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Friday, June 14, 2019

Why Detective Pikachu And Sonic The Hedgehog Are Taking Totally Different Approaches To Their Big Screen Movies

Why Detective Pikachu And Sonic The Hedgehog Are Taking Totally Different Approaches To Their Big Screen Movies
Detective Pikachu

When the first trailer for Sonic the Hedgehog dropped late last month, the internet collectively imploded in a sea of threads, tweets and memes, all expressing confusion, frustration and horror at the look of the titular speedster. This live-action Sonic was not the video game icon that has been showing fans the meaning of speed since the early '90s; this was something else, and it had human teeth.


Not long after the Sonic the Hedgehog trailer came out, another video game icon hit theater screens. The Pokémon franchise finally made its live-action feature film debut, with the face of the franchise leading the charge in Detective Pikachu.


In addition to the fact that they are both video game movies, the proximity of the Sonic the Hedgehog trailer and the theatrical release of Detective Pikachu invite obvious comparisons. I am not the first to notice this, but I think it is worth discussing because even a surface-level look at both films reveals the totally different approaches Sonic the Hedgehog and Detective Pikachu are taking to their big screen movies.




Let’s first look at Sonic the Hedgehog, the myriad ways the trailer confounded fans and what that says about the approach the film is taking.


Beyond the baffling trailer song choice and the changing of Sonic’s powers, the most obvious point of discussion was Sonic’s look in the new film. His overall proportions are quite different than his video game counterpart with limbs that are too muscular and a head and torso that are too small. What's more egregious, though, are Sonic’s facial features.


The film design eschews Sonic’s traditional uni-eye look, where one eyeball has two pupils for a more realistic smaller, two-eye aesthetic. The design choice that has gotten the most hate, though, has to be Sonic’s teeth, which look very human, a look that doesn’t comport with the teeth of either his video game inspiration or the teeth of an actual hedgehog.




What’s especially fascinating about the reaction to Sonic's look in the trailer is that it was entirely predictable. When the first poster featuring Sonic’s silhouette was revealed last year, fans were immediately skeptical of the hedgehog’s build. Complaints grew even louder when another poster showed Sonic’s eerily human and muscular legs.


I don’t know if it was a feeling that they knew better or that the complainers were in the minority, but did anyone involved with the film, after seeing the criticism of the posters, really think ‘Wait till they see the final design, they’re gonna love it!’?


Speaking about the decision to change Sonic’s eyes for the movie, executive producer Tim Miller previously said:





I don't think SEGA was entirely happy with the eye decision, but these sorts of things you go, 'It's going to look weird if we don't do this.' But everything is a discussion, and that's kind of the goal, which is to only change what's necessary and stay true to the rest of it. He's not going to feel like a Pixar character would because I don't think that's the right aesthetic to make it feel like part of our world.



Those last words are quite telling, “to make it feel like part of our world.” All of these changes to this iconic video game character for his feature film debut speak to the approach on the part of the filmmakers to make Sonic the Hedgehog “realistic.”


That’s why Sonic has separate eyes and more human features, and why he’s an alien in the film. Because the choice was made to set this film in our world as we know it. Sonic the Hedgehog isn’t the first movie to take this approach when adapting a fantastical property to live-action (animation has more freedom to be strange in this regard). The Smurfs in 2011 and 1987’s Masters of the Universe come to mind as properties that took characters out of their fantasy worlds and plopped them in our Earth.




The thinking behind this strategy (from my perspective anyways) is that it creates a smaller barrier of entry for the audience. Instead of trying to explain to moviegoers that the world of the film is one in which characters like Sonic exist, he is made into an alien and dropped into our world, where only he is different and everything else is familiar.


This approach also necessitates that Sonic look more realistic, or the filmmaker’s idea of realistic for an alien hedgehog. The concern being that if Sonic looks too cartoony or too Pixar-like, as a CGI character, he will stick out like a sore thumb and look, for lack of a better word, fake.


It’s not an inherently bad approach and I have no doubt that everyone involved is working their hardest to make the best movie they can, one that also pleases fans of the character. But this approach of setting the story in our world and altering Sonic’s look, which was guaranteed to result in backlash, to fit into that world, speaks to a fundamental disconnect with the fans of this property and what people want from adaptations of iconic stories and characters.




Now contrast this with Detective Pikachu. Like Sonic the Hedgehog, Detective Pikachu is based on recognizable video game characters that fans have come to know and love over decades. And while I am sure that somewhere there are fans who have taken issue with the look of the Pokémon in the movie, there has been no major outcry because by and large they look pretty much exactly like their video game counterparts.


Pikachu looks like Pikachu; from his lightning bolt tail and his rosy cheeks to his weapons-grade cuteness, he looks like the Generation 1 electric-type rodent Pokémon that became the face of the brand. The same is true for Charizard, Gyarados, Psyduck, Cubone, Bulbasaur, Mewtwo and all the rest. The film embraced the iconic designs of these creatures and rendered them in an extremely faithful fashion.


The only real sort of overture towards realism Detective Pikachu makes is to give the Pokémon some texture to make them feel more tangible and less like flat cartoons. But that tactic does little to nothing to diminish their resemblance to their video game inspirations.




Detective Pikachu was able to do this and give us such great live-action PokĂ©mon because the story didn’t force things to take place in our world. Instead, the film took the approach that in the world of the film, PokĂ©mon exist alongside humans. They aren’t aliens that just landed or genetic mutations or beasts from another dimension, they just are, and that premise required remarkably little in the way of world-building or expository setup.


The filmmakers trust that you know what PokĂ©mon are, know what they look like and can wrap your head around a live-action world where they exist. There is no handholding and no timidity that audiences won’t get it or will check out if the movie goes all in on PokĂ©mon weirdness.


It’s an approach that exudes a tremendous amount of confidence in the audience, trust in the characters and the story and faith in the source material. It either works or it doesn’t. Detective Pikachu bravely asks you to buy in and that gamble seems to have worked.




While opinions may vary, despite not striving for realism in the PokĂ©mon designs, Detective Pikachu does the one thing it had to, according to CinemaBlend’s Mike Reyes: it convinces you that PokĂ©mon and humans can live together in a live-action cinematic world. Even though they look almost exactly like the Pocket Monsters in the video game, it doesn’t take you out of the movie. More quantitative metrics also support the success of Detective Pikachu’s approach.


Rob Letterman’s movie is the best-reviewed video game movie of all time and it also enjoyed a bigger opening weekend than any of its video game adaptation predecessors. Audiences gave it an “A-“ CinemaScore and there certainly seems to be interest and potential for future PokĂ©mon movies.


This isn’t all to say that Detective Pikachu’s approach was unquestionably right and Sonic the Hedgehog’s definitively wrong. Each property is different and adaptation is one of the most precarious forms of filmmaking. Sonic may well end up being a far better movie than Pikachu for all I know, and maybe going all in with a more fantastical world where Sonic exists wouldn’t have worked.




Nevertheless, it is also important to remember that this isn’t a literary adaptation. These aren’t only iconic characters, they have iconic designs, and I think it is telling that the highlight of the Sonic trailer, for me anyways, was at the end where Jim Carrey looks the most like his video game counterpart Dr. Robotnik.


To his credit, in response to the vocal criticism, Sonic the Hedgehog’s director Jeff Fowler said that design changes to Sonic are coming. It's nice to know they're listening and fan sentiment can make a difference. But I can’t help thinking that if this movie just took an approach that was less focused on realism and setting things in our world, and instead embraced the source material and trusted audiences to get it, the Blue Blur would be coming to the big screen surrounded by a spirit of excitement, not one of trepidation.


We'll find out how Sonic the Hedgehog is received by the public when it races into theaters on November 8, but for now you can still enjoy Detective Pikachu on the big screen.



Aladdin’s Naomi Scott Is Now Starting To Realize The Impact Of Being A Disney Princess

Aladdin’s Naomi Scott Is Now Starting To Realize The Impact Of Being A Disney Princess
naomi scott as princess jasmine talking to her handmaiden in Aladdin

Being a Disney Princess is a very big deal. There are, of course, many iconic characters that have been created by the filmmakers at Walt Disney Animation, but the Disney Princesses have an important legacy of their own, and they’ve now been making a significant pop culture impact for decades. It’s a particular history of which now actress Naomi Scott has become a part – starring as Princess Jasmine in Guy Ritchie’s Aladdin – and it’s something that only recently she has started to fully wrap her head around.


I had the opportunity to sit down with the actress at the Los Angeles press day for Aladdin this past weekend, and one topic of conversation that came up during the interview was the simple significance of being the newest live-action Disney Princess. You can check out this part of our chat by clicking play on the video below:


Naomi Scott is now the fourth actress to bring one of the Disney Princesses into the live-action realm – following Lily James (who starred as the titular character in Kenneth Branagh’s Cinderella), Emma Watson (who played Belle in Bill Condon’s Beauty and the Beast), and Elle Falling (who brought Aurora to life in Robert Stromberg’s Maleficent). Sadly she has not yet had the opportunity to meet her colleagues in this field – something she is very excited to eventually do – but while she waits for that to happen she is doing just fine with all the love she’s been getting from fans since Aladdin started screening.




The Disney Princesses have long been making an impact because of the strength of their personality and character, which has been inspirational for young girls and boys for years. Obviously playing a live-action version of one of these icons is a big responsibility as a result, but it’s something that Naomi Scott is ready to embrace. Discussing her realization of the roles importance and significance, the actress explained,



I'm realizing more and more and more 'Wow' - just the impact that these characters had on my generation growing up. The opportunity to potentially inspire the next generation is just mind-blowing. I think I felt it when we were in Iman. We went to a screening and literally just the joy... there was a bunch of kids, and they'd just seen the movie and all these little girls just attacked me. And I was just like, 'Yes, give me the love! Gimme the love!' But that was the moment that I was like, 'Wow.' I now feel like, you know, 'Her.' So that was pretty incredible.



Jasmine is one of 12 characters who are considered part of the official Disney Princess group – with the others being the aforementioned Cinderella, Belle and Aurora, as well as Snow White (from Snow White and the Seven Dwarfs), Ariel (from The Little Mermaid), Pocahontas (from Pocahantas), Mulan (from Mulan), Tiana (from The Princess And The Frog), Rapunzel (from Tangled), Merida (from Brave), and Moana (from Moana). As of right now the live-action realm has only seen a third of the ensemble brought to life, but that number is growing quickly. Yifei Liu will be playing Mulan in the Niki Caro-directed remake that is scheduled to be released next year, and while casting has not yet been completed, a new version of The Little Mermaid is currently in the works.




One can imagine that Disney will eventually make some kind of effort to bring all of the live-action princesses together – either on the big screen, or just for an event – so we’ll just have to be patient and wait for it to happen.


For now, fans will be able to see Naomi Scott’s turn as Princess Jasmine in Aladdin this weekend, as the film will be launching into theaters nationwide. Go check it out, and be on the lookout for more of my interviews with the new movie’s cast and filmmakers here on CinemaBlend.

Sylvester Stallone Is Bloody And Packing Heat In New Rambo: Last Blood Image

Sylvester Stallone Is Bloody And Packing Heat In New Rambo: Last Blood Image

It's been over 10 years since we last saw saw Sylvester Stallone play one of his most well known characters, John Rambo. While 2008's Rambo could have functioned as the finale of this particular franchise, it seems there is one more story left to tell. Rambo: Last Blood is set to hit theaters later this year, and Stallone has continued to tease us with more images for the movie, including this one, which is a picture of a picture being taken of Rambo, armed with a bow and arrow. Check it out.


The picture posted to Sylvester Stallone's Instagram is taken from a much safer position than the one we can see being taken in the image. The woman is standing right in the path of a drawn arrow, which probably makes for an awesome picture, as long as Sly doesn't lose his grip, of course.


In addition to the bow and arrow, we see that Sly's arms are covered in blood. Whatever Rambo has been doing, it's been messy work.





As far as what he's been doing, based on what we know of the plot, what Rambo has been doing is killing members of a Mexican drug cartel. Rambo: Last Blood will see John Rambo living a quiet life on his family ranch in Arizona when a friend's daughter runs a fowl of the cartel and Rambo goes in to rescue her.


Based on the premise, and the title of the film, we can expect Rambo: Last Blood to be a movie much more in line with the first Rambo story than any of the sequels that came after. All of the previous Rambo sequels were about sending a one man army into hostile foreign territory to save one group of people, or maybe just kill another group of people.


First Blood was a movie about a former Vietnam vet who came up against corrupt police officers in a small town, and how that small town became a war zone. Last Blood certainly wants to remind us of that much smaller story, and while there will surely be no lack of action, the stakes her are much more personal for Rambo.





Of course, the title is also fairly ominous. It doesn't imply anything good happening to John Rambo.


As somebody who never felt the Rambo sequels ever lived up to the visceral feeling of the first film, I'm actually a lot more interested in this one than I ever would have guessed. Sylvester Stallone's Rocky movies were always better when they were character stories about a man and not actually about who won a boxing match. In a similar vein, Rambo movies are better when they're about the man and not about the battle.


Rambo: Last Blood has been given a release date of September 20.




Thursday, June 13, 2019

Why The Final Trailer Finally Got Me Excited For Dark Phoenix

Why The Final Trailer Finally Got Me Excited For Dark Phoenix
The X-Men heading into space

I have to be honest: Up until now, I haven’t been sold on Dark Phoenix as a theatrical experience. None of the trailers for this next and last in this run of X-Men films have made me feel as if this is a must-see blockbuster of epic proportions. Considering this is the end of an era, and the property’s popularity in the past, that had been kind of a worrying sign. Thankfully, there's been one final trailer to turn the tide for me.


When I sat down to watch this final trailer for director Simon Kinberg’s big turn at bat, I found I'm actually pretty excited to see the finished product that is Dark Phoenix. There’s a couple of really big reasons why this morning’s final trailer to the end of the X-Men universe as we know it has me absolutely hyped, and I'm glad to share them with you as we're not too far out from experiencing this pretty big happening.


Now comparing that trailer for Dark Phoenix to all others, there’s a pretty big jump in my feelings towards the material. The rhythm of this new trailer is the cleanest I’ve seen out of all of the Dark Phoenix materials, which is surprising considering there’s not all that much different in terms of what’s being presented.




All the other Dark Phoenix spots did have most of the same building blocks and story beats. Jean absorbs a weird energy source and becomes unstable, mystery character Jessica Chastain is encouraging her to embrace this new power, and the world feels like it’s going to be in for some massive hurting. This is the A-Z story we’ve been presented with, and for the most part I’ve remained skeptical, but willing to be swayed.


The swaying came with this final look at Dark Phoenix, as it lays it all of the same points we’ve seen, but with a better sense of urgency. We see a glimpse of the space rescue that starts it all, with a panicked Cyclops being a perfect catalyst to push the rest of the footage along. After that, it’s a pretty quick and sliding scale from Jean’s miraculous survival to her campaign of utter desolation. She’s embraced pain and she’s not afraid of inflicting it.


Which leads to another reason Dark Phoenix has me sold: Sophie Turner’s performance as Jean Grey. When added to the lineup in X-Men: Apocalypse, she was a key player, but still a member of a growing ensemble. Everyone knew how important she would be to the story, and it was touched upon briefly in that film as a sort of tease for the future.




Dark Phoenix definitely looks like it not only acknowledges that promise, it fulfills it entirely; and it’s because of the growth Turner is allowed to exhibit within this character. The scene in the final trailer that really sold me on Jean Grey as a threat is when she confronts Michael Fassbender’s Magneto. Up until this point, he’s felt like the most powerful mutant on the side of the protagonists in the X-Men films.


Regardles, that moment where Jean breaks his ever-important helmet and she tells him that threatening her isn’t the best idea is the sharpest contrast from the Jean we saw in X-Men: Apocalypse, and it properly sets the table for the main course: a fight between the X-Men and one of their own. Sophie Turner’s simultaneously threatening and sympathetic character makes it all go round more smoothly than I could have ever imagined. If you’re going to end a series like the X-Men, at least for the time being, you need to send them off on a pretty big note.


That’s what this Dark Phoenix footage really feels like it’s setting up. It’s the end of an era, with a grand finale to something that kicked off so long ago in X-Men, and was reborn in X-Men: First Class. Much like Avengers: Endgame has been spelling out the end of the line for the first story arc in the Marvel Cinematic Universe, Dark Phoenix’s last look before the big show has given weight to this apocalyptic event. There is a schism coming to the X-Men universe, and nothing will be the same once it’s concluded.




Prior to now, it hadn’t felt this serious, but now, it’s feeling pretty grave. The X-Men series has always been about fear of “the other,” with Charles Xavier and his mutants being on the side of good an acceptance. But now, with Jean Grey’s Phoenix powers, the man and his students are thrown into another microcosm of that argument; and they’re not exactly on the same side as they’ve traditionally been on.


If that’s not a note to end an X-Men story arc on, I don’t know what is; and this last trailer has given me so much to think about and anticipate with this new film. Again, all of this was in previous trailers, but the presentation in this latest one really drives all of the pieces home for me as a viewer. That’s even taking into account the fact that this trailer is more ambiguous about what exactly happens to Jennifer Lawrence’s Mystique, despite the promotional material previous to this point basically spoiling that plot point pretty obviously.


Having discussed all of that, let's take a look at the final trailer for Dark Phoenix one last time, and revel in what it portends:




This final trailer to Dark Phoenix not only has me ready to get out to see the spectacle that awaits, it also has me thinking this could be the best X-Men movie since First Class. I’m surprised that Fox didn’t lead with this sort of marketing push, because this would have been the best launching pad to a potentially huge and engrossing campaign overall. That being said, in the era of stealth release drops and streaming giants marketing a film mere hours before it’s set to debut, this could be the studio’s way of adapting to the modern marketplace.


It hasn’t been an easy road for Dark Phoenix, so revolutionary and outside-the-box methods such as this do feel like an experimental way to branch traditional theatrical promotions into the future. Whatever the case may be, I’m totally on board to see the full extent of the devastation that Jean Grey will bring to the X-Men universe. And I’ll be there on opening night to see first it among the die hard fans.


Dark Phoenix unleashes darkness upon the world on June 7th.



How Much Money Rocketman Might Make On Its Opening Weekend

How Much Money Rocketman Might Make On Its Opening Weekend
Taron Egerton as Elton John

When Bryan Singer was fired, director Dexter Fletcher came aboard Bohemian Rhapsody to steer the film into port. That Freddie Mercury biopic wound up becoming a historic success, and now Dexter Fletcher is back with another musical icon for Rocketman. The Elton John biopic arrives at the end of the month and is currently looking to launch with $20 million.


Rocketman is tracking at a $20 million opening weekend, but according to The Hollywood Reporter, some are predicting that it could enjoy a slightly higher liftoff with $25 million. Either end of that range would be a solid, respectable opening for the Taron Egerton-fronted film, even if it wouldn’t blast the film into the stratosphere in its opening weekend.


Of the new releases opening May 31, a debut of $20-$25 million would likely put Rocketman behind Godzilla: King of the Monsters, which is currently tracking to open in the low $50 million range. Godzilla may win the weekend crown, but Rocketman does provide an interesting bit of counterprogramming for those not interested in the MonsterVerse.




Last year’s Bohemian Rhapsody opened in first place with over $50 million and went on to make $216.4 million in North America and over $900 million globally. Although not a biopic, Bradley Cooper’s A Star is Born also provides a relevant comparison. That Oscar-snubbed film opened in second place opposite Venom with $42.9 million and went on to basically match Bohemian Rhapsody domestically with $215.3 million and a great, but less crazy impressive $434.2 million worldwide.


So Rocketman doesn’t look like it will open quite as big as those two music films. It’s also opening at the beginning of the more cutthroat summer season, but $20+ million would still be solid, and as is proven what seems like every other month, tracking is inexact and things can change. Bohemian Rhapsody was tracking in the mid-$30 million range before it rocked the box office to a much bigger opening.


We don’t yet know what kind of buzz Rocketman will enjoy come release time that could affect its opening weeknd. Bohemian Rhapsody received mixed reviews, but Rami Malek’s performance as Freddie Mercury was praised as worth the price of admission. That film also benefitted from the amount of play Queen’s music still enjoys.




Elton John is no niche, indie artist though, and his recognizable tunes can only help Rocketman. Dexter Fletcher’s film also features a lead performance in Taron Egerton as Elton John that could stir up some buzz since the actor does all of his own singing for the role.


Rocketman debuts at the Cannes Film Festival on May 15 and Fandango is hosting advance screenings of the movie on May 18. So we’ll have a better idea around then of what the word is on the quality of the movie. But the mere fact that advance screenings are happening so close to the world premiere and two weeks prior to the theatrical release date is hopefully a display of confidence in the film.


Rocketman blasts into theaters on May 31. Check out our 2019 Release Schedule to keep track of all the movies you’ll want to see this summer.



Vin Diesel's Fast And Furious 9 Video Highlights 'The Dom Shrine'

Vin Diesel's Fast And Furious 9 Video Highlights 'The Dom Shrine'

Vin Diesel is busy preparing to film Fast and Furious 9, updating fans every step of the way. He's been posting photos of his impressive muscles, in case we forget he's a badass, but even tough guys need a quiet place to reflect. Apparently Diesel's space for Fast 9 is called The Dom Shrine, in honor of his character, Dominic "Dom" Toretto. Here's Diesel giving a glimpse of The Dom Shrine:


As Vin Diesel noted in his Instagram video, one of the Fast movies is always playing in the background of the shrine to keep him in the right mindset:



It's kind of a sanctuary that I go to, to prepare for the next chapter. We created it before I went to London for pre-production in February. So it's been a real blessing to have this quiet space to reflect on the task at hand, and the monumental opportunity to do this next chapter.





Vin Diesel has been posting some thoughts on Fast 9 via social media, but in general we don't know too much about the ninth movie in the franchise. Fast 9 will reportedly start filming in late June at Warner Bros. Studios in Leavesden outside London. Justin Lin is said to be returning as director.


Fast and Furious 9 is currently scheduled to open May 22, 2020, with a 10th movie behind it marking the final film in the series. Jordana Brewster (Mia Toretto) is confirmed to return for Fast 9, but last we heard Michelle Rodriguez (Letty Ortiz) wasn't sure she was coming back, it depended on the script. So official cast and plot updates are waiting in the wings.


For now, we have some deep thought reflections from Vin Diesel, including this look back with Paul Walker (Brian O'Conner), who started the franchise with Diesel in 2001 in The Fast and the Furious.




Sadly, as you know, we lost Paul Walker in 2013 after a horrible car crash. He wasn't finished filming Furious 7 at the time, but his brothers helped as stand-ins to complete Walker's final scenes as Brian.


Fast 8, The Fate of the Furious, ended up getting a lot of attention for the behind-the-scenes beefs. Now we're at Fast 9, and apparently Vin Diesel has fatherhood on his mind. He hinted as much in this photo which he tagged for #Fast9:


Speaking of fatherhood, Vin Diesel seems to be ready to pass his love of fast cars on to the next generation:




Since Fast 9 is still in pre-production, we may have to wait a month or two for more official updates before the start of filming. Here's what we know so far about the movie. In the meantime, we'll keep looking to Vin Diesel to share updates behind-the-scenes. Fast franchise fans can also look forward to the spinoff Fast & Furious Presents: Hobbs & Shaw, starring The Rock and Jason Statham, which opens in theaters August 2.

Chris Evans Wants Captain America’s Suit

Chris Evans Wants Captain America’s Suit
Captain America in Age of Ultron

The Marvel Cinematic Universe as we know it will soon come to a close, as Avengers: Endgame is just one month away from theaters. 21 movies and ten years of filmmaking will collide in the final blockbuster in Phase Three, so the stakes are sky high. What's more, Endgame will likely mark the final bow for many of the OG Avengers, including Robert Downey Jr, Chris Hemsworth, and Chris Evans. The latter has spent many years as Steve Rogers/Captain America, and therefore has a few things he'd like as a memento for his tenure in the MCU.


Appearing in seven Marvel blockbusters (in addition to a handful of cameos), Chris Evans' Captain America has been one of the most significant characters in the entirety of the shared universe. As such, he's worn a ton of different suits throughout various adventures. And the 37 year-old actor wants to take a Cap costume home. As he recently revealed:



I'm going to ask for the full suit I never asked for the full suit. Hemsworth got the full suit. I want the full suit.





While they've worked together for years, it appears that The Avengers still have some healthy rivalry. And if Chris Hemsworth got to take home a Thor suit, then Chris Evans wants to follow suit for Captain America. He spent long enough in the costume, after all.


Chris Evans' comments to THR revealed that he's already managed to take home a prop of Captain America's signature shield. The vibranium weapon is Cap's signature accessory during his onscreen appearances, and he's used it in a variety of ways in during Evans' impressive run in the MCU. But while he's managed to take home a shield, he still needs to get his hands on a full costume.


If Marvel Studios ends up coming through for Chris Evans and granting him a Captain America costume, one had to wonder which suit will be selected. There have been a ton of very different suits over the years, so will Evans get to pick? And will it be a classic Phase 1 costume, or the more gritty versions from Phase Three?




Captain America's suits very closely resembled the comics during his early appearances in Captain America: The First Avenger and The Avengers. They were bright and colorful, and even featured his iconic little wings on his headpiece. But as the MCU began growing, Cap's suits got more tactical and armored. And when we eventually saw him in Infinity War, the suit was badly damaged from his years on the run.


The surviving heroes including Cap will be getting fancy matching suits in Avengers: Endgame, as seen in the final trailer. But his classic costume is also shown, so it should be interesting to see where The Russo Brothers take the character for his final outing.


Avengers: Endgame will arrive in theaters on April 26th. In the meantime, check out our 2019 release list to plan your next trip to the movies.



 

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