Pages

Saturday, August 17, 2019

8 Best Ryan Reynolds Movies And The 4 Worst

8 Best Ryan Reynolds Movies And The 4 Worst
Ryan Reynolds - Life

Ryan Reynolds has put a lot of Hollywood content out into the universe. Some of the actor's big screen work is good and some of it is not so good. We'll be able to decide on his latest this weekend, as Reynolds will be heard on the big screen again with his newest film, Detective Pikachu, which will either be his latest franchise-starter or his newest non-starter, depending on how the box office reception goes for this blockbuster.


Early reviews for Detective Pikachu are generally strong, which is both surprising and comforting given that A) it's a video game movie (which, admittedly, don't have great track records, critically-speaking) and B) it's the newest film starring Ryan Reynolds, an actor who has seen his fair-share of critical darlings and commercial failures throughout the actor's variety career. In this list, we'll look back on some of those triumphs and overlooked gems on the big screen, as well as a few of his regrettable failures.


Now, it should be noted there are some Ryan Reynolds films which have their loyal fans that didn't make the cut here. For instance, Waiting ... and The Proposal. Also, a few of Reynolds' most savaged movies, including Blade: Trinity and The Amityville Horror remake, were not picked-apart this time around, but easily could have been. There is also Just Friends, which didn't garner glowing reviews but a lot of people still have a passion for. And we mean they really love it.




Even though these particular movies weren't put on either list, you should know they were not forgotten — for better and for worse. And that shouldn't diminish your feelings towards them, whether passionate or rage-inducing. With that said, without further ado, here is a list of some of Ryan Reynolds' best and worst movies to date.


Deadpool


Because how could we include a list about Ryan Reynolds without mentioning Deadpool? The surprising 2016 hit is not without its detractors. But at its core, it represents the rise and fall and rise again of Reynolds' constantly wavering career. And though it took a long time to get it on the big screen justly, Deadpool proved everyone wrong by becoming a gleeful, cheeky middle-finger to the other superhero movies before it, while still falling in line with their heartfelt spirit.


After years of false starts and unfulfilled potential, both for the actor and the character, Deadpool felt like a breath of fresh air. Yes, it didn't exactly change superhero movies forever. It still falls in line with your typical origin story, just with some more four-letter words thrown into the mix. Still, it gave Ryan Reynolds the chance to prove his strengths as a comedic actor, dramatic actor and a romantic lead, and it showcases the talent and promise that only seen in minor indie movies and overlooked dramedies before it. Deadpool is a winner, and it's a well-deserved one for Ryan Reynolds too.




Mississippi Grind


While Ryan Reynolds and directors/screenwriters Anna Boden & Ryan Fleck (Captain Marvel) are perhaps best known for their new superhero movies, their first (and, to date, only) team-up came before their biggest blockbusters. And their collaboration had absolutely nothing to do with super-heroics. The sorely overlooked 2015 character drama Mississippi Grind is the film that quietly snuck its way to select theaters before the aforementioned Marvel movie smashed records everywhere, and it's a low-down, no-good shame, since it's some of their best work.


Working alongside a career-best performance from his co-star Ben Mendelsohn, Ryan Reynolds puts his talents for fast-moving confidence and weighted gravitas to excellent use in the role of Curtis Vaughn, a hard-drinking, smooth-talking card player who winds up in a state-crossing gambling spree with his new acquaintance. Appropriately (and/or ironically) addictive in its gritty, hard-nosed approach, this indie flew under the radar before Ryan Reynolds made it big with Deadpool and Anna Fleck & Ryan Boden worked their way into the Marvel Cinematic Universe, but it's well-worth a watch if you're a fan. It's anything but a grind. I'll guarantee that.


Van Wilder


For many folks, Van Wilder served as their first introduction to Ryan Reynolds. The actor was playing a veteran, party-loving super senior who had no ambitions or prospects of graduating from college anytime soon. But it's a frat-boy comedy with heart, particularly as Reynolds begins to form a relationship with a bookish, headstrong Tara Reid during the course of the film. It's a simple premise, told with no shortage of crass and coarse humor, that could've gone nowhere if it weren't for Ryan Reynolds.




Beyond the gross-out humor, the sex jokes and the general raunchiness on display here, Van Wilder is able to work because Ryan Reynolds commits wholeheartedly to the crass, jubilant title role. It was an early showcase for his talents as an actor, and it lead the young performer into superstardom. And while it is no longer his most famous role, it is definitely one that holds a soft spot for many viewers out there.


Buried


To captivate an audience for 95 minutes, particularly while trapped inside a box, you have to be one hell of a good actor. That's certainly not an easy feat to accomplish. While Ryan Reynolds has endeared himself to audiences through in his various films, Buried is one of those underground masterworks (you see what I did there?) that shamefully tends to get overlooked in the broad overview of the actor's diverse, accomplished career. Nevertheless, despite its small-scale reputation, it towers over some of his other films.


A claustrophobic nightmare to the nth degree, Buried is centered around a terrifying prospect: What if you woke one day and you were buried alive, under totally mysterious circumstances, with only a cell phone with limited service and a dying phone battery as your fleeting connection to the above world. In addition to being a logistical struggle for any filmmaker to shoot, it relies a lot on your actor to make this enclosed movie both captivating and commanding — especially as the tension ratchets up and you feel your own air supply starting to dwindle. With Ryan Reynolds as the only actor on-screen for the whole length of the film, it puts all the attention on him. Thankfully, he shines in this dark, underseen little thriller.




The Nines


Until a certain point in time, Ryan Reynolds was liked but not fully respected as an actor. With people still seeing him as the guy from Van Wilder or Waiting..., it was hard for audiences to take him seriously. Sure enough, in true comedic actor fashion, there came a time when Ryan Reynolds decided he wanted to become a dramatic actor. It's a risky proposition for a lot of comedic performers, with the success rate being varied-at-best. With Ryan Reynolds, however, he proved himself enormously with the compelling, heartbreaking indie drama, The Nines.


Joined alongside Hope Davis and a pre-fame Melissa McCarthy, both of whom are also fantastic in this movie, The Nines finds Ryan Reynolds taking on a variety of different roles throughout the course of this twist-heavy drama. As a result, audiences who sought out this indie title got a chance to see the early potential of the actor, and how he proved himself through a wealth of layered and dynamic roles and performances. He really takes it, yes, to the nines. It's not the movie that people often think about when they put together their list of favorite Ryan Reynolds movies, but that just means more people should seek it out.


Adventureland


While Ryan Reynolds has often been at the forefront of his movies of late, he has also proven himself exceptionally verstaile in supporting roles. The actor bleeds charisma and charm, and when he's the side character who is hanging around throwing jokes willy-nilly, it really plays to his strengths. Sure enough, while Adventureland might not be considered your typical "Ryan Reynolds movie," his appearances in the romantic coming-of-age dramedy certainly play a big role in audience's affections for this sweetheart movie.




In fact, depending on how you feel about the movie in general, you could argue that in his scenes, he arguably steals the movie away from the main leads: Jesse Eisenberg and Kristen Stewart, respectively. We're not here to make it a debate. We just wanted to recognize Ryan Reynolds' talents as a supporting actor in attention to his commendable and varied work in lead roles throughout nearly two decades of filmmaking.


Definitely, Maybe


While Ryan Reynolds is no stranger to the romantic comedy genre, there are only a select few who became both critical and audience successes. Namely, Definitely, Maybe. The 2008 rom-comedy, written and directed by Adam Brooks, is a time-hopping New York City story that follows Ryan Reynolds and his on-screen 11-year-old daughter, as they do a sort of How I Met Your Mother-esque flashback to his previous relationships in order to explain why he is getting divorced to the girl's mother, and how they got married in the first place.


Though it was well-liked upon release, it has earned a bigger cult following for those romantic types who are looking for something comforting and sweet during a date night on the couch, while still offering something a little different than your garden variety romantic comedy. Sure enough, Ryan Reynolds is typically at his best when he makes something that's at least a little subversive, while still hitting on the hallmarks of a given genre. That is definitely true for Deadpool and (hopefully) Detective Pikachu, and that's certainly the case for this lovable, sweet and good-hearted romantic comedy.




The Voices


Another dark comedy that came out in 2015, just a year before Ryan Reynolds hit it big again with Deadpool, The Voices was another brilliant showcase for Ryan Reynolds' talents as a comedic and dramatic performer. A bittersweet horror comedy that centers around a timid and unhinged factory worker who starts to hear voices from his animals (also voiced by Reynolds) telling him to kill other people, it is definitely not a film with wide audience appeal, particularly as the film grows more violent and disturbing. But it is not only a credit to the vibrant and commendable direction from Marjane Satrapi, but Ryan Reynolds' unlikely performance that really makes this movie sell.


The Voices is a disturbing and twisted movie that is given nuance, depth and surprising tenderness from Ryan Reynolds' remarkable performance. It is a hard sell of a movie, and it would be a difficult movie to appreciate if it weren't for Reynolds work here, as he showcases the light and the darkness of his character in stark depictions, inviting us into this character's twisted mindset while also sympathizing with his despicable actions. It is a very difficult balance, and it's only that works thanks in large part to Reynolds' triumphant acting.


Now that we mentioned Ryan Reynolds' Best Films, let's switch things up. It's time to divert ourselves to Ryan Reynolds' better movies to his less-than-favorable flicks.




Green Lantern


Thankfully, Ryan Reynolds is doing pretty well these days in the superhero genre. His raunchy, foul-mouthed take/redo on Merc With A Mouth earned a number of renewed fans, and the actor's bumpy career has seen a resurgence in the wake of that R-rated film's surprise success. But it was a rough start for Ryan Reynolds. Beyond the bad decisions made to his original take on Deadpool in X-Men Origins: Wolverine, Reynolds was the butt of many jokes (more than a few, of course, he made at his own expense) for his infamously terrible appearance in Green Lantern.


Granted, it worked out in the end. It provided the actor with a good blueprint (or, rather, green-print) for what not to do with a origin story (you can't just copy Iron Man's homework). It also introduced Ryan Reynolds to his lovely wife and the mother of his kids, Blake Lively, and it obviously gave him great self-deprecating material later on. But that doesn't make the movie any better. This awkward, ugly, clunky and creatively bankrupt movie is an absolute mess. Reynolds tried his best, but it wasn't meant to be. Thankfully, while the rejection stung for years, the A-lister licked his wounds and he moved on nicely.


X-Men Origins: Wolverine


Everyone has to start somewhere. Ryan Reynolds eventually made a name for himself in the superhero genre, but the road that took him there was a very bumpy, windy road. In addition to the aforementioned Green Lantern, there was also X-Men Origins: Wolverine, an ill-fated spin-off film centered around Hugh Jackman's excellent portrayal of the long-standing, muscle-bound comic book character. And what was meant to introduce Deadpool into Fox's X-Men franchise turned very, very bad in a very, very quick fashion.




Where does one begin with X-Men Origins: Wolverine? Let's just mention Deadpool. It has been said a million times before, but you really thought it was a good idea to sew the Merc with a Mouth's literal mouth shut? In all the boardroom meetings, script rewrites, pitch meetings, what-have-you, that was always thought to be the best decision for this character? Seriously?! But I digress. Beyond this bone-headed decision, Ryan Reynolds plays a very minor part in this film, and he really ever gets beyond a moment or two to shine. Thankfully, he fought hard for a spinoff movie that was more in the vein of the character's self-aware, fourth-wall-breaking comic book origin. Before we got the movie that gave the character justice, however, we were stuck with this unfortunate stinker of a X-Men movie. At least we got a nod in Deadpool 2...


R.I.P.D.


Before Deadpool exploded its way onto the big screen and following the fallout of the utterly laughable Green Lantern, Ryan Reynolds had another comic book adaptation up his sleeve. Sure enough, he tried to bring Peter M. Lenkov's graphic novel Rest in Peace Department from the page-to-screen and provide another starring vehicle for the not-very-consistent career he's held these last few years. It was a clear attempt to have the actor headline a new Men In Black-style action-comedy for the new decade and generation. Suffice to say, it did not work out.


Hindered by bad special effects, a muddled story, some sweet-and-sour chemistry between Ryan Reynolds and Jeff Bridges and a weird lack of pulpy fun (despite the movie's laborious attempts at goofiness), R.I.P.D. doesn't carry Ryan Reynolds' charm and charisma, offering only a poor substitute for other, better movies in a similar vein, despite its strong, promising outer-worldly premise. This troubled movie was in development hell for a long time before it stumbled its way into theaters. Sometimes, things are better left dead.




The Change-Up


Ryan Reynolds has great comedic chops. Most people can agree on that point. The famous actor is funny, charming, likable and affable the right roles and characters. There's no doubt that he should be at the forefront of a few raunchy comedies. Obviously, his success as Deadpool proved that he knows how to make people laugh. But as we've noted in this article, the road to Reynolds' most winning roles was not without its fair share of struggles. Sure enough, The Change-Up isn't one of Reynolds' finer works. That's putting it mildly.


Starring alongside Jason Bateman in a body-switching comedy that would've felt dated back in the '80s, this attempt to rejuvenate a tired premise with bad jokes and lackluster character development was not worth the hassle. While Ryan Reynolds got to play a little bit out-of-type when Bateman's timid persona embodied him (and visa versa for Jason Bateman), there is little heart or endearing humor to be found in this ribald comedy. It's better forgotten in the scheme of things. Thankfully, when it came to his career, Ryan Reynolds decided to change things up.


So, here are my picks on Ryan Reynold's best and worse. Doubtless, some of you would have chosen a little differently. (My editor even felt burned about The Proposal not making the cut.) All in all, though, this just means that Ryan Reynolds has made a lot of likable, exciting and re-watchable movies -- and maybe a few more duds than he'd like to admit. Do you prefer some of Ryan Reynold's other titles?



Pet Sematary Has Screened, Here Are The Early Reactions

Pet Sematary Has Screened, Here Are The Early Reactions

Sometimes dead is better, but not better than getting an early chance to see the new Pet Sematary movie. The 2019 Stephen King adaptation premiered Saturday night, March 16 at South by Southwest, giving lucky critics and fans a first look at the horror movie before it opens wide in the U.S. on April 5.


So far, it sounds like Pet Sematary is a big win. The film highly impressed many viewers, including CinemaBlend's own Sean O'Connell, although he admitted he missed a few little things from Stephen King's original story:


Collier's Perri Nemiroff absolutely raved about the movie, praising directors Kevin Kölsch and Dennis Widmyer, along with young star Jeté Laurence as Ellie Creed.





Erik Davis of Fandango praised the film, adding that it should please fans of Stephen King's novel. He also pushed Captain Marvel's Goose out of the way to make room for Pet Sematary's Church -- as if what we really need isn't a buddy movie starring both cats.


Take me to Church! Chris Evangelista of /Film also noted that Pet Sematary isn't 100% faithful to Stephen King's novel, but that didn't damage his opinion of the movie at all. He called it one of the best King adaptations to date.


(The Ramones have a song called "Pet Sematary," if you didn't know.)





Some fans at home -- myself included, I'll admit -- have worried the Pet Sematary trailers may have given away the entire story. Critics like Heather Wixson of Daily Dead tried to put those fears to rest, adding expectations of some major twists.


Since we're talking about a horror film, Meredith Borders of Fangoria emphasized that it delivers on one major requirement -- scares.


Stephen King published Pet Sematary in 1983, and a horror movie adaptation was first released in 1989. We already know from the trailers that this film makes one semi-big change to the source material, but apparently there are more changes ahead.





The 2019 adaptation stars Jason Clarke as Louis Creed, Amy Seimetz as Rachel Creed, John Lithgow as Jud Crandall, Jeté Laurence as Ellie Creed, and both young Hugo Lavoie and Lucas Lavoie as Gage Creed.


Pet Sematary opens opposite DC's Shazam!, which will be some serious competition at the box office. Early estimates put Pet Sematary's opening anywhere from $20 million to $30 million at the domestic North American market. The movie could skew higher after all of these rave reviews -- including promises of secrets not revealed in the trailers -- driving more curious fans to the theater.


Watch Pet Sematary in theaters starting April 5, as one of the many films to keep an eye on with our 2019 movie release date schedule.




Why Jai Courtney Signed On For His Alita: Battle Angel Cameo

Why Jai Courtney Signed On For His Alita: Battle Angel Cameo
Jai Courtney in Terminator: Genisys

Alita: Battle Angel was a movie with a lot of ambition. It was a grand film with a huge budget that was designed very much to be the first film in a franchise. It was a movie so big that some of the film's biggest names had little more than cameo roles. One of those cameos was played by Jai Courtney. The role is so small that you'd be forgiven for missing it entirely, but the actor says that he was happy to do it simply because Robert Rodriguez was the man who asked him. According to the actor, he agreed to do it after getting a call from the director who told him...



There's this role, it's a little small on paper, but if this thing blows up, I'll need someone who I can rely on when we revisit it. And I was like, 'Fuck man, of course!' For Robert Rodriguez, I'm going to go down there and do it.



It seems that Jai Courtney had read for a couple of different roles in Alita: Battle Angel but, while he and Rodriguez wanted to work together, it seemed Alita wasn't quite the right time. However, Rodriguez then turned to Courtney when he needed somebody to fill the role of Motorball star Jashugan.




It seems that while Courtney's role was tiny in Alita: Battle Angel, the idea is that there is more to the character that we would see when and if sequels to the movie ever happen.


Of course, at this point, it's difficult to tell if a sequel is a real possibility or not. Alita struggled domestically, only bringing in about $85 million, but it did much better overseas and has a total gross of just over $400 million.


That a solid total number, but due to the film's fairly expensive budget, it's been suggested the movie needed to hit $500 million to be profitable, and it's clearly well below that mark. There's clearly an audience who got behind Alita, but it just may not be quite big enough. Although, one assumes that sequels could potentially be less expensive to produce since much of the technical groundwork has been done, so perhaps follow ups are possible.




Although, the other issue is that the first movie was a Fox production, which means that any subsequent movies would have to get the green light by Disney, which means convincing an entirely new set of executives to make your movie.


Courtney tells Business Insider that he has no clue what the future might hold for Alita and that he has zero expectations in that regard. It seems he didn't take the role for the sequel potential, but just to work with Robert Rodriguez, though one assumes if the sequel does happen he'll be even happier to have the chance to work with Rodriguez again.


Jai Courtney wasn't the only brief cameo that clearly was inserted because of future potential. Edward Norton also appeared in the film, as the man one assumes will be the main antagonist of any future movies.




In the modern movie landscape the franchise is king, and so a project like Alita was clearly always meant to be the first of many. Having said that, the movie practically requires a sequel simply because of the way it ended. It didn't simply leave the possibility of more story open, it left its own story before it was over.


It will be interesting to see if these cameos will ever get a chance to be fulfilled, or if these appearances in Alita: Battle Angel will just be interesting moments of trivia in a franchise that never happened.

Friday, August 16, 2019

Avengers: Endgame TV Spot Gives First Look At Valkyrie

Avengers: Endgame TV Spot Gives First Look At Valkyrie

Thor's friend from work is back! Tessa Thompson's Valkyrie debuted in Thor: Ragnarok but was not seen in Avengers: Infinity War. It was later confirmed by the Russo Brothers that she escaped with other surviving Asgardians. Apparently she survived The Decimation, too. She got her own Avengers: Endgame poster, and it was in color like the other lucky 50%.


And now one of the many new Avengers: Endgame TV spots has given us a very quick glimpse of Valkyrie, live and in color. She's actually the first one we see in the promo:


Nice! Looking forward to seeing more of her role in Avengers 4. It was suspected that she would return, especially when she was spotted with Ragnarok (and Men in Black: International) co-star Chris Hemsworth in September 2018, joining him when he flew to Atlanta for Avengers 4 reshoots.




Of course, since we're talking about the Russos and the MCU, we have to leave room for misdirection. It would be cruel to give Valkyrie fans that glimpse of her in the new TV spot and only learn that it was another mislead. But it does sound like she'll be back in some fashion, and Marvel did give her a new Endgame poster. Maybe we'll also see the return of the rest of the Asgardians. Will they join the fight against Thanos?


One of the most exciting things about Avengers: Endgame is the number of new characters working together. Even Avengers: Infinity War didn't cover every base. We have characters like Rhodey and Black Widow going to space for the first time, alongside Guardians Nebula and Rocket Raccoon, as Thor bonds with "new girl" Captain Marvel.


Speaking of Captain Marvel, actresses Brie Larson and Tessa Thompson are good friends off-screen, and they've been loving fans' social media posts pairing Valkyrie and Carol Danvers. So maybe fans can expect to see their characters at least meet on screen? Thompson has brought up the idea of Marvel women getting together to fight folks and hang out in space. Maybe she'll get her wish soon.




Continuing on that note, Marvel Studios also released another Endgame TV spot -- it's almost too much now! -- and this one was heavy on the foreshadowing of endings and goodbyes. It also focused a lot on Black Widow finding a family for the first time with the Avengers. She has her own movie coming up, but will it be after she loses her Avenger "family"?


Avengers: Endgame isn't quite the end of MCU Phase 3, as we initially thought, but it does seem to mark the endgames for some original stars and their characters. Chris Hemsworth may be on that boat, although he has said he'd be happy to return as Thor whenever they need him. If Valkyrie is in Endgame, she'd probably connect with Thor at some point. If the rest of the Asgardians return as well, will Thor want to leave to help start a new life with them, after they do whatever they do with Thanos? I have been avoiding any spoilers, so all speculation is valid to me.


Avengers: Endgame opens in theaters this Friday, April 26, as one of the many movies playing on the big screen through 2019.



Ma Is Hilarious, But That Probably Wasn't The Movie's Intent

Ma Is Hilarious, But That Probably Wasn't The Movie's Intent
Ma Universal

Warning! The following contains spoilers regarding Ma. Read at your own risk!


As I drove to the theater for my screening of Ma, I was half regretting my decision to attend. Sunday nights are for relaxing, and seeing a horror movie in which a woman befriends and then torments teenagers didn't seem like a calm and relaxing way to prepare for the work week ahead.


As it turns out, I was completely wrong. Ma is the hardest I've laughed in a theater in some time, and though I still have yet to see Booksmart, it may be one of the funniest movies I've seen in 2019. Unfortunately, that's probably not really the point of the movie, which was billed and presented itself as a horror movie. So, why then was I laughing as opposed to jumping out of my theater seat? Let's dive in.




Ma Is An Objectively Hilarious Character


Ma does a solid job of making Sue Ann appear unhinged, and the story of how she got to where she is laid all that out perfectly. Where it struggles, however, is that her more manic moments in the film portray her less as a frightening sociopath and more of a somewhat hilarious individual. Whether she unexpectedly pulled a gun on a teen or karate kicked a pile of beer cans over, I was laughing.


For what it's worth, I think this is more a product of the film's tone and story than anything related to Octavia Spencer. She did bring an intensity to the role I haven't seen in her past work, but those scenes lack the music or build up of tension needed to make those moments legitimately scary. Instead, there might be a chuckle or two as Ma frequently comes out of left field with some actions that come out of nowhere!


The Gore In Ma Is More Cartoonish Than Frightening


Just to get this out of the way right now, Ma is not a movie I would consider to be excessively gory. Most of the violence happens in the latter part of the feature, but hoo boy, when it arrives it really makes an entrance. Fans see a pretty brutal death to kick things up, and things really escalate from that point on.




As the header states though, it's not at all scary. One death feels straight up like something out of a Final Destination movie, and the rest are weird, but almost cartoonish in how they go down. Those who haven't seen the movie need only wait until the final scenes of Ma to understand. It's necessarily as weird as the paint scene (you'll know when you watch), but just an odd display of violence when things seemed more grounded before.


The Teens In Ma Aren't Sympathetic And Make Terrible Decisions


One thing that makes Ma especially funny to me was the lack of emotion I felt towards the teenage cast, who also somehow fell below the standard for teens that make bad decisions in horror films. Like, it's one thing to do the stereotypical trope of running upstairs when being chased by a mass murderer, but these characters do that equivalent while adding "don't forget your knife!" on the way up.


Now, that situation doesn't literally happen, but it might as well have as it's pretty clear from the get go that Sue Ann is bad news. Yet they continue to show up at her house, which can certainly make the audience feel more like "well that's what you get" rather than, "oh poor kids." It also doesn't help that we only the smallest details about each character, which in turn could leave folks largely unaffected by what happens to them.




Ma Has A Good Deal Of Seemingly Intentional Humor


For all the moments in Ma that are unintentionally funny, there are some moments that were brought in, I'm assuming, to lighten the mood with some actual humor. At least, that's what we can assume when it comes to Allison Janney's Dr. Brown, whose sole purpose throughout the movie is to be on Sue Ann's ass whenever she's slacking off on the job.


Another bizarre character was Dominic Burgess' Stu, a relatively minor character with a performance that really sticks out and makes you think he has a larger part to play. Alas he doesn't, although the effort he put into the role really has me wondering if he maybe had more scenes that were cut later in development? Whatever the case, characters like this elevate the humor exponentially, but drastically reduce the creepiness and horror elements.


Ma's Ending Is Just So Damn Bizarre


Massive spoiler warning for those that don't want to know the ending of the movie. You've been warned! Sue Ann/Ma ends up drugging all the teens and keeping them in their basement, and after some unique punishments for most of the characters, Maggie's mom Erica arrives with Stu and the house goes up in flames. Maggie stabs Ma in order to rescue Ma's secret daughter (which is the twist I'm assuming promotions are touting).




Ma is stabbed and everybody else escapes and chills in the front yard in shock of what all happened. Meanwhile, Ma comes to in the burning house and casually watches everyone from the window of her living room. Again, the house is on fire, but she decides to head upstairs, curl up in bed with the dead man that orchestrated her sexual assault when she was younger and wait for the flames to take her. Fade to black, credits roll.


There's no resolution and no falling action; Ma just dips in its most pivotal scene like it has somewhere to be. It's arguably the most hilarious part of the movie, because we're left to wonder what the hell happens in the minutes that follow. Alas, it's an answer that may only come if Ma 2 gets made, which I'd honestly be on board with. Let Ma escape and bump the camp up even further in a sequel, and I'm 100% there.


Annabelle Comes Home Is Definitely Not A Horror Comedy, But It Will Have Funny Moments




Ma is currently in theaters right now for those who haven't seen it yet. Those that have can feel free to share their thoughts in the comments, and let us know if they'd be up for Ma 2.

That Moviepass Competitor Sinemia Is Shutting Down

That Moviepass Competitor Sinemia Is Shutting Down
Scream 2 theater scene

There was a time, not all that long ago, when it looked like the movie subscription service was the wave of the future. While MoviePass was the first service to grab headlines, they weren't the only game in town, and when MoviePass began to falter, Sinemia came in to try and pick up the pieces by offering an alternative to movie lovers. However, that alternative is now no more as Sinemia has announced they are ceasing operations within the U.S.


MoviePass became the hottest thing at the theater a couple years ago when the price of it's unlimited viewing option dropped to $9.95 a month in price. Subscription numbers went through the roof. However, eventually the users that took advantage of the service to an extreme degree began to be a drain on the service. This led to changes in the plan that ran the gamut from movie blackouts to price increases to limitations on the number of screenings you could view in a given time period.


When that happened, the people who signed up for the original plan began to get upset and Sinemia tried to pick up those customers. While Sinemia did not have the same unlimited plan at the time, it would come later, it did have options, including choices that included 3D and large format screens, something MoviePass didn't offer at the time.




However, as Sinemia began to grow, it began to have growing pains of its own. The service saw outages that frustrated customers and they also dealt with other customers service issues that came from the service's increase in popularity.


More recently, Sinemia was hit on two fronts by a pair of lawsuits, one came from MoviePass and claimed patent infringement. The other came in the form of a class action suit from customers with a litany of complaints including hidden fees and cancellations without refunds.


In a letter posted on Sinemia's homepage, the site admits that the company simply doesn't have the money necessary to both meet increased operations costs and the current legal issues the company is facing.




The U.S. isn't the only country Sinemia currently does business in. You can also use the service in Canada, the UK, Australia, and Turkey, where the company is based. The letter only states that Sinemia is ending U.S. operations, so it's possible the company will continue forward in other countries.


While Sinemia tried to be an alternative to MoviePass, it has now folded and MoviePass, while the company has certainly been through many trials and tribulations itself, still stands.


Many of the major theater chains in the U.S. like AMC and Cinemark have instituted their own subscription system, which largely appear to be successful.




There is clearly consumer interest in the subscription idea, but there are just as clearly some significant hurdles to making it work, at least for third party companies. Where there is interest, you can be sure there will be attempts to capture that market. Will MoviePass, or somebody else, ever figure out how to make money while still giving consumers the value they need?

Chris Hemsworth Put Snickers Bars In His Daughter's Shoes To Sneak Her Onto Disneyland's Tower Of Terror

Chris Hemsworth Put Snickers Bars In His Daughter's Shoes To Sneak Her Onto Disneyland's Tower Of Terror
The Twilight Zone Tower of Terror at Walt Disney World

If you've ever been a small child, emphasis on the "small," at a theme park, or brought one with you, then you likely know the pain that comes with height requirements on attractions. It sucks when you can't go on a ride you want to, and it sucks for the parents of that child too, who want their kids to have a great time. Chris Hemsworth recently revealed on Jimmy Kimmel Live that when his daughter was too short to go on the Twilight Zone Tower of Terror at Disneyland a couple years ago, he took matters into his own hands, by stuffing her shoes. According to Hemsworth...



I took my daughter on [Guardians of the Galaxy — Mission: Breakout] a couple of years ago when it previously called the Tower of Terror. And she wasn’t tall enough, and she was really upset. And I was like, ‘No, forget this. Come here.’ So I grabbed a couple Snickers bars and things, and slammed it in the back of her shoe under her heel. So I propped her up, she was like this much short, walked up, was like, ‘What about now?’ So they’re like, ‘Okay, in you come.’ Snickers work.



Basically, Chris Hemsworth created make shift high heels for his daughter that pushed up the back of her feet enough to raise his daughter's height to the necessary limit. Clearly, she was really close to the limit, which is 40" if you're keeping score. I'm not sure what to think about those cast members if they had only measured her moments before and found her too short, maybe they decided they didn't want to make Thor mad twice.




Hemsworth appeared on Jimmy Kimmel Live along side his Avengers: Endgame co-stars Paul Rudd, Scarlett Johansson, and Robert Downey Jr. They were less than impressed with the actor's tale, pointing out that these height requirements exist for a reason and he shouldn't be commended for subverting the system.


To his credit, Chris Hemsworth understood the reason for the requirements as soon as his daughter actually got on the ride, as it seems the restraint system was not sufficient to hold her in place.



It gets worse. So I was sitting in the chair, and this thing, it’s I don’t know how many hundreds of feet high and whatever. We’re at the top and I’m looking at her. She’s strapped in, the seat is massive on her. And I’m like, ‘We beat the system, honey!’ And then it drops and she’s like [slightly raises himself up and makes weird noise]. I grab on to her, she’s screaming the whole way down, like a cat. I was like, ‘Maybe there’s a reason that there’s a height size.’ So don’t do that. She’s fine, she’s well.





The restraints on the Tower of Terror (now Guardians of the Galaxy - Mission: Breakout) are nothing more than a simple seat belt, but since the ride only moves up and down, little more is needed. I'm not sure why Chris Hemsworth's daughter found herself sliding out of the seat. Perhaps because she was smaller, there was actually space between her lap and the belt, leading to her moving upwards when the ride was pulled down.


As somebody who took longer than normal to reach all of the Disneyland height requirements, I can appreciate the desire to circumvent the rules. Still, one should not condone such things and it's good that Chris Hemsworth now understands the importance of these rules. Of course, when the new Marvel themed land opens up next to Guardians of the Galaxy - Mission: Breakout, one certainly wonders if Thor might go looking for Snickers bars once again.


You can check out the Avengers full appearance on Jimmy Kimmel Live in the video below.



 

Blogger news

Blogroll

About