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Wednesday, October 30, 2019

Jordan Peele's Us Has A 100% Rotten Tomatoes Score Ahead Of Opening

Jordan Peele's Us Has A 100% Rotten Tomatoes Score Ahead Of Opening
Lupita Nyong'o in Us

There are not really any huge new releases in theaters this weekend, with studios giving the MCU’s Captain Marvel a wide berth, but next weekend Jordan Peele is back with Us. The eagerly anticipated sophomore film from the writer-director of Get Out has a lot to live up to after that successful and Oscar-winning film, and signs are good it will do just that. Us has already screened and it is currently sitting at a sterling 100% fresh on Rotten Tomatoes.


Us opened the 2019 South by Southwest Film Festival last week and immediately the reactions were extremely positive. The movie was trending in the right direction. Full reviews paint a clearer picture, though, and those have proven to be very encouraging that Us is anything but a sophomore slump. The rare and exciting 100% score on Rotten Tomatoes for Us is coming from a healthy 55 reviews to date, with more to come upon the film’s release.


The 100% score is impressive and definitely should get horror fans and film fans in general hyped to see this movie, but the chances that the score stays perfect are not great. Films that maintain a 100% on the Tomatometer with hundreds of reviews counted (like Paddington 2) are exceedingly rare. There's always a contrarian or two for whom a film just does not work, or maybe they just like to watch the world burn.





Even the critically lauded Get Out couldn’t stay perfect, finishing up with a 98% with 347 reviews counted. The often misunderstood and maligned Rotten Tomatoes scores aren’t the be all end all arbiter of a film’s quality. But what we can take from the score for Us as it stands is that those who have seen the movie like it and that’s a positive sign that it will be worth your time as well.


The reviews and early reactions have also teased that unlike Get Out, which was dubbed a "social thriller," Us is a genuinely terrifying horror film. Based on what CinemaBlend’s own Sean O’Connell said about the film, this is a movie you’ll want to steer clear of spoilers for and something you’ll need to watch again once you recover.


The buzz and current perfect Rotten Tomatoes score for the new horror film from the director of Get Out can only help Us, which will be next weekend’s biggest new release. The R-rated Us is tracking at making between $40 million and $45 million opening weekend, according to The Hollywood Reporter. That’s up a bit from early tracking that had it in the $35-$40 million range. For comparison Get Out opened to $33.3 million.





Us tells the tale of a family contending with their murderous doppelgängers and stars Lupita Nyong’o, Elisabeth Moss, Winson Duke, Evan Alex, and Shahadi Wright Joseph.


Us opens in theaters on March 22. Check out our 2019 release schedule for all the other movies you can look forward to this year.

Tuesday, October 29, 2019

Avengers: Endgame’s VFX Artists Took A Lot Of Lessons From The Lord Of The Rings Trilogy

Avengers: Endgame’s VFX Artists Took A Lot Of Lessons From The Lord Of The Rings Trilogy
Lord of the Rings cast

Weta Digital has been in the digital effects game for over 25 years, and the company’s most recent contribution to the cinematic landscape was in Avengers: Endgame, specifically through the explosive final battle. During my recent interview with Weta visual effects supervisor Matt Aiken, I asked him whether there were any non-Marvel movies Weta had worked on that inspired the work done on Endgame, and he informed me that there were quite a few parallels between the final chapter of the Infinity Saga and what he and his team had done on the Lord of the Rings trilogy. Aiken explained:



A bunch of us, myself included, go all the way back to Lord of the Rings at WETA Digital. That had giant battle sequences, predominantly CG battle sequences as well. It was interesting, we really felt like we were back in the territory of Helm’s Deep and the Battle of Pelennor Fields at times on this film, which was fun for a bunch of us who’d worked on those films as well. And we’re using some of the same techniques and software in Lord of the Rings. We’re using MASSIVE, which is the crowd-simulation software that we developed in house at WETA Digital to do those battle scenes for Lord of the Rings to do the crowd simulation work for Endgame as well. It’s a way more developed version of that, but it’s still plenty of the same software.



The Marvel Cinematic Universe has delivered some amazing battles over the last 11 years, but for now, Avengers: Endgame’s final conflict ranks as the biggest yet. All the major MCU heroes, from the ones we’d followed along with since the beginning of the movie to those who were dusted in Avengers: Infinity War coming back to life, as well as their armies of allies, fighting the 2014 versions of Thanos and his forces. Who knows if/when we’ll ever see a clash like this again in the MCU.




While a battle of that scale is novel for the superhero franchise, for Matt Aiken and his team, it was familiar territory for them, because even though it’s been nearly two decades since the Lord of the Rings trilogy launched, they were using the same software to create these large crowds back then as they did for Avengers: Endgame in the last year or so, albeit with many improvements.


However, the trick with creating these kind of fights isn’t just plopping large crowds onto a battlefield; it’s also ensuring that the combatants can stand out amidst all the action. What’s the point watching two sides duke it out if everyone’s actions look the same? That would be boring. Matt Aiken and his Weta team figured that out during their time on Lord of the Rings and incorporated it into Avengers: Endgame. As Aiken put it:



And then things we learned from Lord of the Rings that we were able to bring to bear here as well. The one thing we always like to do is when we have these big battle scenes is not to just treat everybody the same, so in Endgame, we’ve got multiple different flavors of army on both sides, both Thanos’ side and our heroes’ side. We’ve got Wakandans, Asgardians, Ravagers, sorcerers on the heroes’ side, and we’ve got Chitauri, Outriders, Sakaarans, the Black Order on Thanos’ side. And we want to preserve the individual fighting styles for each of these sub-armies, if you like, so that when we have a clash, we can tell if it’s a bunch of Outriders dealing to some sorcerers, or maybe we’ve got some Wakandans who are able to take on a whole lot of Chitauri.





The MCU and Middle-Earths sagas are incredibly different from one another, but when it comes to VFX work, as Matt Aiken laid out, a lot of the same methods were applied to both franchises. Given technological advancement, obviously these methods were more refined for Avengers: Endgame, but overall, it’s like the old saying goes: if it ain’t broke, don’t fix it.


While Weta Digital handled VFX for all the Lord of the Rings movie and the subsequent Hobbit trilogy that followed a decade later, Avengers: Endgame marked just the fifth MCU movie the company worked on, the previous ones being The Avengers, Iron Man 3, Guardians of the Galaxy Vol. 2 and Avengers: Infinity War. Given what Weta pulled off in all those movies, Endgame especially, I suspect Marvel Studios will continue relying on its services for future installments.


Avengers: Endgame’s final battle definitely gave viewers a lot of moving pieces keep track of, from Captain America finally wielding Mjolnir to the women of Marvel coming together to transport the Infinity Gauntlet to Scott Lang’s van. Even with the good guys getting that surge of reinforcements, Thanos nearly succeeded in destroying the universe and replacing it with a new one, but Tony Stark managed to swipe the Infinity Stones and channel their power to turn all the Mad Titan and his minions to dust, though it came at the cost of his own life.




As for the Lord of the Rings franchise, obviously its time on the big screen has come and gone, but the Middle-Earth mythology will soon be explored on the small screen. Amazon has a Lord of the Rings TV series in the works, although instead of just adapting the original novels again, it will tell new stories set before The Fellowship of the Ring. Given that Weta primarily works on movies, as well as Amazon probably wanted its series to look different from the movies, it’s unlikely the New Zealand-based company will be brought in to work on this show, but I suppose anything is possible.


Avengers: Endgame is still playing in theaters, so be sure to read CinemaBlend’s review of the movie and stay tuned for more coverage on it. If you’re curious about what the MCU has coming up, check out our Marvel movies guide. As for the Lord of the Rings series, it doesn’t have an official premiere date, although it might be ready by 2021.

Wait, Is James Bond 25's Title Being Released Soon?

Wait, Is James Bond 25's Title Being Released Soon?

Ever since the release of Spectre, fans of the James Bond franchise have wondered what was next for the super spy. Whether or not there would be another movie was never in doubt, but what that would be, and what it would look like, certainly was. Now we know that Daniel Craig will be back in the role of Bond, and tomorrow, we'll know something more, according to the official James Bond Twitter account.


Exactly what this live reveal will, well, reveal, isn't made specifically clear. However, since we're still stuck calling this new movie the incredibly generic Bond 25 for the moment, an actual title would be a great place to start. The only thing we know regarding the title is that the previously rumored Shatterhand, is not what the movie is called. So we can eliminate that, and we can probably eliminate the name of every previous Bond film as a title, and that leaves several billion possibilities.


Beyond a title, the one that we know will be part of the announcement is casting. In addition to the returning Daniel Craig, we know that Ralph Finnes, Ben Whishaw and Naomi Harris will return to reprise their roles as members of MI6. We also know that Lea Seydoux's character from Spectre will also return. However, we don't know who the villain will be or what other characters might appear. It sounds like we'll get some of those answers.




This live reveal is set to come from an "iconic 007 location" which likely means the movie is finally getting shooting underway. Once that happens, it will be harder to keep some secrets, such as casting, so perhaps the plan is to let the cat out of the bag this way, and thus get a buzz that will start the hype train going on the new film before its release in 12 months time.


It's been a long road to this point. First we had the prolonged "will he/won't he" question regarding Daniel Craig's return. Once Craig officially did confirm he would play James Bond again, things got underway with Danny Boyle as director. However, Boyle eventually left the project, apparently due to conflicts with the studio and perhaps Craig himself. Cary Fukunaga is now helming the new movie with a script that recently saw rewrites from The Bourne Ultimatum's Scott Z. Burns. There's a good chance we'll see the director as part of this event tomorrow.


Whatever we actually learn tomorrow, it will likely only be the beginning.



Captain Marvel Directors Explain How They Collaborated With The Russos For Avengers: Endgame

Captain Marvel Directors Explain How They Collaborated With The Russos For Avengers: Endgame
Captain Marvel in her movie

Spoilers ahead for Avengers: Endgame


It's been over a month since Avengers: Endgame arrived in theaters, and the public is still reeling from the dizzying narrative that The Russo Brothers crafted. And with the spoiler-ban long since lifted, collaborators from the Marvel Cinematic Universe can be more chatty about the movie's contents, revealing how the superheroic sausage gets made.


Endgame and Infinity War were filmed back to back, and with Captain Marvel set to arrive in the interim between releases. The latter movie was directed by Anna Boden and Ryan Fleck, and they recently revealed to CinemaBlend how they collaborated on The Russo Brothers' pair of Avengers flicks, saying:





Ryan Fleck: Yeah, sure. Just to clarify, we were actually shooting simultaneously. They shared the script with us, we shared ours with them, and we each gave each other feedback on them, so it was a very fluid approach to the character. You want to add to that, Anna?


Anna Boden: They did shoot with her before and after she shot with us. But, you know, it was a really nice introduction into that world because the Russo brothers have been working with Marvel for so many years, and had already made a couple of our favorite Marvel films at that point. And we were on set with Brie for her first day of shooting in Atlanta. We saw the first time that she tried on that Captain Marvel costume. It was really exciting and just feeling the energy of bringing this new, really important character into that world, and getting a sense of where she was going to go and how important she was going to be before making our film was really, really amazing.



The Marvel Cinematic Universe is a well-oiled machine, and the Captain Marvel co-directors' comments to CinemaBlend's Eric Eisenberg prove just that. While the script for Infinity War and Endgame were kept largely under wraps, there was still room for collaboration with directors in the franchise.


Captain Marvel's long-awaited adaptation into live-action came about during a fascinating time in the MCU. Captain Marvel and Ant-Man and The Wasp were released after Avengers: Infinity War, helping to move the story forward and satiate the fans after Thanos snapped his fingers and wiped out half of all life. Brie Larson was cast years earlier, and all eyes were on what Carol Danvers would do with her super powerful abilities.




Brie Larson's role in Endgame was also fascinating because she had to play the role prior to actually filming Captain Marvel. The Oscar-winning actress jumped feet first into the Marvel Cinematic Universe, but it turns out that the co-directors of the origin movie were cued in to her role in the massive ensemble project. That's how you do serialized storytelling, folks.


Captain Marvel had a fairly limited role in Avengers: Endgame, as The Russo Brothers primarily focused on the original six team members. But she was a macguffin for some of the biggest moments in the blockbuster, starting off by saving Tony Stark and Nebula from certain death in the void of space.


She was noticeably absent from the Time Heist, with a bit of exposition revealing Carol Danvers was policing the galaxy during the fallout of Thanos' snap. But she came back during the knick of time during the final epic battle in the ruins of the Avengers compound. Captain Marvel singlehandedly destroyed Thanos ship, and engaged the Mad Titan directly. She was also in the all-female moment, which caused applause during countless screenings.




Related: One Marvel Hero Had To Be Added To Endgame's Women-Of-Marvel Sequence Via Digital Effects


It should be interesting to see how Captain Marvel factors into Phase Four. She should be in direct communication with the Avengers, and a sequel seems inevitable. The audience also hasn't been privy to how her conflict with the Supreme Intelligence went down, or where the Skrulls ended up taking up residence. And Brie Larson is hoping Ms. Marvel might be introduced in a future installment as well.


Avengers: Endgame is in theaters now. Be sure to check out our 2019 release list to plan your next trip to the movies.



Monday, October 28, 2019

What Excites X-Men Producer Hutch Parker The Most About The Team’s Move To Marvel

What Excites X-Men Producer Hutch Parker The Most About The Team’s Move To Marvel
Mystique, Beast and other X-Men in Dark Phoenix

Although The New Mutants is still set to be the last X-Men franchise movie released that was given the green light when 20th Century Fox was still its own studio, Dark Phoenix will be the last installment of the main X-Men film series. Now that the X-Men and the Fantastic Four are at Marvel Studios, it’s expected that somewhere down the line, these properties will be rebooted to fit within the Marvel Cinematic Universe continuity.


Hutch Parker, who’s been a producer on the X-Men franchise ever since 2013’s The Wolverine, is excited to see these mutant heroes and villains operate in the MCU because it allows new filmmakers tot put their own stamp on their characters. As Parker told CinemaBlend’s own Sean O’Connell during the press junket for Dark Phoenix:



[Marvel Studios is] incredibly gifted and they’ve done great work. And to see their interpretation of these characters, part of the fun of doing the X-Men movies has been seeing different filmmakers’ takes on these characters, and that’s the opportunity we going to see with Marvel, is to see their take on what they would do with these characters, and I can’t wait to see.





No doubt a lot of superhero movie fans share that sentiment, and Marvel Studios president Kevin Feige has made it clear that the X-Men will eventually be utilized within the MCU, though that won’t happen for a long time. Nevertheless, Hutch Parker acknowledged that Marvel has delivered a lot of great content over the years, and he’s eager for new creative minds to step in and adapt the X-Men in ways that are different from what we’ve seen in the Fox era.


As far as the main X-Men film series is concerned, half of it has been directed by the same man: Bryan Singer, who kicked off the franchise in 2000 and ended his run with X-Men: Apocalypse in 2016. Brett Ratner directed X-Men: The Last Stand, Matthew Vaughn directed X-Men: First Class (he was going to stick around for X-Men: Days of Future Past, but he left to work on Kingsman: The Secret Service) and Simon Kinberg, who’s been attached to the franchise since The Last Stand, is making his directorial debut with Dark Phoenix.


However, movies like Deadpool and Logan showed that you can deliver X-Men-related movies that feel neither like the main X-Men entries or ‘regular’ superhero movies. With this genre’s popularity showing no signs of dying down, it’s become more important for these kind of movies to try to stand out, particularly when it comes to tone, and the X-Men franchise was getting a good handle on that.




There were a number of X-Men spinoffs in development before Fox was purchased by Disney, such as Gambit, X-Force and X-23, but aside from Ryan Reynolds being kept around as Deadpool, it looks like Marvel will be starting from scratch on the X-Men mythos. So Dark Phoenix and The New Mutants mark the end of an era, but considering everything that MCU has churned out over the last 11 years, it will be interesting to see what kind of spin this franchise eventually puts on the mutants.


You can listen to Hutch Parker’s full remarks on the X-Men’s cinematic future at Marvel in the video below.


As for Dark Phoenix, it picks up nearly a decade after the events of X-Men: Apocalypse and sees Jean Grey being corrupted and turned into the movie’s namesake. It remains to be seen if audiences will be more impressed with this adaptation of The Dark Phoenix Saga than they were with the first one, X-Men: The Last Stand, but commercially speaking, it’s looking to come in second place at the box office this weekend, trailing behind The Secret Life of Pets 2.




Dark Phoenix opens in theaters this Friday, June 7, and stay tuned to CinemaBlend for any updates on what’s in store for the X-Men within the MCU. For now, you can look through our 2019 release schedule to learn what other movies are coming out later this year.

What Every Major Batman Actor Was Famous For Prior To Playing Bruce Wayne

What Every Major Batman Actor Was Famous For Prior To Playing Bruce Wayne
Christian Bale as Batman on motorcycle in The Dark Knight Rises

Since reports surfaced last week that Robert Pattinson would be playing the Caped Crusader in Matt Reeves’ The Batman, the internet’s outcry has revolved around memories of the actor’s iconic Twilight role of Edward Cullen. Pattinson infamously glittered as a century-old vampire in love with an awkward teenage girl in the five film franchise between 2008 and 2012.


A petition has even made its way online already to boycott Robert Pattinson's casting, as fans have started to divide over the news of the upcoming Batman flick. It’s a predictable response that has happened time and time again during the comic book character’s many iterations over the years. The Dark Knight is beloved by many and fans have been burned before, so strong opinions are bound to come up when the news doesn’t match up with what’s expected or desired.


If past Batman portrayals have taught us anything, it’s this: what they're famous for before suiting up isn’t directly related to how great or not great they’ll be once they do. The filmmakers’ vision and ability to carry this out effectively is what defines a good Batman movie. In honor of The Batman reportedly moving forward with Robert Pattinson taking on the next Bruce Wayne performance, let’s venture back to every major Batman actor's impression on the public prior to their Batman debut.




Michael Keaton - Beetlejuice


Before taking on Batman in the first live-action version of the superhero in over 20 years, Michael Keaton was best known for playing in Tim Burton’s Beetlejuice. The actor started out in a role that bared more of a resemblance to the Dark Knight’s arch nemesis Joker. If the internet had existed in those days, a lot of folks certainly voiced their concern for the choice considering how goofy and villainous Keaton's most famous role showcased him as. Of course, this collaboration with Burton (which he recently went back to with Dumbo) may have been the very reason why he got his foot in the door to play Batman in the first place.


Michael Keaton had a couple of other roles under his utility belt too. He had his first starring role in Ron Howard’s Night Shift, starring Henry Winkler and Shelley Long. He also played in two other comedies, Mr. Mom and Touch and Go. Looking back, Keaton’s Batman movies are on the more cheesy, comedic side as opposed to the brooding Dark Knights of today but his past roles didn’t exactly scream Bruce Wayne before he nabbed the part.


Val Kilmer - Top Gun


When Val Kilmer was cast in Batman Forever for Joel Schumacher’s first of two takes on the masked vigilante, he had not yet become the action hero we know him as today. The actor broke into Hollywood at 25 with the 1985 comedy Real Genius and then starred as Iceman one year later in the box office mega hit Top Gun. Kilmer definitely had the pretty boy charm to dazzle as the well-off Bruce Wayne. With an overstuffed cast and so-so movie however, the actor won’t go down in history as the best of the Batmen, but it wasn’t his fault, and his performance as the character is actually pretty underrated.




Val Kilmer’s casting as the Caped Crusader may have been a bit more straightforward in comparison to Michael Keaton’s, but the disappointing final product had a lot to do with the movie itself. It goes to show that good casting doesn’t always pan out for both the actor and the fans because there are a lot of moving parts that contribute to a movie finding its wings. Either way, Batman Forever still did well commercially and launched Kilmer in more action roles for years to come.


George Clooney - ER


We now move from the good to the kinda bad to the ugly. Joel Schumacher had another shot at a Batman film, this time with George Clooney as the Bat, and it’s famously a doozie. Even Clooney admitted Batman & Robin “wasn’t a good film” and he doesn’t think he was good in it. However, after he starred in the film Clooney really rose to stardom, much because he learned a lesson to be more choosy in his roles. Before there was Ocean’s Eleven, Up in the Air, The Descendants and Gravity, and before he suited up bat nipples and all, he was best known for playing a hunky doctor on ER.


George Clooney was a heartthrob on the small screen when he played Dr. Doug Ross on the NBC medical drama from 1994 to 1999 before he became Batman. Playing a good-looking hero certainly can’t help one’s chances at nabbing the role of Dark Knight. The actor could have done better as the Caped Crusader if it wasn’t for all the tacky puns and choices the movie made. The role has certainly stopped Clooney from looking in even the general direction of superhero franchises since the experience though.




Christian Bale - American Psycho


After Hollywood took a long break from making more Batman movies, Warner Bros decided to take a crack at Christopher Nolan’s darker take on the comic book hero starring Christian Bale as Bruce Wayne. Before he was known for the critically-acclaimed Dark Knight trilogy, Bale was most recognized as playing Patrick Bateman in American Psycho. The haunting role had Bale playing a psychopath with a thirst for violent fantasies - which isn’t exactly in line with Batman’s m.o.


Christian Bale had just finished playing an underweight insomniac for The Machinist too when he took on the role and packed on 100 pounds to play the Bat. He actually gained too much and had to drop down 20 before starring in 2005’s Batman Begins. Bale was the first English actor to play Batman, so he likely got some flack at the time for portraying an American hero - though today tons of British actors have successfully taken on superhero roles. The actor wasn’t an obvious choice when he was cast, but now is one the highest regarded actors who have donned the cape and cowl.


Ben Affleck - Argo


Unlike the other Batman actors, Ben Affleck was quite a seasoned actor when he was cast as Bruce Wayne for the DCEU. The actor had a presence in Hollywood for over 20 years, with famed roles in movies like Good Will Hunting, Armageddon, Daredevil and so forth. At the time of Affleck’s casting in Batman v. Superman: Dawn of Justice, he was most remembered for starring and directing in Argo, which won Best Picture at the Oscars in 2013.




With the legacy of Christian Bale’s Batman lurking in the shadows, the studio purposely went for an older, more seasoned Batman for the movie in order to avoid comparisons and skip out on telling his origin story again. When Ben Affleck was initially cast, many fans felt he was the wrong choice for the part. However, he ended up faring quite well among audiences as the character once he played the role on the big screen. Still, he never really got time to shine as he shared his screen time with Superman and the Justice League as DCEU attempted to form. After Justice League’s critical failure and Affleck dealing with substance abuse, he left the role and left the solo film wide open for yet another actor.


So now history repeats itself! It's time for another Batman. Robert Pattinson’s resume is actually a lot more extensive than his peers, as he has branched out to dramatic roles in films such as The Lost City of Z, Good Time and High Life along with leading the highly-successful Twilight franchise at the start of his career - oh, and he was in a Harry Potter film too!


From what we know so far about Matt Reeves project has a lot going for it too! The writer/director best known for the latest Planet of the Apes entries has a noir-type tale that will have him showing off his detective skills and going head-to-head with a rogue gallery of villains. So, why not Robert Pattinson? If he was cast in the role, Reeves must have thought he was the man for the job.




What do you think? Are you excited to see Pattinson join these fellas at the next Batman? Tell us your thoughts in the comments below.

Looks Like The Flash's Costume In Cancelled Justice League Mortal Would Have Been Wild

Looks Like The Flash's Costume In Cancelled Justice League Mortal Would Have Been Wild


It's no secret that superhero movies are everywhere. Comic book adaptations have proven to be the most profitable and popular genre in filmmaking, so there are plenty of studios trying to get in on the fun with their own cinematic universe. But there was a time when this wasn't the case, and back in 2007 DC tried to get together the ill-fated blockbuster Justice League Mortal, directed by Mad Max's George Miller.


Details about Justice League Mortal have slowly trickled out throughout the years, including which characters would have factored into the ensemble project. The cast would have featured The O.C.'s Adam Brody as The Flash, but it also appears that the late Anton Yelchin may have been another name floated around. A concept art just hit the internet, reportedly made for Yelchin's verison of the speedster. Check it out below.


Talk about a different look. It looks like George Miller's plans for Justice League Mortal would have been even more void of color than Zack Snyder's trilogy of DC movies. While Snyder often prefers muted tones, the above art for The Flash's costume is totally grey. You can barely even call the character the Scarlet Speedster, considering how void of the color red he is.





This new image comes to us from Instagram, and mentions Anton Yelchin as the actor it was made for. This might be surprising for moviegoers who are familiar with the ill-fated development for Justice League Mortal. A full cast was assembled (and photographed!), with Yelchin not part of the group. Instead, The Flash was going to be played by Adam Brody, who was having some success in the world of TV acting.


Anton Yelchin was also younger than Adam Brody, making the reports of his involvement all the more suspect. Yelchin would have only been about 18 years old in 2007, and didn't have the following he did later in life. As such, it seems more likely that George Miller would have chosen an older and arguably more famous actor to play the Scarlet Speedster.


Regardless of which actor was going to inhabit the role, the possible costume for The Flash in Justice League Mortal would have thrown hardcore comic book fans for a loop. The Flash almost always has a bright red suit, leaving a trail of red behind him when running at superheroic speeds. This look is void of color, possibly teasing a dark incarnation of the character than Ezra Miller eventually played in Justice League. Of course, that might be changing soon.





Ezra Miller's Flash solo movie has been sitting in development hell from years, suffering multiple set backs and losing quite a few directors along the way. The latest report indicates Miller is trying to help the writing process, and make the film darker in tone. Could he also end up with a grey suit? We'll just have to wait and see.


CinemaBlend will keep you updated on all things DC and Flash, as details become public. In the meantime, check out our 2019 release list to plan your next trip to the movies.

 

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