Avatar's Box Office Record Is Even More Impressive After Avengers: Endgame

Avatar's Box Office Record Is Even More Impressive After Avengers: Endgame

There has not been a movie event in our lifetimes quite like Avengers: Endgame. No amount of pie-in-the-sky box office forecasting or broken pre-sales records could have prepared the industry or us for the opening weekend of Marvel’s culmination film. By the time all the money was counted on Monday morning, Avengers: Endgame had obliterated the domestic opening weekend box office record by nearly $100 million and left a sea of exhausted movie theater employees in its wake.

Avengers: Endgame shot off like a rocket and the domestic opening weekend record was just the first major victim to fall to Marvel’s decade-in-the-making achievement. One by one, the Russo Brothers film climbed the box office charts, breaking records and felling many other massive movies, including those of the MCU, on its way to the top. Records are made to be broken, and like a blow from Stormbreaker, Endgame has done plenty of breaking.

But there is one record in particular left to break. One record that cements a movie as the biggest ever and the all-time box office champ. One film that stands alone. That record is for the worldwide box office gross, and it belongs to James Cameron’s Avatar.

After an opening weekend that got it over 40% of the way there, and after it sunk James Cameron’s other box office stalwart Titanic, it seemed to many like it was a matter of ‘if’, not ‘when’ Avengers: Endgame would break Avatar’s record. That inevitability might have been premature though.

Avengers: Endgame currently sits at $2.713 billion worldwide, but Forbes’ Scott Mendelsohn does not see it having enough juice to make it to the $2.788 billion and beyond needed to match Avatar and claim the worldwide box office crown. Instead, he predicts that it will top out at a staggering, but still second-place, total $2.766 billion.

It is still a monumental achievement and no one involved has anything to hang their heads over if the film has to ‘settle’ for being 2nd to James Cameron’s 2009 film. Yet, regardless of whether the MCU film ultimately claims the top spot on the worldwide charts or comes up just short, Avatar’s box office record is even more impressive after Avengers: Endgame.

I think we sometimes hand wave Avatar’s record and take it for granted because it has become a constant in our minds. We all know that Avatar is the biggest movie of all time, but the abstract nature of that fact has made it seem at times less like something that the film achieved and more like something that just is. That detracts from how impressive its run really was.

First, it must be addressed how long Avatar’s record has lasted. Avatar was released in December of 2009 and since it ended Titanic’s reign at the top, it has never once been so much as threatened until Avengers: Endgame. That’s nearly a decade of dominance where the biggest films Hollywood could muster all failed to even sniff Avatar’s record.

The Na’vi held off the reboot of the Jurassic Park franchise, a franchise whose original 1993 film once held the worldwide record before Titanic. The end of Harry Potter, the animated phenomenon Frozen and the MCU’s finest and biggest films all fell short. Even the return of Star Wars, an incredible cultural and cinematic moment, with Star Wars: The Force Awakens, wasn’t enough.

Hollywood may have become more myopically focused on tentpole blockbusters since 2009, but in that time it still couldn’t craft one that could to bring down Toruk Makto. And if Avengers: Endgame too falls short, Avatar’s long reign will continue on.

Domestically, Avengers: Endgame beat Avatar and currently sits at $815.7 million according to Box Office Mojo. That makes it the second film, after Star Wars: The Force Awakens (which made $936.7 million domestically, a record Endgame definitely won’t be beating) to best Avatar’s $760.5 million take.

Consider this though: Avatar got to $760.5 million domestically and that current Number 3 spot with a max domestic theater count of 3,461. At the height of its run Avengers: Endgame enjoyed a theater count of 4,662. That’s over 1,200 more theaters than Avatar had to achieve what it did. And according to the National Association of Theater Owners, the average U.S. ticket price was $7.50 in 2009 versus $9.11 last year.

Inflation means that movie tickets were less in 2009, which would be to Avatar’s benefit, but James Cameron’s movie was also the first, and arguably last, 3D event, and thus demanded premium ticket prices from audiences wanting the full experience. So to be fair, that issue gets a bit financially muddled. And domestically, when adjusted for inflation, the movie that sold the most tickets and remains and will forever remain the GOAT is Gone With the Wind.

Also, while Endgame started out with a massive bang at the box office that got it a lot of its haul very quickly, it also burned out faster. Whereas Avatar was a slow burn at the box office, with small percentage drops week to week that saw it methodically build its total. Avatar did also have a special edition re-release in the summer of 2010 that added $10.74 million domestically to its final tally.

Endgame debuted with a stunning $357.1 million and held on to the top spot on the domestic charts for 3 weeks. Avatar didn’t even crack $100 million opening weekend, making $77 million. That puts it in 97th place for opening weekends. But it stayed in first place for seven straight weeks and didn’t leave the top 10 until week 15. That’s crazy, and internationally Avatar’s accomplishments are just as impressive.

Avengers: Endgame has opened to a record $866.5 million overseas and to date has made $1.897 billion. Compare that with Avatar, which opened to a meager $164.5 million and went on to make $2.029 billion. And although blockbusters often make a huge chunk of their gross internationally, the foreign box office of 2009 wasn’t what it is today.

We often cite the ever-growing importance of the China market for Hollywood films, but Avatar only made $204.1 million there. That’s because back then China only had less than 5,000 movie theater screens. Today the Middle Kingdom has around 60,000 according to The Washington Post. That incredible market growth has given blockbusters like Avengers: Endgame greater opportunity to make money. Endgame did just that, with $614.3 million in China so far, triple what Avatar did.

More screens equals more money, and because it played on fewer screens worldwide, Avatar had to do more with less, which makes the fact that it is still Number 1, whether it stays that way or not, all the more impressive.

Those are all just quantitative measures though and when you consider the qualitative factors of Avengers: Endgame and Avatar, the latter’s worldwide record is even more admirable.

While we sing the praises of Avatar’s record, it must be said that for all the factors like inflation and theater count, James Cameron’s film did have some distinct advantages that Avengers: Endgame did not enjoy. The most obvious of those is that Avatar released in December of 2009, years before studios decided on a year-round blockbuster season. That’s something Avatar arguably started, Disney continued with Star Wars and will soon alternate holiday seasons between Star Wars movies and the Avatar sequels.

In the weeks and months that followed Avatar’s release, Sherlock Holmes, The Book of Eli, The Wolfman, Percy Jackson & The Olympians: The Lightning Thief and Dear John were released. It wasn’t really until March of 2010 when a true blockbuster arrived in the form of Alice in Wonderland. Endgame was given no such quarter, with Detective Pikachu, John Wick: Chapter 3 – Parabellum, Aladdin and Godzilla: King of the Monsters all following in the month or so after its release.

Nevertheless, despite its advantageous release month, Avatar still had more work to do than Endgame to reach the heights it did. Avatar was an original movie, from the filmmaker who made Titanic sure, but it had no real star power beyond James Cameron and Sigourney Weaver in a supporting role. We’ve seen other original sci-fi blockbusters from name filmmakers and some with even more star power fail to launch, and Avatar could have easily gone the way of Jupiter Ascending.

It had to succeed by selling audiences through its marketing and in the theater, and it did so with fantastic word of mouth and repeat viewings from audiences that fell in love with the spectacle of the film and wanted to live in Pandora.

Conversely, Avengers: Endgame was always guaranteed to be huge. Before we saw the first trailer, I’d say it had a good chance to snag the opening weekend record. That’s because it was the culmination of a franchise and characters audiences have invested in for over a decade. Everyone had already made up their minds to see it a long time ago.

It has the powerful Marvel branding and is the biggest film in the MCU, which is the biggest franchise in movie history. Those factors made Avengers: Endgame a true monoculture event that everyone wanted to be a part of, and the frenzy opening weekend is testament to that.

So the fact that it had all that going for it and it still might not surpass Avatar, and if it does it will be close, throws into stark relief just how impressive what Avatar did was. That’s not to take anything away from Avengers: Endgame, which has been a monumental achievement and no matter what film holds the top spot, Disney is the winner in all of this with Fox’s Avatar now under its umbrella.

That Avatar has finally been challenged though shows just how much it takes to beat it and looks to be a truly herculean and perhaps Sisyphean task. The question then becomes, if something like Marvel’s biggest film can’t beat it, can anything?

Sonic The Hedgehog’s Director Promises That Design Changes Are Coming

Sonic The Hedgehog’s Director Promises That Design Changes Are Coming

Two days ago, the first trailer for the Sonic the Hedgehog movie was released, and the reception has… not been stellar, to put it lightly. Most of the backlash has been directed towards Sonic himself, as the Ben Schwartz-voiced version of the Sega character looks radically different than how he’s been traditionally depicted.

Well, don’t let it be said that fan complaints have never resulted in a movie being changed. Sonic the Hedgehog director Jeff Fowler has seen and heard the negative reactions towards the upcoming video game movie, and he’s promised that improvements are on the way. Here’s what Fowler announced to the world:

While I’m usually not a fan of audiences having a say in how an upcoming movie should look or flow, it is rather refreshing to see a creative mind recognize criticism and, rather than continue on full-stream ahead with the original plan, is willing to make adjustments. For Sonic the Hedgehog, one would think that things can only improve from here, although hopefully this doesn’t result in a slippery slope where filmmakers are caving to the demands of the public more often.

It was always going to be a difficult creative endeavor adapting the cartoonish Sonic into a CGI character who looks like he belongs in the “real world,” but it’s safe to say that most people are not digging his humanoid look for the upcoming movie. His human teeth are especially unsettling, but at least Ben Schwartz’s voice is still a good fit for the super fast extraterrestrial rodent.

There’s only six months to go until Sonic the Hedgehog’s release, so it will be interesting to see how much the eponymous character’s design can be changed in that time. It’s doubtful this will be a total overhaul, otherwise the movie would likely need to be pushed back. Ideally whenever the next Sonic the Hedgehog trailer drops, some, if not all of these changes will be noticeable.

If Jeff Fowler and his team are looking for inspiration on how to improve Sonic the Hedgehog’s design, there’s no shortage of fan creations to be found online. For example, here’s one from Twitter user Edward Pun that’s making the rounds:

For his first movie, Sonic finds himself on Earth trying to collect his rings (just like in the video games), evade being captured by the U.S. government and defeat the maniacal Dr. Ivo Robotnik, a.k.a. Dr. Eggman, played by Jim Carrey. Sonic will be aided by James Marsden’s Tom Wachowski, a former officer from the San Francisco Police Department who is now Sheriff of Green Hills, Montana. The movie’s cast also includes Tika Sumpter, Adam Pally and Neal McDonough.

Sonic the Hedgehog races into theaters on November 8, so stay tuned to CinemaBlend for continuing coverage. As for what else is coming out this year, check out our 2019 release schedule.

How Shazam! Changed An Important Sivana Scene During Its Reshoots

How Shazam! Changed An Important Sivana Scene During Its Reshoots

Warning: MAJOR SPOILERS for Shazam! are ahead!

Although the original plan for Shazam! was to have the eponymous protagonist face off against Black Adam, the clash is being saved for the future, as the villain/anti-hero also known as Teth-Adam will first debut in his own movie. Instead, Shazam! used Mark Strong’s Doctor Thaddeus Sivana as its main antagonist, and he definitely showed off his intimidation chops.

This was best demonstrated when Sivana killed everyone inside of a boardroom, including his own brother and father, using the Seven Deadly Sins. As it turns out though, that wasn’t originally the scene that showed just how frightening Sivana could be. I recently spoke with Michel Aller, the editor of Shazam! and frequent collaborator with director David F. Sandberg, and she informed me that during principal photography, Sivana’s display of incredible power happened in a different location. Speaking about the boardroom scene, she said:

It was a later addition. Originally the way Sivana confronts his family was completely different. It was at a Christmas party in his mansion. And so the whole idea of him confronting his family was re-conceived. So that was part of the additional photography.

The Christmas season can be a dramatic time among certain families, but killing your relatives and all the attendees of a holiday party is an entirely different beast. Something like that feels more appropriate during the Airing of Grievances in a Festivus celebration. But as Michel Aller explained to me, during Shazam!’s reshoots phase, it was decided to change things up, which is how the boardroom slaughter came to be.

In case you need a refresher, after Thaddeus Sivana, against the wizard Shazam’s protests, stole the Eye of Sin from the Rock of Eternity and became the new vessel for the Seven Deadly Sins, he traveled to Sivana Industries to confront his father and brother. Both of them had been emotionally abusive towards Thaddeus growing up, with his brother, Sid, blaming him for the accident that paralyzed their father. Now that he had the power to exact revenge, Thaddeus tossed Sid out the window and had the Seven Deadly Sins murder Mr. Sivana and everyone else in the room.

For those curious to see how this massacre was originally supposed to play out at the Christmas party, Michel Aller states that there’s a good chance this will be one of the deleted scenes included on the Shazam! home media release, although obviously the visual effects effects won’t be complete. In her words:

Yeah, I mean, I’ve submitted it and I believe that they’ll include that for sure.

Doctor Sivana didn’t get to enjoy his partnership with the Seven Deadly Sins for very long in Shazam!. Thanks to the World’s Mightiest Mortal and his adoptive siblings, who were able to become superheroes thanks to Billy Batson sharing his power, the Sins were contained back in the Eye of Eternity and redeposited to their prison in the Rock of Eternity, which is now officially the Shazam family’s lair.

However, don’t think this is the last we’ve seen of Sivana in the DC Extended Universe. In the Shazam! mid-credits scene, he was shown obsessively scrawling ancient runes on the walls of his prison cell, desperately trying to go back to Rock of Eternity to reclaim his lost power. However, he was then approached by Mr. Mind, who promised him that there are other ways to obtain power, and by working together, the two of them will be able to conquer the Seven Realms. In other words, Sivana’s days of slaughtering innocents probably aren’t done yet.

Be sure to read CinemaBlend’s review of Shazam! and stay tuned for updates concerning Shazam! 2. In the meantime, catch up on all the other DC movies in development by looking through our handy guide.

Pet Sematary Director Explains Why The Film’s Ending Was Changed

Pet Sematary Director Explains Why The Film’s Ending Was Changed

Warning: SPOILERS for Pet Sematary are discussed in this article. If you haven’t seen the film yet and want to stay unspoiled, please bookmark and come back once you’re current.

In the 2019 remake of Pet Sematary, there’s a pretty big change to how the famed Stephen King story ends. It arrives off the back of a lot of smaller changes that build up to the big finale, with the end result being something so pitch black that it hits harder than the entire third act of the 1983 novel. And as it turns out, there was another ending that was shot and audience tested, which would have been even bleaker, according to the film’s directors.

When speaking in a recent interview about the film, directors Kevin Kölsch and Dennis Widmyer talked about a lot of material that was cut from Pet Sematary’s final cut. Amidst remarks about deleted content that fleshed out the relationships between Louis and Jud, as well as Louis and his daughter Ellie, an entire alternate ending was shot for the film; an ending that, according to Dennis Widmyer’s remarks below, was pretty hard to cut:

That [alternate] ending we shot first, and then we decided, you know, to have this other ending – so the studio could test two different endings…We [edited] them both and both endings [test] scored pretty equally. They’re both disturbing and dark. [But] I would say that the current ending [in the final film] sends off the audience with a smile on its face, while at the same time though, [they’re saying] ‘That was that was messed up!’ Whereas the other one, I don’t think anyone would be smiling. The other one has more of a bleak, kind of sad tone to it.

While we’ve covered the ending of Pet Sematary’s 2019 in depth, here's the short version: Ellie turns out to be the kid who dies in this version, and she comes back to life with a bit of an agenda. That agenda includes killing and resurrecting her mother, who then kills and resurrects her husband. The final shot of the film sees Ellie and her parents returning home, with Church in tow, in order to retrieve the youngest member of their family, Gage.

It can be understood that the filmmakers and studio heads behind Pet Sematary didn’t want to send fans out of the theater with a sense of horrible unease. The subject matter is pretty grim, no matter which version you partake in, and being completely honest, the implication of that ending’s darkness kind of does put a smile on your face in the way that Widmyer specified while speaking to Slashfilm. But if that’s the ending that turned out to be the lighter of the two, what the hell is the other ending supposed to contain?

Frankly, our guess is that it’s ether a slightly extended ending where we see Gage being carried off by his undead family, or it’s something so horrific we haven’t even thought of it yet. If there’s any justice, this curiosity worthy of killing the cat just might lead to the satisfaction of an alternate Blu-ray cut of the film, including all the other content that was hinted at by the directors. But at the very least, the facts that the deleted material is already being teased as being part of the home video release, with the ending hitting the internet shortly before then, is something that does make us happy about this particularly grizzly scenario.

Pet Sematary is in theaters now, with a home video release hinted at some point in July.

Why The Wild Us Theory About The Son Is Probably Wrong

Why The Wild Us Theory About The Son Is Probably Wrong

Warning: spoilers for Us are in play. If you, or your tethered haven't seen the film yet, please bookmark this article, and come back once you've caught up.

You knew this was coming. Whenever a movie like Jordan Peele's Us storms theaters, there are going to be reactions, theories, hot takes, and think pieces dissecting the film's many meanings -- and that's not necessarily a bad thing. A movie such as Us is always going to generate a lot of thought, and tons of opinions as to what's been presented. For example, there's a theory involving the son of the family, played by Evan Alex, and it makes a pretty big implication about his character. Take this as your last warning for spoiler country, as we're about to jump into just what this theory entails, and why it's probably wrong.

The Theory About Jason

First, Young Jason, son to Adelaide and Gabe and brother to Zora, has been theorized to have switched places with his Tethered doppelganger, Pluto. Fans feel that during the events of Us, there was somehow a switch that allowed Pluto to become a secret part of the Wilson family, and the look of understanding with Adelaide, a known underground dweller who swapped places with her surface counterpart, was one of collusion.

Previously, we had already seen a switch between Lupita N'yongo's Adelaide and Red happen during their childhood years, and taking into account the fact that Jason is the only other family member to go into that underground bunker besides his own mother, there's definitely enough material to raise the question. Furthermore, there are a couple of instances where folks may believe that's exactly what the movie is trying to tell them. But does it make sense?

What Led To This Theory

There are two pieces of information that have people thinking Jason and Pluto somehow swapped places, and they're valid concerns. The first supposed clue is, obviously, the fact that Jason and Pluto spend an extended amount of time in the closet of the Wilson family beach house in Us. If you had two characters who look almost identical trapped in a room for a long period, with no one observing them, you wouldn't be wrong to think that maybe a swap had taken place.

But it's the second piece of information that's probably triggering audiences the most. Towards the end of Us, there's a moment where Jason looks at Adelaide with a face of fear and understanding. In that moment, it's presumed that he knows the entire truth about the swap with her surface doppelganger, and her assumption of her identity. Whatever the case, Jason knows something's off, and rather than freak out, he slips his mask back on and stays silent.

There's a case to be made regarding why this theory could be true. Us is the sort of movie that will  lay out the details it has to in order to tell the story, but also doesn' lock them in so tight they can't be interpreted another way. There's enough room for theories, but after really digging into what was shown in the film, as well as piecing together some key details, I believe the theory that Jason and Pluto switched places by the end of the movie is indeed false. While Jason best understands the Tethered, catching on quickly as to who they are and being able to interact with his doppelganger in a meaningful way, he's not one of them.

Why The Son Theory Is Probably Wrong

There are just too many pieces of supporting evidence scattered throughout Us that dictate Jason and Pluto have not switched places. Starting on the surface level, the fact that Jason still has normal speech is an important clue to his true identity. Pluto wouldn't have that sort of capability yet, because as we saw with Adelaide/Red, it takes time for a Tethered to learn how to speak like a normal person. Red couldn't have taught him in that short of a time, and even if she could, Pluto's English wouldn't be passable enough for him to seamlessly integrate into the family. Even with her ability to speak better than the rest of the tethered, Red's speech pattern was altered into a sort of hybrid between surface and Tethered.

While we're on the subject of Red, as we know in her recitation at the Wilson home, her children are monsters that even she has issues with. One of the main points of the narrative thrust in Us is that she wants what Adelaide has, and that includes her family. Red wouldn't have taken Jason if he were Pluto, and his kidnapping takes place right after Pluto incinerates himself in the car fire, with just one child left in play. This is another logistical hurdle the film just doesn't clear to support Pluto being the kid going home at the end.

Most importantly, Pluto has extensive facial scarring, undoubtedly a consequence of his pyromaniacal tendencies. Unless the Tethered have a really good plastic surgeon that can get the job done in an afternoon, or possess some sort of makeup that can erase that sort of scarring very easily, there's no way that Pluto and Jason have done a quick switcharoo. It's this last fact in particular that supports Jason just being himself, able to interact and understand the Tethered best in his family, but ultimately debunking theories that he himself has been swapped out.

Over time, there's always the possibility there are clues in Us that will surface to either reinforce or reexamine the theory that Jason was really swapped for Pluto. Based on the evidence currently observed, I do not think that is the case. That said, if more supporting arguments emerge to support that suggestion, and they pan out, I honestly wouldn't be mad. If Jason and Pluto somehow took a page out of the Prince and the Pauper playbook, it'd be the ultimate statement in Jordan Peele's examination of class warfare by means of infiltration. It'd also be extremely chilling, because then the question of whether we really know the ones we love would be raised with a rather effective exclamation point. For now though, let's consider that theory sent back underground, because it has no place here.

Avengers: Endgame Is Already Breaking Records In China

Avengers: Endgame Is Already Breaking Records In China

Last night Avengers: Endgame had its world premiere in Los Angeles and the early response was overwhelmingly positive. The star-studded cast assembled on the red carpet to see the conclusion the highly-anticipated film that marks the end of an era for the MCU for the first time themselves. Soon enough, the rest of the world will get a chance to see Endgame themselves starting with China’s Wednesday debut to the best opening of all time.

Avengers: Endgame has already shattered pre-sale records for the market, with $90 million in early ticket sales, well over 2018’s Infinity War’s $59 million pre-sale total and the previous record holder Monster Hunt 2 almost $60 million. According to The Hollywood Reporter, after Endgame breaks records for making more than $20 million in midnight previews, it could take $270 million during its five-day debut and make around $450 million by the time it leaves Chinese theaters.

The Marvel film also has the luck of having its second weekend overlap with China’s Labor Day, which gives students and workers time off between Wednesday, May 1 and Saturday, May 4. During this time off, fans from all over China will have more time to go see the epic superhero film, instead of having to skip out on work or school in order to catch the fate of their favorite characters.

Endgame is the conclusion to a 22-film journey across 11 years, which started just at China’s box office boom era, also characterized by the success of Avatar in 3D overseas. The movie of course isn’t only set to do well for itself over in China, but very well break some incredible box office records globally. The Avengers film could pass $800 million worldwide after its first weekend alone, which would be the biggest opening ever.

In the United States, Avengers: Endgame is predicted to see a record-breaking debut of $270 million. The film already sold five times as many advance tickets as Infinity War in first week they went on sale. Since Endgame has been clouded in secrecy since the shocking conclusion of Infinity War, it’s no wonder fans want to go out and it see it especially in its first weekend. The fear of spoilers are certainly in high gear since well... the internet exists and when the movie comes out people will be talking about it left and right.

Avengers: Endgame will follow the superheroes who survived the snap, such as the original six, Nebula, Rocket, Ant-Man, War Machine, Okoye and Captain Marvel who must deal with the aftermath of their failed mission to stop Thanos. Endgame certainly will answer questions about the continuation of the Marvel franchise as well when it hits theaters globally this week.

The Special Way Kevin Smith Is Responding To Captain Marvel's Mallrats Reference

The Special Way Kevin Smith Is Responding To Captain Marvel's Mallrats Reference

Given the recent passing of Stan Lee, many went to see Captain Marvel with a bit of extra anticipation for his cameo, and the film didn't disappoint. Taking advantage of both its 1995 and Los Angeles setting, the blockbuster depicted Lee at a very specific time in his life - specifically when he was preparing to play a small role in the Kevin Smith indie comedy Mallrats. It's a moment that hit Smith very hard emotionally - as seen on social media - and it seems that the impact has gone as far as to have an effect on the in-production Jay And Silent Bob Reboot:

Much like he did with 2001's Jay and Silent Bob Strike Back, Kevin Smith is re-exploring his roots with his latest feature, and you can feel it in this image posted to the filmmaker's personal Twitter page. In the shot we see Jason Lee reprise his Mallrats role, superhero aficionado/former late night host Brodie Bruce, and while it's no surprise that he's in a comic book shop (he owns one in the 2001 feature), what is obviously significant is the fact that he is reaching for Captain Marvel Vol. 10 #1, which just hit shelves this past January.

Despite the fact that he knew about it ahead of time, Kevin Smith was left a blubbering mess by Stan Lee's cameo in Captain Marvel - which sees the comic book legend on a bus practicing lines from a Mallrats script ("Trust me, true believer"). Obviously right now we don't know exactly what Brodie will say when he picks up that issue, but one can probably assume fairly that it will be something positive... even if that isn't super on-brand for the cynical former-basement dweller. It's possible that he's evolved even further beyond who he was when we last saw him 18 years ago.

Written and directed by Kevin Smith, Jay And Silent Bob Reboot reunites audiences with the titular characters (Jason Mewes, Smith) as they go on another adventure to Hollywood in hopes of stopping the new Bluntman and Chronic reboot that is in development. In addition to the lead duo and Jason Lee, the film will feature many more familiar View Askewniverse faces, including Shannon Elizabeth, Diedrich Bader, and Brian O'Halloran, as well as some new ones - such as Joe Manganiello and Grant Gustin. Saban Films is on board producing and distributing, but it's not yet known exactly when fans can expect to see the finished film.

As he pretty much always is, Kevin Smith has been active on Twitter all throughout the production of Jay And Silent Bob Reboot, so you can be sure that this isn't the last update we'll get from the set. Stay tuned for more updates as the filming continues of what we hope winds up being a super weird, meta, funny ride.