See The Lion King Actors Alongside Their New Characters

See The Lion King Actors Alongside Their New Characters

Can you believe we're only 50 days out from The Lion King's big 'live-action' debut? Director Jon Favreau, armed with one of Disney's biggest animated hits of all time and a couple surprises up his sleeve, is about to test that Mouse House magic once again with a remake of this famed film from the '90s.

To celebrate this occasion, the studio has issued brand new posters of the new photo-realistic versions of your favorite characters from The Lion King. And in an interesting exercise, we placed those new character renderings next to their respective voice actors for comparison. See how the circle of life has spun its magic as we work through the list, starting with Simba himself.

Simba – Donald Glover

First off, let it be said that the family resemblance between older Simba and Mufasa is pitch perfect in terms of their new photo-real lion forms. Keep that in mind when you get to Mufasa further down the line, but for now let's get back to the future king. Donald Glover has assumed the vocal responsibilities for the new version of The Lion King, and if they can animate a smile that matches half of his charming grin onto that new form, it'll be a historic achievement.

Nala – Beyonce Knowles-Carter

While The Lion King's cast is definitely supposed to resemble a sort of hybrid between actor and animal, Beyonce and Nala are a pretty fine character match. Both have that regal air about them, and we wouldn't be surprised if after all is said and done, Nala starts to take after her real life counterpart by ruling with firm formation.

Mufasa – James Earl Jones

As the only returning cast member from the original Lion King cast, James Earl Jones will once again play Mufasa. But don't let the translation of Mufasa's looks into a more standard lion form fool you, Jones has indeed recorded all brand new vocals for the remake; even if the material is pretty close to what he had back in 1994. So that warm, authoritative voice will have a brand new animated face to speak out of, with new pearls of wisdom to boot.

Sarabi – Alfre Woodard

As the matriarch of the Pride Rock royal family, Sarabi is played in the modern Lion King cast by none other than legendary actor Alfre Woodard. Looking at both Woodard and Sarabi, there's definitely a similarity between the actor's face and the characters. But strangely enough, a case could be made to say that Simba's grown form gets his eyes from his father, but his finer facial features from his mother.

Scar – Chiwetel Ejiofor

Now here's where we run into a big point of push back between the fans and the animators. With the stellar casting of Chiwetel Ejiofor suiting the role of Simba's evil uncle Scar to a tee, there are some arguments as to whether or not the live-action rendering of this Lion King baddie does the original justice. Sure, he has the characteristically pronounced scar on his face, but depending on if you're a purist or not, the lack of a black mane or sparkling green eyes will have some prepared to accept and others to reject this variant.

Timon – Billy Eichner

Looking at the full poster for Timon's new Lion King makeover, it's comical how his character is proportioned on his one-sheet versus the rest of the cast. While most others have close ups that span between the title block and the character credit at the top, Billy Eichner's neurotic guru of the jungle is not so lucky, what with meerkats being of smaller stature than most of the other characters on display. Though, to be fair, that just lends to his credibility as an adorable singing dispensary of wisdom.

Pumbaa – Seth Rogen

The folks at Disney are really nailing it with Seth Rogen's Pumbaa, as The Lion King's better half to Billy Eichner's Timon looks like another one of those renderings that captures the spirt of character and performance perfectly. What's even funnier is the fact that when it comes to Rogen's smile, as well as the texture of his hair, Pumbaa seems to be a spiritual match, which will probably make him even more emotional about taking his place in Disney history.

Zazu – John Oliver

While you can't make a Hornbill look perfectly like John Oliver, at least not without some serious explaining to do, Zazu's new look in The Lion King is exactly what you'd expect when it comes to the king's majordomo. An air of informative wisdom and self-serious behavior show in both Oliver and his animated avatar, which has us thinking that if HBO and Disney could be the best of friends for one night, we could get an episode of Last Week Tonight in Pride Rock with Zazu.

Rafiki – John Kani

Wise counsel to Mufasa, and later Simba, in matters of Pride Rock, Rafiki's life lessons and blessings unify the royal family in their fates, and bring Simba back to his homeland when it needs him the most. Black Panther's John Kani plays the role of the shrewd baboon, who's always ready to literally knock some sense into someone in their darkest hour. Honestly, out of all of the characters we've seen so far, the resemblance between Kani and Rafiki is so close it's awe inspiring.

Young Simba – JD McCrary

We close out our cast rundown from The Lion King with the youngest characters in the main cast, young Simba and Nala. In the case of the young cat who wants to be king, recording artist and actor JD McCrary is the guy with the skills to bring Simba's cub days to life. And much like that little lion who will ascend to the throne, Mr. McCrary matches the light, eager energy that we know Simba to radiate in this part of his journey.

Young Nala – Shahadi Wright Joseph

Simba and Nala: a pair as iconic as any you could dream of from Disney storytelling. Just as it's important to see Simba go from wild eyed wander to restless voyager, we need to see Nala go from partner-in-crime to a stalwart supporter against Scar's legion. You can see both in the expression of the lion component of Nala, and you'll surely be able to hear it in not only Beyonce's adult version of the character, but also in Us star Shahadi Wright Joseph's performance as young Nala.

Remaking The Lion King is a task that could go either wonderfully right or horribly wrong. From the looks of the characters we're seeing come to the screen in these images, it looks like things are trending towards the better. If that's not Disney magic, then we don't know what is.

The Lion King graces Pride Rock with its presence, and that modern Disney magic, on July 19.

Godzilla: King Of The Monsters Production Designer Really Doesn't Want To F-Up The Monsters

Godzilla: King Of The Monsters Production Designer Really Doesn't Want To F-Up The Monsters

Although it is perhaps for the best, there are sadly no real titans that can be trained to battle for our cinematic enjoyment. That means that a whole lot of people need to put in a lot of work to bring these kaiju to life on the big screen for a movie like Godzilla: King of the Monsters. One of those people is production designer Scott Chambliss, who spoke about his role on the film and the guiding principle to not screw things up, saying:

It’s one of the interesting things for me in my career. It’s, of course, creating the environments for the story of the movie, but also I was hired to be the ringleader of the design team that we brought on to collaborate on the updating of the monsters themselves and, to me, is very exciting ... As part of a design team, none of us wanna fuck it up.

Not wanting to fuck it up is probably a pretty good objective to have in any creative endeavor, but especially one like Godzilla: King of the Monsters, where the potential to do just that is so high. Scott Chambliss wasn’t just in charge of creating the world of the film as production designer, he also had the responsibility of shepherding the design team through the process of updating the look of the monsters.

As Scott Chambliss told Forbes, updating and designing these awesome monsters that are what people pay to see was really exciting-- but it also carries with it a huge degree of responsibility. Neither he nor the rest of the design team wanted to fuck it up and that is not as easy as it sounds, as he explained:

The challenge of trying to remain true at our core to the designs of these original monsters that people really hold dear in their hearts, but also bringing them up to date in a way that honors their past, but feels much more contemporary, not only technologically, but in terms of how monsters function in movies as characters. We focused a lot of design attention on what the environment in terms of how all the monsters are affecting it, whether they’re directly or indirectly affecting it and what, visually, their place is in [the] world and what sort of natural elements they represent.

It’s one thing to design a new character, but another entirely to depict an iconic one that audiences have known for decades in a new way. That’s why things like the casting for the next James Bond or the design of superhero costumes are subject to such scrutiny. People have very high and specific expectations that must be met and that holds true for the monsters of Godzilla 2, some of which have existed since the 1950s.

The creatures in Godzilla: King of the Monsters couldn’t look totally different than their previous iterations, because fans of the property already have basic ideas in their heads of what Mothra, Rodan and Ghidorah look like. So Ghidorah can’t have 1 head or 8 and Mothra can’t have bat wings. They need to stay true to the things that made them iconic in the first place.

But these giant monsters had to be designed to fit within the world and aesthetic of the current iteration of the franchise and also be updated to appeal to modern sensibilities. Scott Chambliss previously spoke to CinemaBlend about this topic and how difficult it was to design Mothra for Godzilla: King of the Monsters. They wanted to make her truly feminine and graceful, but also frightening and powerful and it is quite a challenge to find the design that fits that balance.

Therefore it wasn’t as simple as a technological facelift using current CGI technology. For Scott Chambliss, that was the needle that had to be thread with the monster designs for Godzilla: King of the Monsters.

I also found it interesting that he wanted look at the monsters as characters and having visual representation of how they interact with their environment and what elements they represent. In the trailers, Mothra has this ethereal glow to her and King Ghidorah has this charged electricity around him, so perhaps those traits are a reflection of those efforts.

Godzilla: King of the Monsters is tracking to make between $40 million and $60 million opening weekend and if the early reactions to the film are any indication, they didn’t fuck it up. Godzilla: King of the Monsters opens in theaters on May 31. Check out our 2019 Release Schedule for all of this summers biggest movies.

The Original Scooby Doo Actors Had A Mixed Reaction To The New Cast

The Original Scooby Doo Actors Had A Mixed Reaction To The New Cast

No pop culture property is going to remain dormant for too long when Hollywood has the opportunity to use it. It's been 15 years since popular 1970s animated character Scooby-Doo and his mystery solving buddies were on the big screen, and that's more enough time to justify a reboot. A new animated film is on the way, and some of the actors from the early-2000s live-action version have feelings. Matthew Lillard, who played Shaggy, is more than a little upset to discover that he's being replaced, and also annoyed he didn't get any sort of a heads up.

Last week it was announced that a new animated Scooby-Doo movie was being produced with names like Will Forte and Gina Rodriguez attached to voice the familiar characters that we all remember from the various versions of the cartoon show that started in 1969 and has existed in one form or another ever since.

Of course, for fans of a certain age, the most well-known version of these characters may have come from a pair of live-action movies. The first was released in 2002 and, while it wasn't exactly a critical darling, it ended up grossing over $270 million around the world. That was good enough to spawn the sequel, 2004's Scooby-Doo 2: Monsters Unleashed.

While it seemed highly unlikely that we were ever going to get another live-action Scooby-Doo at this point, at least with the same cast, it wouldn't be the first time that a franchise was brought back after a long hiatus. The one thing a reboot does do is seemingly make that even less likely as we rarely see a franchise go backwards, though that can happen too.

As with any reboot scenario, there are fans that are less than thrilled to learn of it. There's often a feeling that a reboot, simply by existing, is a slight to whatever came before.

Not everybody, however, seems to be too bent out of shape over the reboot. Freddie Prinze Jr. who played Fred in the live-action film, alongside wife Sarah Michelle Geller as Daphne, seems to be taking it all in stride. He's glad Scooby-Doo is making it to the screen in some form for a new generation to enjoy.

While the new movie won't have any connection to the live-action films, it will be connected to the animated characters. Frank Welker has been the voice of Scooby-Doo himself since 2002, and he'll reprise his role in the new film, so this new movie isn't entirely without pedigree.

While the main cast of the new film has been revealed, maybe the previously actors could get voice cameos as a nice nod to their previous work. We'll have to wait and see. The new Scooby-Doo and company is set to bow in May of 2020.

Detective Pikachu Cinematographer ‘Is So Glad’ He Turned Down Sonic The Hedgehog

Detective Pikachu Cinematographer ‘Is So Glad’ He Turned Down Sonic The Hedgehog

If you logged on to the internet in the past few days or glanced at the image above, then you’ve likely witnessed some of the anxieties many fans have dealt with about the upcoming live-action Sonic the Hedgehog release. The first trailer for the video game adaptation was packed with odd moments, between the use of Coolio’s “Gangsta’s Paradise” to soundtrack the introduction, to the iconic blue hedgehog having human-like teeth and being an alien now.

At least one person out there gave one big sigh of relief upon witnessing the early look at Sonic the Hedgehog in all its glory: Detective Pikachu cinematographer, John Mathieson. Here’s what he had to say:

Funny enough, I was offered [Sonic the Hedgehog] and after watching the trailer I thought I’m so glad we don’t look like that.

That’s some shade! Mathieson is an experienced cinematographer who has worked on fan favorites such as Logan and X-Men: First Class, and has earned Oscars nominations for his photography on The Phantom of the Opera and Gladiator. The filmmaker is certainly feeling like he dodged a bullet right about now. He attributes the difference between his video game adaptation of Pokemon and Sonic by the fact that he opted to shoot the former on traditional film. Check out more of his words to Newsweek below:

If all we’re talking about is how these two films look, our film is better than Sonic the Hedgehog and I’m sorry, I don’t care who I upset by saying that, but I think it looks better. There’s no reason why you can’t shoot a film like [Detective Pikachu] or Sonic the Hedgehog on film. If you had, [Sonic the Hedgehog] would look more realistic. I look at Sonic the Hedgehog and I just go ‘yeah whatever.’

It is unlikely that shooting on film instead of digital would have made a difference regarding fans’ most popular gripe with Sonic the Hedgehog: the character design of the ‘90s icon. Some artists have even gone so far as to take matters into their own hands and rework some of the images. Take a look this one from Twitter user @EdwardPun1:

John Mathieson said the contrast in colors between Detective Pikachu and Sonic the Hedgehog makes a difference, especially since shooting a movie on digital film doesn’t capture colors such as blues and reds as well. The look of Pikachu is certainly more stylized and true to the character fans know and love. Just look at this fluffy pika-pika voiced by Ryan Reynolds:

Detective Pikachu has screened for critics ahead of its release on May 10 and the response has been positive, but before that, the movie had also been marketed in a way that has drummed up positive buzz with its first trailer. At this point, Sonic the Hedgehog won’t likely go down the same road when it hits theaters on November 8.

Tim Allen Warned Tom Hanks About Toy Story 4's Emotional Ending

Tim Allen Warned Tom Hanks About Toy Story 4's Emotional Ending

At this point, it is basically a given that Pixar movies are going to make you cry. The tear-jerking nature of these films is so well established that a box of tissues could replace Luxo Jr. as the company’s mascot. This holds especially true for Pixar’s Toy Story franchise, and I think most of us expected this summer’s Toy Story 4 to continue this trend, but it may be even worse than we feared.

Toy Story 4’s voice actors didn’t record their dialogue together at the same time, so some actors got to the end before their co-stars. That resulted in Buzz Lightyear actor Tim Allen actually warning Tom Hanks about the film’s emotional ending, as the Woody actor explained:

This is the end of the series and I had gotten some texts from Tim Allen. These texts that say, ‘Have you recorded yet? Have you been in? Have you had a session yet?’ I said, 'No, not yet.’ [Allen says] ‘Wait until you see those last pages. Tough one, tough one.’

That, folks, is not a good sign if you were hoping to leave the theater dry-eyed come this June. As Tom Hanks told Ellen on The Ellen Show, Tim Allen actually texted him to see if he had recorded yet, presumably to gauge his reaction. When he found out that he hadn’t, he warned Tom Hanks about the script’s last pages, to help prepare his co-star for the film’s emotional ending.

The fact that the ending was so emotional that Tim Allen felt compelled to see what his co-star thought and then warned him about it means that it must be a doozy. I also like how Tim Allen’s warning of the ending amounts to “Tough one.” The terse response is fitting for the actor, and although I expect his diction wildly undersells it, this is probably Tim Allen’s way of saying that the ending is heart wrenching.

Tom Hanks went on to concur with Tim Allen’s sentiment once he reached those last pages. Those final recording sessions were particularly emotional, as the actor went on to say:

We’re saying goodbye to Woody and Buzz and Bonnie’s room and Andy and everybody. It was emotional.

Come on, Tom, let us at least go into the theater without tears in our eyes. The way Tom Hanks describes the experience of finishing up the film definitely makes it seem like this could be the final Toy Story movie and the end of the series. That would mean saying goodbye to a series and characters that many of us grew up with and have known for over two decades.

We once thought that Toy Story 3 was the end, and as such that ending was like a punch to the face. If Toy Story 4 is indeed the end or at least feels like it, as it apparently did for Tom Hanks, I expect its ending to be just as brutal.

Of course, as I said, we once thought that Toy Story 3 was the end of the series, even if those at Pixar didn’t. We’ve heard that the ending of Toy Story 4 would be a satisfying conclusion if it is the final Toy Story film. And given that Toy Story 4 will be Pixar’s last sequel for a while, it could still feel like the end, even if we find out years from now that it’s not.

Join the rest of the masochists when Toy Story 4 opens in theaters on June 21. Check out our 2019 Release Schedule to keep track of all the big movies headed your way this summer.

A ‘Happy Ending’ For John Wick? Keanu Reeves And His Director Have Thoughts

A ‘Happy Ending’ For John Wick? Keanu Reeves And His Director Have Thoughts

Warning: SPOILERS for John Wick: Chapter 3 – Parabellum are in play. If you haven’t seen the film yet, consider this message your head start. Bookmark this story, and come back once you’ve closed the contract.

The John Wick series is known for its spectacular stunt work, its neo-noir storytelling sensibilities and its usage of star Keanu Reeves as the ultimate angel of death. But what the series, now entering its third time at the box office with this weekend’s John Wick: Chapter 3 – Parabellum, hasn’t been known for is its happy endings.

If anything, the ending for the first John Wick movie represents the closest thing to an upbeat curtain call, with John busting his current pet companion out of the pound. But in terms of the last two chapters, the endings have made things more complicated for John and his navigation of the underworld ruled by The High Table. With such stakes, could there ever be hope for a happy ending in John’s eventual future?

That was one of the questions that CinemaBlend got to ask both Keanu Reeves and director Chad Stahelski during the press day for John Wick: Chapter 3 – Parabellum, and both of their answers pointed towards a similar direction. Starting with Stahelski’s answer to the question of whether or not the John Wick series is working towards a finite end feels like a good launching point, as he had the following point blank response to that question:

Honestly, we kind of took the whole idea of the John Wick universe from Greek mythology, and a more fable-istic kind of telling. I don’t think John will ever really have a happy ending.

Frankly, not only has the mythological influence on John Wick’s franchise been pretty solid, it’s set the table for that very sort of ending with each passing installment. Were the series to have been a one-and-done quest for revenge, the ending of that first film could have served as the emotionally upbeat, but still dour coda to John’s bloodlust.

That being said, how many Greek myths do you know of that have a happy ending? Much like any hero worth their legend, John Wick’s enduring reputation still makes him a target to some, a valuable asset to others and a huge liability to the likes of the mythical High Table that rule the world he operates in.

So it’s obviously going to be very hard to get John Wick out of the life he impossibly escaped from previously, and no one understands that better than the man himself, Keanu Reeves. He said as much during his turn to answer the question of where John’s fate may take him, even after John Wick: Chapter 3 – Parabellum put him through the ringer, as he provided the following thoughts:

A happy ending? You know, I’ve never seen that one. And whenever I think about it, it doesn’t go… I mean, it either goes to dying or being alone. But I guess that happens to everybody.

Hearing Keanu Reeves himself say that he can’t really think of an ending for John Wick that doesn’t conclude in death or isolation may sound like a bummer on the outset. Obviously death isn’t the most ideal circumstance for John, as his vengeance has been had for some time now, and the only real threat to him is an escalating set of circumstances that make it harder for him to make it through the day.

But if you’ve read the actor’s previous thoughts on just what should happen with his action powerhouse of a character and really look into what he’s saying, there’s a chance for happiness yet. In another recent interview, Keanu Reeves mentioned that his ideal ending for John Wick’s story would, in fact, see him alive and victorious as he can still live in the memory of his beloved wife, Helen.

That doesn’t necessarily mean that he has to be surrounded by friends in the end, as John’s survival will more than likely take out as many allies as it will enemies. Ultimately, the simplest and happiest ending for John might be to just walk away from the wreckage and settle down to a more normal life away from it all.

You can watch Keanu Reeves and his John Wick: Chapter 3 – Parabellum director Chad Stahelski discuss their individual answers, in the video from our interviews below:

The end point of the John Wick universe isn’t written yet, and if this weekend’s release of the third chapter has anything to say about it, that ending won’t be happening until a couple installments have come and gone. We’ll see where things go from here, but for now, you can enjoy John Wick: Chapter 3 – Parabellum at a local theater near you.

Moana Soundtrack Vs Frozen Soundtrack: Which Disney Movie Has Better Songs And Lyrics

Moana Soundtrack Vs Frozen Soundtrack: Which Disney Movie Has Better Songs And Lyrics

While Disney animation has had more than its share of hits over the years, there's been nothing quite like Frozen. It's the highest-grossing animated movie around the world the studio has ever had. While a great deal of that success comes from the film's story, which subverts many of Disney's own tropes, you can't overlook the importance of the music in Frozen either.

The soundtrack to Frozen became the first soundtrack album to accumulate one million downloads. It's incredibly successful, but is it actually the best Disney soundtrack?

A couple of years after Frozen, Disney's next "princess" would debut on the big screen in Moana. While Moana would not set the records that Frozen did, it still became an incredibly popular film, in large part because of its music. Let's take a look at the soundtracks and see which one truly is the best.

Frozen Soundtrack

Let It Go: You can't talk about Frozen without discussing "Let it Go." The song is far and away the biggest hit in either movie from a popularity standpoint. There's a reason for that: it's really, really good. Elsa sings the song after leaving home as she decides that she's going to embrace her magic rather than hide it. It's an anthem and it's an inspiring song as any song of this ilk should be.

Do You Want To Build A Snowman?: One of the earliest songs heard in Frozen, "Do You Want to Build a Snowman" is the song the movie uses to jump us forward in time. After Elsa has been sequestered away, Anna sings it as she tries to reconnect with her sister. It's an interesting song because what starts out as the fun and lighthearted romp from a child transforms over the course of the song into an absolutely melancholy tune sung be a young woman. The question, "do you want to build a snowman?" starts out as a joyous invitation and becomes a tearful plea.

For The First Time In Forever: Every great animated Disney movie, and most musicals in general, have what's called the "I Want" song. The song in which the protagonist sings about their dreams which will drive the plot of the story. In Frozen, that song is "For the First Time in Forever." It's mostly sung by Anna as she revels in the excitement of seeing the castle gates opened for the first time in years. However, it also shows us what Elsa wants, which is for all this to just end, showing how the sisters will conflict later in the story.

Love Is An Open Door: Sung by Anna and her new beau Hans, "Love is Open Door" is one of the more interesting pieces of music in Frozen because it fulfills two roles that we normally see songs have in Disney movies. First, it's the love song, as the pair sing about how they're falling in love with each other. However, it's also the villain song. Disney villains almost always get great songs to sing and if you pay attention to the lyrics, you realize that what Hans is really saying is that Anna's love is an opportunity that he can take advantage of.

In Summer: Whether you like or loath "In Summer" is going to depend entirely on how you feel about Olaf the Snowman as a character. Olaf's childlike innocence might not work for everybody, but for those who would like to give Olaf a warm hug, the song is great. The boundless enthusiasm Olaf has for something he knows nothing about, the heat of summer, is hilarious and the tune has the wittiest lyrics of any song on the Frozen soundtrack.

Fixer Upper: The final song to appear in Frozen is sung by the side characters the trolls. It sort of works like a secondary love song, though it's played exclusively for laughs rather than to build romance in any meaningful way. It's a cute tune with some funny lines, but it's probably not anybody's favorite song.

Frozen Heart: The first song in Frozen is an underrated tune because it's the one that actually sets the tone for the entire movie. "Frozen Heart" opens the entire movie as a group of men sing while they work harvesting ice. The booming male voices off set the female voices that dominate the rest of the film. And the song's repeated title line "beware the frozen heart" hints at the larger conflicts that will come later in the movie.

For The First Time In Forever (Reprise): The reprise of "For the First Time in Forever" is the moment when Anna realizes that her sister truly needs her help. Elsa only wants Anna to go away, continuing to believe that's the only way to keep her safe. It's a brief interlude but an interesting juxtaposition on the previous version of the song.

Reindeer(s) Are Better Than People: It's brief and its silly, but it's also fun. Frozen doesn't have talking animals the way many Disney movies do, so when it comes to Sven, Kristoff speaks for him. Kristoff performs the song as entertainment for himself and his reindeer while they find a place to sleep for the night.

Moana Soundtrack

How Far I'll Go: "How Far I'll Go" is Moana's "I want" song. It's all about the call the young Moana feels pulling toward the ocean. What makes this song a bit more unique in Disney history is that Moana is more torn than the usual Disney heroine. She knows she has responsibilities at home and she wants to live up to those responsibilities. She doesn't want to leave her life behind, she wants both, and she's not sure how to make that happen. She almost wishes she didn't feel the need to voyage, but she just can't help it.

You're Welcome: Who would ever guess that one of the catchiest Disney songs in recent memory would come from The Rock? And yet, Maui's one solo tune in Moana, "You're Welcome" is the biggest ear worm on the Moana soundtrack. It's got a great tune and punchy lyrics, and isn't short on ego, so of course it works for The Rock.

Shiny: Moana doesn't have a traditional villain that our heroes battle and defeat at the end of the story, so the closest thing to a villain song comes from the giant crab Tamatoa voiced by Flight of the Conchord's Jemaine Clement. It's the biggest musical number in the film and Clement owns the performance, going full glam rock with it.

Where You Are: "Where You Are" is the Moana song that gives you all the backstory you need to understand the story. In just a few minutes you have a complete understanding of Moana's life on the island. We learn what is expected of her, and begin to see that she's conflicted about it. It's got a great melody, too. Similar to one of Frozen's songs, it take us through multiple time periods, and emotions, from the beginning to the end.

We Know the Way: Sung by the great Opetaia Foa'i and Lin-Manuel Miranda, who co-wrote much of the Moana soundtrack, the song comes in two parts. One part is a combination of Samoan and Tokelauan, and the other half is written in English. It's a great piece that uses native languages of the South Pacific in order to properly set the story. It's a wide, sweeping, and open song that feels like you're traveling the wide open ocean.

How Far I'll Go (Reprise): While the original rendition of the song is girl conflicted about what the right choice is, the reprise to "How Far I'll Go" is a woman who has made her choice. She's both excited to be setting off on her journey and determined due to its nature. There's no turning back from this moment and you can feel it in the way Moana sings.

I Am Moana (Song of the Ancestors): At her darkest point, Moana is visited by the spirit of her grandmother. Finally, Moana's torn soul -- that wants to help her and also travel the sea -- finds peace by realizing that she can do both. She understands who she is now, and she chooses to continue her journey. It's an incredible song that will stir something inside you every time you hear it.

We Know the Way (Finale): Moana's finale piece is a return to the voice of Lin-Manuel Miranda in a triumphant finale song that seems Moana and her family traveling the oceans looking for new islands to settle. Moana's people have entered a new era in their lives and Moana is the reason.

An Innocent Warrior: "An Innocent Warrior" probably isn't a song you're going to sing in the car unless you're fluent in several polynesian languages, but the fact that you don't know the words doesn't make the song any less beautiful. Played as Moana has her first encounter with the ocean as a living entity, we see the baby Moana having fun playing with the water, but while she is playing the lyrics of the song tell us about the journey that stands in front of the girl and how important it will be.

Logo Te Pate: Another song you can't sing along to unless you speak Tokelauan, "Logo Te Pate" is the montage song that plays over a collection of scenes that shows Maui training Moana to become a wayfinder. It's an upbeat number and the lyrics, even if you don't understand them, give you a feeling of excitement. We know things are looking better for our heroes.

Know Who You Are: All of Moana is about the title character finding out who she is. In the end, success in her quest comes from helping somebody else find themselves. Te Fiti, whose heart Moana needs to restore, is also the monster who has been blocking Moana's path. The young girl finally realizes this and we get a soulful song that's liable to bring a tear to your eye.

Tulou Tagaloa: The first song of Moana is only played over the opening Disney logos, and isn't technically part of the movie, but it is part of the soundtrack, and it's a lovely (albeit brief) tune. Translated from Samoan, the lyrics are about welcoming you so that you may witness and understand how beautiful this world is, make this song the perfect way to start the story of Moana.

Which One Is Better?

This certainly is a tough call. With Frozen you have one of the most iconic songs that Disney has ever produced in "Let it Go" and if we were judging based on which soundtrack at the best single song, that would determine our winner.

However, when taken as a complete soundtrack, the edge has to go to Moana over Frozen. Everything on the Frozen soundtrack feels like something that would belong at home on the Broadway stage, and of course, Frozen is now a successful Broadway show as well as a movie, and while that's not a bad thing by itself, Moana's soundtrack just has more variety.

In addition, the fact that the lyrics to many of Moana's songs include actual Polynesian lyrics, gives the songs a better sense of place. No matter when or how you hear the soundtrack to Moana, you feel like you've been transported back to the movie when you hear somebody sing in Tokelauan.

Both Frozen Moana have soundtracks that will undoubtedly stand the test of time. But in my opinion, Moana's is ever-so-slightly better.