a few nods to one of that decade’s most iconic films, Quentin Tarantino’s Pulp Fiction. A shot of Ben Mendelsohn’s Talos sipping a shake through a straw was reminiscent of hitman Jules menacingly washing down Brett’s Big Kahuna Burger with a Sprite. And shots of Nick Fury and Phil Coulson in their car looked very similar to shots of Jules and John Travolta’s Vincent Vega driving through the Valley in a Chevy Nova.

Given that Captain Marvel is set in the 90s and Samuel L. Jackson is in both films, these Pulp Fiction nods seemed intentional. But that might not be the case. Speaking exclusively with CinemaBlend’s ReelBlend podcast, Captain Marvel cinematographer Ben Davis addressed the apparent Pulp Fiction nods:

I think those are more coincidences. I mean the fact that Sam [Jackson] is driving the car [laughs] may be a reason why — There’s only so many places you can put a camera to cover a car scene. And a young Samuel L. Jackson’s driving the car, I think that’s purely coincidence. Ben [Mendelsohn] drinking the shake, I think that was pure Ben. And, you’ll have to ask him that question, but it wouldn’t surprise me at all if he wasn’t riffing on that idea.

Ben Davis seems to think that it is perhaps the coincidence of seeing Samuel L. Jackson driving the car and looking younger that creates a natural association in your head with one of the prolific actor’s most iconic roles. And as Ben Davis told ReelBlend, there are only so many places you can put a camera to film a shot of two people in a car, so the similar framing is more a product of practicality than anything else.

You could probably find shots from a dozen other movies that look just like the one in Pulp Fiction, but they didn’t have a young Samuel L. Jackson driving a car so the possible reference wasn’t noticed. As far as Ben Mendelsohn’s Talos drinking the shake in Maria Rambeau’s home, Ben Davis suspects that action was purely the product of Ben Mendelsohn, who was a highlight of the film as the Skrull Talos.

Ben Mendelsohn may have had that iconic Pulp Fiction scene in mind but if so he wasn’t made aware of it. Though Ben Davis concedes that these nods may have been intentional:

No, there are — well there may have been between Ben, and Anna [Boden] and Ryan [Fleck]. That may well have happened, that conversation, but not that I was aware of. But it wouldn’t surprise me at all.

If there was a conscious effort to pay homage to Pulp Fiction, it seems that Captain Marvel’s cinematographer wasn’t let in on it. That doesn’t mean it wasn’t the case though. As Ben Davis said, the framing for the car scene was one of a limited number of setups you can do but it is possible that directors Anna Boden and Ryan Fleck gave Ben Mendelsohn the direction to emulate Jules from Pulp Fiction.

You can listen to Captain Marvel cinematographer Ben Davis’ entire conversation with ReelBlend below.

If intentional, this wouldn’t be the first Pulp Fiction reference in an MCU movie either. In Captain America: The Winter Soldier, Nick Fury’s tombstone has part of the quote from Ezekiel 25:17 that Pulp Fiction’s Jules recites before putting a cap in someone and philosophizes about at the end of the film.

Ultimately, even if there was no plan to reference Pulp Fiction, the shots now stand as a happy little accident, evoking a 1994 classic in a film set in 1995. But if Carol Danvers shows up in Avengers: Endgame and shoves a needle full of adrenaline into someone’s heart, you know someone at Marvel is probably stoked to see Once Upon a Time In Hollywood.

Captain Marvel is now playing. Check out our 2019 Release Schedule to keep track of all this year’s biggest movies and to continue to follow the path of the righteous man by staying tuned to CinemaBlend for all your movie news.