Avengers: Endgame Made Chris Evans Choke Up Three Times

Avengers: Endgame Made Chris Evans Choke Up Three Times

In less than one month, Avengers: Endgame will be in theaters. Marvel is hyping this one up like crazy and fans have been readying themselves for a real emotional journey. It's highly likely that we will be saying goodbye to some favorite characters either because they walk off into the sunset or they die. Blood will be spilled and tears will be shed. Take it from Chris Evans, who has supposedly only seen the first hour of the Endgame, but also supposedly knows the entire script's story, and he "choked up" three times.

Avengers: Endgame is the culmination of the MCU's "Infinity Saga," a 22 film long journey that began a little over a decade. So little is known about this movie that fan theories have been popping up left and right to fill the information gap. Even the directors of Endgame, the Russo Bros., say that there are more spoilers in this film than last summer's Avengers: Infinity War, a movie which ended with half of the characters dying in a fit of cosmic genocide.

Speaking of that spoiler-heavy ending, I can distinctly remember the sniffles and soft sobs of my theater as the Avengers were snapped out of existence by Thanos. It was an extremely emotional experience and a real gut punch of ending. We've known that Endgame would likely have its fair share of heartbreak before the credits roll and Chris Evans may have confirmed that.

In an in-depth interview with The Hollywood Reporter, Chris Evans said that he had only seen the first hour of Endgame. However, whether addressing that footage or the entire three-hour script's story, he said Endgame left him on the verge of tears three separate times.

Chris Evans: [I]t's a good one. It's a real good one. I saw, like, the first hour of it.

So you watched it up to the point where Cap dies?

Chris Evans [joking]: Right, exactly. After I die by Tony's hand, I just said, You know what? I can't watch this.

And later, in the same interview...

Chris Evans: Man. This one's really good. I choked up like three times.

Because Cap dies?

Chris Evans: Right. It's hard. Seeing my own death. [He laughs] It's going to be a long movie, that's for sure. The first edit clocked in over three hours. My funeral's like an hour.

Of course, Chris Evans is just joking about having a funeral, but it's long been expected that Captain America will die in Endgame. It's been on of the most consistent theories that this will be his last rodeo, something that Evans has not really confirmed or denied.

As far as the crying goes, fans may want to bring some tissues with them. The film is reportedly over three hours long, which leaves plenty of room to tug at the heart strings multiple times. Only time will tell how it stacks up with the ending of Infinity War, but Endgame is sure to be a wild ride.

Avengers: Endgame is all set to be released on April 26. The film is tracking for an absolutely massive opening, so be sure to reserve your tickets (whenever it is that they go on sale). To learn more about the movie, here's what we know so far.

Ron Howard Calls Out 'Trolling' As One Reason For Solo's Disappointing Box Office

Ron Howard Calls Out 'Trolling' As One Reason For Solo's Disappointing Box Office

Now that a full year has passed since Solo: A Star Wars Story hit theaters, fill-in director Ron Howard is sharing his nuanced take of what went right and what went wrong.

He jumped into the mix late in the game, after the departure of directors Phil Lord and Christopher Miller. The box office for the May 2018 movie was huge for Ron Howard, but disappointing by Star Wars' standards, and he knows that. However, he came in eager to help the team, and had a blast in his short experience in the galaxy. A year later, there's even a big push for Solo to get a sequel.

Here's part of Ron Howard answer on whether a Christmas release for Solo would've given it $100 million more than its spring release.

I feel very good about the way it turned out. I love the way it played to audiences, which I witnessed and was a part of. So all of that I'm able to feel good about. Sure, I wish it would've done [better] and lived up to the box office and so forth, so that's disappointing. Why? Maybe it's the release. Maybe it's the idea that it's sort of too nostalgic, going back and revisiting an origin story for a beloved character may not be what the fans were looking for. It kind of seemed to me, looking at it, the opening -- which was big, not as big as the others, it was probably my biggest opening, personally, it was still disappointing to them -- I think those are the hardcore fans. It sort of tells you how many people are tagalongs who need to wait to see what people think and whether it's essential, if it's a zeitgeist movie or not, and whether it's just 'I love Star Wars and I want to see what's next.'

Ron Howard had more to say on that topic on the Happy Sad Confused podcast, but I like his take on core Star Wars fans vs. "tagalongs" -- or casuals -- who wait to see if a movie becomes a major watercooler topic before jumping in with their own time or money. Casual fans sometimes wait for strong reviews from critics (Solo's reviews were middle-of-the-road) but even more often they wait to see fan reactions. They want to hear the buzz, see the audience ratings, scores, and word-of-mouth. (Think Venom.)

When the audience scores for Solo looked lower than usual, and words like "underperformed" and "disappointing" started coming out about the ticket sales, casual/tagalong fans might've come away thinking it was a movie they could safely skip. (The problems behind-the-scenes probably left more than a few fans expecting disaster, making them more wary to spend time and money on the movie.)

Here's more from Ron Howard on that angle, and how "trolling" from fans who hadn't even seen Solo yet may have led the tagalong types to pass on seeing Solo in the theater. Howard knows the pushback against Solo came from several different directions, but also included some Star Wars fans who were upset with Star Wars: The Last Jedi.

So whatever millions [Solo] made worldwide, those were the core fans, but it didn't hit that zeitgeist point, for whatever reason. Timing, young Han Solo, pushback from the previous movie, which I kept hearing was maybe something. And some trolling, definitely some trolling. Some actual aggressive... It was pretty interesting. Not so much, a little bit the Twitter feed, yes, but it was especially noticeable prior to the release of the movie. Several of the algorithms, whether it was Metacritic or Rotten Tomatoes, there was an inordinate push down on the 'want to see' and on the fan voting. And when you look at it, it's like 3, 4, 5 -- or whatever the rating is, I forget what the rating is on Rotten Tomatoes, whether it's a scale of 1-5 or 1-10 -- but pretty high, and then a series of 0s or .5s or 1s.

Yeah, Rotten Tomatoes has actually changed the audience score function now, wanting more proof that fans have actually seen the movies before they rate them. Non-fans could rate a movie "0" before it even came out, but that is changing now.

Ron Howard isn't too familiar with that online world, but he said some friends from Silicon Valley explained the algorithms to him and basically let him know Solo was being trolled by fans who were boycotting its existence, in addition to those who did actually watch the movie and just didn't like it. Howard praised young Han Solo star Alden Ehrenreich, who was put in the center of the fray, and noticed the backlash has turned more in favor of the movie a year later:

Under that circumstance, I didn't take it personally at all, but I felt badly. And I thought Alden didn't a really great job, an incredibly talented guy, and dedicated guy, and I had a blast with everybody. And look, a year later, it's kind of interesting, you wouldn't think you'd participate in a Star Wars project and have it be a cult movie, but I can already tell those who have affection for it are pretty adamant in their feelings, and that's nice.

Ron Howard already responded, briefly, to the Solo sequel campaign on Twitter. Is it likely to happen? Maybe. Probably not. The point seems more to show support for the movie, which was clobbered from all sides last year for disappointing the franchise. Now the quieter core fans are speaking up to say they liked Solo, thank you very much, and they would be happy to see the story continue.

Now Star Wars: The Rise of Skywalker is in the hot seat, as the final movie in the Skywalker Saga, but also the next trilogy movie after Star Wars: The Last Jedi, which divided a fandom that has been debating the merits of every new Star Wars addition since the arrival of Ewoks. The Rise of Skywalker opens in theaters December 20.

Mark Hamill Is Voicing Chucky In Child's Play, And His Announcement Was Perfect

Mark Hamill Is Voicing Chucky In Child's Play, And His Announcement Was Perfect

While original horror films like Us are absolutely killing it right now, those who like the classics will also be treated later this summer. A Child's Play remake starring Aubrey Plaza is on the way and there will be an all-new Chucky terrorizing some poor innocent family. While Brad Dourif provided the voice of Chucky in the original franchise, someone else will be handling the remake and his voice certainly carries a lot of force. Mark Hamill will voice Chucky, and he announced it in an awesome way on social media.

You may know Mark Hamill best from his role as Luke Skywalker in some space movie called Star Wars, but he's also a prominent voice actor. Many fans consider him to be the best version of the Joker, having voiced the character in Batman: The Animated Series and several other Batman projects. He's also voiced a number of other cartoons, which include Regular Show, Adventure Time, and Metalocalypse.

Given his versatile voice work, it's not that much of a surprise to find him turning his sights to horror. After all, if you had a doll with Luke Skywalker's voice say he wanted to be your best friend, you'd trust that doll no matter how sketchy he was.

In a special announcement for WonderCon 2019, Mark Hamill announced on Twitter that he would be the new voice of Chucky for the Child's Play remake. Hamill teased that "wicked fun" was about to begin and accompanied the post with a video that had a pitch perfect ending of Hamill giving a creepy smile. It was a great way to announce his casting and I'm sure that it went down really well at WonderCon.

Written by Tyler Burton Smith and directed by Lars Klevberg, the Child's Play remake stars Aubrey Plaza as a single mother who gives her son a Buddi doll, unaware of its evil nature. Lots of stabbing and creepy doll shenanigans are sure to follow.

It's unclear if there will be any sort of live-action work for Mark Hamill, seeing as how in the original films Chucky was a serial killer who moved his soul into a doll through voodoo. However, the remake has hinted that Chucky might just be a wayward A.I., which is a little less fun, but that doesn't mean that the film won't still be good and scary.

If you do want to see Mark Hamill in live-action then you can check him out in History’s Knightfall, the Knights Templar series now in its second season. You can also see him play a different sort of knight in Star Wars: Episode IX, in which he will reprise his role as Luke Skywalker. That film arrives in theaters later this year on December 20.

Child's Play arrives in theaters on June 21.

Every Song From The Baby Driver Soundtrack, Ranked

Every Song From The Baby Driver Soundtrack, Ranked

Every once in a while, a movie comes along with such an awesome soundtrack that it can even overshadow the rest of the film. Sometimes the songs can be huge hits all on their own. Baby Driver is a perfect example, because let’s be honest, the music is central to the movie’s plot about a getaway driver for a bank robbery crew with tinnitus. The driver, named Baby, constantly listens to music to drown out the ringing in his hears, so music is key.

The music is not only central to the plot, but because the song choices are so cool, it adds almost all the style to the movie. Every scene and every car chase are elevated by the fantastic song choices made by director Edgar Wright and Steven Price, Baby Driver’s music composer. Music, driving, and stealing sunglasses are what makes Baby tick.

There are 30 tracks on the soundtrack, ranging from solid gold oldies to very modern choices and everything in between, so we’ve ranked from worst to best – but make no mistake, there really aren’t any bad songs in the lot.

30. “Was He Slow (Credit Roll Version)” – Kid Koala Featuring Kevin Spacey And Jon Bernthal

One of two original songs on the soundtrack and as is clear from the title, it’s the song over the end credits. It’s just a mishmash of quotes from the movie and the weakest song on the Baby Driver soundtrack.

29. “Tequila” – The Button Down Brass Band

An off-brand cover of the The Champs song from 1958 by an off-brand British copy of Herb Albert & The Tijuana Brass. Easily ignored on Baby Driver’s great soundtrack.

28. “Unsquare Dance” – Dave Brubeck

This jazz number by the great Dave Brubeck is mostly clapping, drums, and bass. It works great to build tension; it’s not so great to listen to on its own.

27. “The Edge” – David McCallum

There is a lot of great jazz on the Baby Driver soundtrack, but this isn’t the best of the bunch. It is however, the sample for Dr. Dre’s “The Next Episode,” which does make it pretty cool from that angle.

26. “Debora” – T. Rex

It’s difficult putting a band as awesome as T. Rex toward the bottom, at least for me, but this isn’t the band's best song by a mile.

25. “Easy” – Sky Ferreira

"Easy" is a decent enough cover of The Commodores classic (which also appears in the movie), but it’s not deserving of being higher on this list of great songs.

24. “Intermission” – Blur

Like T. Rex, it’s hard to rank an amazing band like Blur this low on a ranked list, but this song is really kind of a throwaway from the group's album Modern Life Is Rubbish and serves as an intermission on the album; in Baby Driver, the buildup of sound is used well, however.

23. “Kashmere” – Kashmere Stage Band

This funky number, played by a bunch of high school students no less, is a fantastic feel-good and move-your-feet kind of song. This stuff's starting to get good!

22. “Every Little Bit Hurts” – Brenda Holloway

Motown’s Brenda Holloway is one of the lesser-known artists on that label’s legendary roster, but this song goes to show how great Motown was at producing incredible songs.

21. “Know How” – Young MC

Any song that samples “The Theme From Shaft” by Isaac Hayes is cheating. But it’s the best kind of cheating and Young MC nailed it with this one.

20. “Bongolia” – Incredible Bongo Band

This may seem as if it is ranked a little high on the list; regardless, Incredible Bong Band’s music always sounds awesome on soundtracks.

19. "Smokey Joe’s La La" – Googie Rene

Such a fun little tune with easy lyrics and great beat to drive to. Play it now if you don't know it off the top of your head.

18. “B.A.B.Y.” - Carla Thomas

Carla Thomas is a soul singer who has sadly been overshadowed over the years, but her powerful voice is on full display in this 1966 hit.

17. “Brighton Rock” – Queen

This is circus music from Queen. It’s a weird little song that is often overlooked in the band's catalog, but it’s a great song with a great solo by Brian May – which is like half the track!

16. “Early in the Morning” – Alexis Korner

Alexis Korner is way more important to rock history than most people realize and this dripping, plotting, sweat-soaked track is weird and awesome and a great addition the Baby Driver soundtrack.

15. “Baby Driver” – Simon & Garfunkel

It’s pretty clear that this song inspired the whole movie. It’s not the most recognizable tune by this famous duo, but just check out the first couple lyrics to see how important this song is to the movie:

I was born one dark gray morn

With music coming in my ears

They call me Baby Driver

And once upon a pair of wheels

I hit the road and I'm gone

14. “Chase Me” – Danger Mouse Featuring Run The Jewels And Big Boi

"Chase Me" is the other of the two original songs on the Baby Driver soundtrack. This is by far the better one, with great performances by all three MCs and a great beat from Danger Mouse.

13. “Baby Let Me Take You (In My Arms)” – The Detroit Emeralds

Another track on the Baby Driver soundtrack that is more famous for being the sample in a hip hop song. This is used by De La Soul in “Say No,” but the original is fantastic.

12. “Harlem Shuffle” – Bob & Earl

This song is mostly famous for the horn fanfare that opens it (and was very famously sampled by House Of Pain), but it should be known for much more. The horns are fantastic throughout the whole song.

11. “Neat Neat Neat” – The Damned

In a movie with so much chaos, Baby Driver needed at least one chaotic punk song and this is one by a band that isn’t as well known as The Sex Pistols, brings a bit of the drama and anger that Johnny Rotten brought with the Pistols, but with more musical talent.

10. “When Something Is Wrong With My Baby” – Sam & Dave

There is nothing quite like that old time soul like Sam & Dave were the masters of.

9. “Never, Never Gonna Give You Up” – Barry White

The great Barry White and his silky smooth bass/baritone voice is unmatched in 20th century music. Honestly, anytime it appears anywhere, it’s one of the best.

8. “Radar Love” by Golden Earring

Okay, this song might not deserve to be in the top ten usually, but “Radar Love” is one of -- if not the -- greatest driving song of all time and Baby Driver is a movie about driving, right? Seriously, put this one next time you hit the highway and hit the gas, that’s why it’s here.

7. “Egyptian Reggae” – Jonathan Richman & The Modern Lovers

This little weird ditty by the godfather of punk Jonathon Richman fits so perfectly in this movie it’s almost like it was written for it.

6. Bellbottoms – Jon Spencer Blues Explosion

While it’s not the best song in the movie (though it is awesome), it’s the most important song as it sets the tone right away for Baby Driver. Car chases and great music abound.

5. “Debra” – Beck

Beck loves to show off sides of him you’d never expect and “Debra” is Beck channeling his inner Prince, falsetto and all, to outstanding results. This really is close to perfect.

4. “Let’s Go Away For Awhile” – The Beach Boys

If you are going to be including The Beach Boys on a soundtrack, choosing something from Pet Sounds is never a bad idea. Brian Wilson’s musical genius is on full display with this American classic.

3. “Nowhere To Run” – Martha And The Vandellas

"Nowhere to Run" is of the greatest Motown songs from the sixties,period. It’s so catchy and wonderful, it’s like you know the lyrics before you’ve ever heard it. It’s a song that's impossible to ever get sick of and it were used in every movie ever, that’d be just fine. It’s a fantastic addition to the Baby Driver soundtrack.

2. “Hocus Pocus” – Focus

This is one of those songs that always makes everything awesome, whether it’s the scene in Baby Driver or a Nike Commercial, “Hocus Pocus” by Focus (yes, you have to say the full title and band name every time, because it’s awesome), makes the world a cooler place.

1. “Easy” – The Commodores

The easy pick? Probably. Not much needs to be said about this absolute classic of a song. Is there a person on earth that doesn’t like it? It’s just easy like Sunday morning and that's alright with us.

Every good car chase needs great music and in Baby Driver, a movie with lots of car chases, the music is crucial to making them as wonderful as they are. Next time you steal a car or rob a bank, pop in your earbuds blast this soundtrack. Let's hope when they make another one, the soundtrack will be just as good.

The Cat From Pet Sematary Has Died For Real

The Cat From Pet Sematary Has Died For Real

In Pet Sematary, the Creed Family cat named Church, short for Winston Churchill, is hit by a truck on Halloween and killed. The beloved cat is buried in the titular pet sematary and comes back to life, notably dirtier and more aggressive than he was before. Now comes the sad news that the cat that played Church in Pet Sematary has died for real. Take a look:

The cat actor that played Church in Pet Sematary was named Leo in real life and he has sadly passed away. The Instagram post from Leo’s trainer and owner Kirk Jarrett assures us that Leo will be missed by his friends and family, as you would expect and hope would be the case for any beloved family pet. Leo will just have more people mourning him than the average pet thanks to his role in Pet Sematary.

There may be no supernatural burial ground inhabited by the evil spirit Wendigo to bring him back, and doing so would be against the message of Pet Sematary anyways, but Leo’s star will indeed always shine bright. Not many cats get to be immortalized in film, and playing an iconic feline character no less. More than that though, Leo’s star will continue to shine in the hearts and minds of his family.

Although we didn’t know him and never got to pet the fluffy Leo, any of us who have owned and lost a pet can sympathize with what Leo’s family is going through. It does seem odd that he has passed so soon when we just saw him on the big screen only a couple months back. That said, we don’t know how old Leo was or what caused his death, but I like to think that he lived a long, happy and full life.

Judging by his Instagram, the beautiful and photogenic Leo had quite the life, playing outside, having photo-shoots and getting to hang out on the set of the movie. Leo was also apparently extremely well trained and a very mellow cat because he is seen wearing all kinds of costumes and hats, the likes of which would send most cats into a resurrected Church-esque rage.

Although Leo has died, he is not the only cat who played Church in Pet Sematary. Cats are notoriously uncooperative creatures, so it was a joint effort with Leo and other cats, eight in total, to create the performance in the film. Each cat brought their own special skills, like jumping, hissing and staring, to the role, and they all proved to be quite the divas on set.

We offer our condolences to Leo’s family and say Leo, you were fluffy and gorgeous and terrifying, so rest in peace. Check out Leo’s performance in Pet Sematary, arriving on digital on June 25 and Blu-ray on July 9. Take a look at our 2019 Release Schedule to keep track of all the biggest movies headed to theaters this summer.

Allison Williams Explains How Her Get Out Performance Enhances Her Character In The Perfection

Allison Williams Explains How Her Get Out Performance Enhances Her Character In The Perfection

There are many reasons why Jordan Peele’s Get Out is a phenomenal film, but certainly high on the list is the performance given by Allison Williams. Throughout the movie she does such an amazing job representing herself as an ally to Daniel Kaluuya’s Chris, so when the big twist goes down it basically feels like taking a shovel to the face. It’s become one of the most beloved surprises in modern horror, which makes it all the more exciting that Williams is returning to the genre with the upcoming The Perfection.

Interestingly, though, the connection between the two features doesn’t end with that. Without giving too much away, Allison Williams stars as a character in The Perfection that’s purposefully hard to get a full read on, and as a member of the audience you spend the majority of the runtime not quite sure if you can fully trust her. As you might imagine, this is a feeling that is only enhanced by those who associate the actress with her part in Get Out – and it’s a connection that Williams definitely recognized in the making of the new movie.

With The Perfection set to hit Netflix this Friday, I had the wonderful opportunity to sit down with Allison Williams, co-star Logan Browning, and writer/director Richard Shepard last week at the film’s Los Angeles press day, and during the interviews I took the opportunity to bring up the movie’s unique relationship with Get Out. Discussing the influence of audience perception of her character, Williams agreed with my analysis, and noted that it was something that occurred to her shortly after reading the script for the first time:

Richard [Shepard] sent it to me and said, 'This is insane. You need to call me after you read it.' And I was like, 'Okay, well if you think it's insane, and you're insane, and I think it's insane, and I'm insane, this must be really, really crazy.' And it was! And I called him right afterwards and as we were talking about it, it occurred to me that if you have a sort of associative hangover of me from Get Out, it's very helpful to go into The Perfection with that.

In the new movie, Allison Williams stars as Charlotte Willmore, a former cello prodigy who, at a young age, had to drop out of one of the most esteemed music schools on the planet when her mother got sick. Following her mother’s death, she tries to reconnect the world she was forced to disconnect from, and in the process gets to know Elizabeth Wells (Logan Browning) –the star student who joined the aforementioned school when Charlotte left. The two quickly hit it off during a special event in China, eventually making plans to go on a two-week vacation together in the country, but things start to go very badly very quickly on the adventure.

Without getting into spoiler territory, as the story progresses in The Perfection you’re never quite sure how to feel about Charlotte’s relationship with Elizabeth – and this is where memories of Allison Williams' Rose Armitage from Get Out start to play a role. As Williams explained, she loved that her past role tweaks the way we look at her new performance, while at the same time fully appreciating that Charlotte is an absolutely wonderful character independently. Said the actress,

I thought, what is more fun than using that to make people very, very untrustworthy when they see me for the first time and very wary of sending us off on a bus together in rural China - as you should be in the movie! And so I thought that was a very interesting sort of meta level to it. But first and foremost I was just fascinated by Charlotte. I thought she was so interesting and I just had to play her so that I could understand what makes that girl tick and what, what is going on in there.

This was a sentiment shared by Richard Shepard, who noted that he wrote the role of Charlotte in The Perfection with Allison Williams specifically in mind – having previously worked with her directing episodes of the HBO comedy series Girls. And while Get Out may not have had any specific influence in the writing process, it is something that he acknowledges will have an effect on the way people watch his film. Said Shepard,

The fact that people don't initially really trust Allison because of Get Out helps us enormously because Alison's playing a character that you're not quite sure is a good guy, or a bad guy. You can't quite get a grasp on her. And that's really important in a movie like this because people are projecting what they think. So Allison's sort of baggage helps a lot.

Continuing, the filmmaker further added that part of what makes Allison Williams such a talented performer is the way in which she is able to modulate her emotional reactions to effective degrees. She doesn’t show her full hand until exactly the right moment, and when that happens it can be powerful and affecting. Explained the director,

I've always seen in Allison an ability to hold back her emotions until it's really ready to show. And in this it was perfect because she was holding back just enough to keep the audience leaning in, and then when she needed to show it she really could.

You can watch Allison Williams and Richard Shepard discuss the special influence of Get Out on The Perfection by clicking play on the video below!

Also starring Steven Weber, Alaina Huffman, Mark Kandborg, and Graeme Duffy, The Perfection is a horrific delight that first premiered at Fantastic Fest last year, and will be available soon to set your brain on fire. As mentioned earlier, the movie will be available on Netflix this Friday, May 24th – and we’ll have more from my interviews with the cast and filmmakers coming your way soon here on CinemaBlend!

Bill And Ted 3's Official Release Date Has Been Announced

Bill And Ted 3's Official Release Date Has Been Announced

Somewhere out there is a scientist, crunching the numbers on how the right mathematical conditions must be present for a movie sequel to actually happen after a decade or more of time has passed. And that brainiac is about have another case study on his or her hands, as Bill and Ted 3 has not only been confirmed, it has also been given a release date. But don't take our word for it, as the August 21, 2020 slot was announced by two rather familiar faces in a video posted today:

Straight from the mouths of Keanu Reeves and Alex Winter, the long dreamt of third entry in their cult classic series will be a summer release next year. And even better, the film's name is confirmed as well: Bill and Ted Face The Music! Taking place in the modern day, with middle-aged Bill and Ted still playing best buds who are waiting for their big break, this third adventure has the fate of the world in the balance yet again.

This time, the only thing between the future of the universe and total destruction is a song. A song that Bill and Ted will need to provide. Directed by Galaxy Quest's Dean Parisot, and written by Bill and Ted's Excellent Adventure creators Chris Matheson and Ed Solomon, Bill and Ted Face The Music is currently shooting in New Orleans. Something that wouldn't have happened, if it weren't for the fans who wanted the Wyld Stallions to reunite for one more musical journey.

Much like plenty of delayed sequels before it, Bill and Ted Face The Music has been talked about a lot over the past couple of years, but movement was always slow. Every time you turned around, it felt as if there was a new reason or a new cause behind why the third film wasn't happening just yet. All the while, those involved kept proclaiming they did want to be a part of a third movie, the stars just needed to align for it to happen. We even got to a point last year where Keanu Reeves himself didn't think this third film would happen.

It's almost been 30 years since Bill and Ted's Bogus Journey first quenched the thirst for a sequel adventure pertaining to the well-being of William S. Preston, Esq and Theodore Logan. Now, the powers that be will finally give everyone a third riff of excitement that's been decades in the making. Whether or not that trip to the U.K. that was previously rumored to be a part of this adventure, or even if  how they got back from Mars will be explained has yet to be seen. There's actually a movie where either of those possibilities can take place, because up until now it felt like Bill and Ted 3 was still a pipe dream.

Bill and Ted Face The Music rocks out most excellently on August 21, 2020. It's a heinous wait, to say the least, but the 2019 release schedule looks rosy enough that you could find some sweet action at the movies much sooner than you thought.